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21 Savage Seemingly Disses Jeezy On “Savage Mode 2”
All year long, fans have been begging 21 Savage and Metro Boomin to release the long-awaited sequel to their 2016 collaborative project. Savage Mode II has been in the works for a minute and both artists have teased its release throughout the year. The pair announced the project with some help from Morgan Freeman who lends his vocals on Savage Mode 2.
There were many highlights that stood out on the project upon its release yesterday morning. Drake’s verse on “Mr. Right Now” stirred up controversy after he admitted that he used to date SZA. She later unfollowed Drake on Instagram. However, it seems like not everyone picked up on the apparent shot at 21 Savage directed at Jeezy. Savage and Metro’s “Many Men,” which pays homage to 50 Cent’s song, seems to include a diss towards the CTE boss.
Nice girls can’t even keep me (Never)
Need a bad girl like RiRi (Yeah, yeah)
We don’t pump fake, we kill beef (21)
21 Savage, not Jeezy (Pu**y)
It’s still unclear what the root of their issue is. Jeezy has yet to issue any response to 21 and it doesn’t seem likely we’ll hear him address is on social media or on wax. However, Jeezy did recently announce a new talk show host. Perhaps we can expect 21 Savage and Jeezy to hash out their differences on there.
Check out the song below.
Artist Spotlight
Wyn Calico create the need to support with his latest release “Support”
Wyn Calico steps into deeply personal territory with his latest single, “Support,” a heartfelt offering that addresses a feeling many people know, but rarely express so openly. It’s a song about the universal desire to be encouraged, recognised, and uplifted, turning personal frustration into a relatable message of resilience.
“Support” is a meditation on what it feels like to work tirelessly for something you want, but not have the support you need to fully achieve it. Wyn Calico expresses the emotional burden of wanting to make a difference, believing in your purpose, and still moving forward when you hit setbacks. The song is not only about disappointment, but also a rallying cry of resilience in the face of adversity.
This song also highlights an important truth, there are many talented and hard-working people out there who have everything it takes to make a difference, except the encouragement and opportunity to flourish. Wyn Calico’s lyrics and delivery shine a light on that struggle and offer a sense of solidarity to those in similar situations.
“Support” isn’t just a personal statement. It’s a conversation starter. It encourages us to think about the value of community, support, and believing in each other. Wyn Calico’s latest drop is honest, relatable, and emotionally driven, a powerful reminder that even in the moments of isolation, the desire to keep pushing forward is still stronger than ever.
Artist Spotlight
NNORDY steps into jazz fusion with latest release “Wrong Turn”
NNORDY’s latest release, “Wrong Turn” is a fully live jazz fusion album that showcases the limitless possibilities of instrumental storytelling with the remarkable chemistry between guitar, keyboards, bass, and drums. The song has no words but is an excellent story told through musicianship and sets the stage for listeners to embark on a rich jazz experience.
“Wrong Turn” shows the strength of live performance from the get-go. Each instrument feels alive and in conversation with the others, a dynamic dialogue that develops organically over the course of the piece. Without vocal guidance, each musical phrase is left to speak for itself, giving the listener the freedom to interpret the track in their own way.
The guitar and keyboards often lead, crafting complex melodic lines and textures that give the music direction and atmosphere. Meanwhile, the bass and drums lay down a solid rhythmic base, creating movement and momentum while still leaving a lot of room for exploration. NNORDY creates a track that both dedicated jazz fans and listeners looking for something adventurous and fresh will enjoy. “Wrong Turn” shows that instrumental music can be as expressive and compelling as vocal music.
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