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21 Savage Bloodies 6ix9ine-Merch Wearing Mannequin
21 Savage might have indirectly said that “Snitches & Rats”, one of the songs off his chart-topping new album Savage Mode II, isn’t about Tekashi 6ix9ine but he’s definitely not rocking with the Brooklyn-born rapper.
“I see y’all talking about the ‘Snitches & Rats’ song [being] like a 6ix9ine diss song or something,” said 21 Savage on Instagram Live on the date of the album’s release. “6ix9ine ain’t the only rat in America. He’s not the only snitch in the world, man. F*ck wrong with y’all? Y’all need to listen to that sh*t though ’cause that sh*t is facts. A rat is a f*cking rat, period.”
The song contains two parts. The first is an interlude performed by Morgan Freeman, which is a highlight on the project. The second is a song featuring Young Nudy.
Despite the song not formally being about Tekashi 6ix9ine, that doesn’t mean that 21 Savage wasn’t at least firing some rounds at the rainbow-haired rapper.

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Following his 70s-themed birthday party, which saw T.I., Lil Baby, Young Thug, Meek Mill, G Herbo, and more pull out their best pimp costumes, 21 Savage enjoyed another party, planned by SG Tip. As decorations, Tip set up lots of red balloons and even installed a “snitch” mannequin with a sign that read: “The wounds on this rat will never heal because when you squeal you know the deal. All rats die slowly!!!”
The mannequin was wearing one of 6ix9ine’s new merch designs. As though he had been beaten and tortured, there were bloodstains all over the figure and his clothing.
Recently, 6ix9ine has been inching back into public life, showing up in several fan photos with a new beard. He also showed off his new tattoo on Instagram, filling in his chest piece with Takashi Murakami-inspired art.
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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”
François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.
François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.
The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.
“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.
Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud
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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”
RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.
Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.
“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.
With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.
Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok
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