Music
50 Cent Slams The Grammys Over The 2021 Best Rap Album Nominees: ‘They Out Of Touch’
Getty Image ‘This sh*t ain’t it.’ …
The backlash to the 2021 list of Grammy nominees has been swift and severe. Some of the major criticisms about the list were related to the hip-hop categories, like how very few women are present in them. 50 Cent has similar issues, as he is not a fan of the nominees for Best Rap Album.
As HipHopDX points out, 50 Cent shared and later deleted the list of nominees in that category on Instagram, which consists of Black Habits by D Smoke, Alfredo by Freddie Gibbs and The Alchemist, A Written Testimony by Jay Electronica, King’s Disease by Nas, and The Allegory by Royce Da 5’9″. 50 expressed his discontent with that selection, writing, “Best Rap Album [smiling emojis] They out of touch this sh*t ain’t it, get the f*ck outta here.”
Although he didn’t say it, it’s possible 50’s displeasure with the category has to do with his involvement in the posthumous Pop Smoke album Shoot For The Stars, Aim For The Moon. The album and its songs didn’t earn any nominations, which he predicted earlier this month would happen when he said, “If it’s recognized, it will because he’s gone. The content is similar to what I would do. They didn’t recognize mine. They gave me Grammys when I was with Em, when I’m on records with Eminem. Other than that, they’re afraid to give him Grammys because they think it’s teaching the audience to want to be like Pop, and to be like him is to be part of gang culture. Who you see get Grammys that is making drill music? You mean to tell me ain’t none of those songs worthy of it?”
Find the full list of 2021 Grammy nominees here.
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Vishwa Ganesh stirs a mesmerizing pure rhythmic joy with “Don’t Wanna Go”
Hit play to briefly escape the world with “Don’t Wanna Go,” an innovative work by emerging artist Vishwa Ganesh. Based in Dubai, this dynamic vocalist embarks on a delightful creative adventure, offering listeners a richly vibrant, intimate, and cohesive auditory experience. Recorded in his hometown of Dubai, “Don’t Wanna Go” pairs rhythmic hooks with lighthearted vibes and infectious energy from the first beat. Vishwa’s velvety vocals float effortlessly over intricate production and instrumentation, while the immersive Dolby Atmos mix elevates the listening experience to a whole new dimension.
Breaking away from his customary narrative-driven style, he adopts a comprehensive role as a writer, composer, and performer, leveraging his multifaceted talents to craft an upbeat track that encapsulates a danceable anthem celebrating the sheer joy of being present at the moment. Each meticulously fused sound feels perfectly placed, enveloping audiences in a kaleidoscope of melodies that inspire their feet to move.
What truly sets this track apart is its dedication to authenticity. Eschewing pre-made samples and loops, Vishwa crafted this masterpiece entirely from scratch. That raw creativity shines through, making each note, rhythm, and harmony personal and intentional. The result is a standout track in his discography that doesn’t just entertain; it connects.
“Don’t Wanna Go” embodies a sensibility that encourages individuals to immerse themselves in its exuberant rhythms through high-energy dance scenarios or simply enjoying intimate listening vibes with headphones. It reminds us that music can be a profound source of unfiltered happiness, providing a respite from the distractions and complexities of everyday life.
Through “Don’t Wanna Go,” Vishwa Ganesh conjures an enchanting sonic vibe that merits inclusion on every playlist. He transforms mundane moments into spontaneous dance opportunities while demonstrating his versatility as an artist. This work underscores his musical evolution as a noteworthy trajectory to follow. Set it on repeat, and you will find it hard to let go.
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“Pretty Ugly” by Archer Stevens stirs the soul with retro-modern rock vibes
“Pretty Ugly,” the inaugural single by Archer Stevens, represents a compelling homage to the golden age of 70s rock music with a fresh coat of modern vibrancy. From the outset, the track masterfully exudes an irresistible energy that embodies vintage and contemporary influences, acting as a sonic bridge between eras. The Phoenix-based ensemble skillfully weaves their influences into a pronounced, personal narrative.
A noteworthy aspect of the track is its instrumentation. Recorded across three diverse locations, Phoenix, Los Angeles, and even Peru, the song has a global resonance. The incorporation of congas introduces a surprising layer of depth and rhythm, giving “Pretty Ugly” a distinct flair that separates it from cookie-cutter rock releases. This thoughtful musical choice enhances the song’s groove, complementing the shimmering guitar lines and soulful vocal delivery.
Lyrically, “Pretty Ugly” plays on contrasts, embodying the emotional push and pull of life’s dualities. The heartfelt lyrics evoke a sense of intimate admiration and longing to please a partner, while the melodic structure ensures the track remains uplifting despite its introspective qualities.
By drawing inspiration from the enduring spirit of rock legends such as Elton John, Joe Cocker, and the Rolling Stones, Archer Stevens pays tribute to their predecessors without resorting to imitation. The soaring vocals and driving rhythm establish “Pretty Ugly” as a cathartic anthem that appeals to classic and contemporary rock enthusiasts. With this debut, Archer Stevens distinguishes itself as a band unafraid to experiment and honor its musical heritage, thus carving out its unique sonic identity. The result is a richly layered auditory experience that captivates from the first listen, revealing engaging narratives within the music.
For more information about Archer Stevens, please visit [website].
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