Entertainment
Aaron Carter Claims Michael Jackson Told Him Why He Liked Spending Time With Children
If there’s a child star that has certainly changed from the squeaky clean image he once held, it’s Aaron Carter. The former kid star is now 32-years-old and in recent years, he’s been embroiled in a few head-scratching headlines that have given pop fans pause. Aside from Rihanna-inspired tattoos and internet beefs with his relatives, Aaron Carter has been excommunicated by his siblings for, they claim, threatening physical harm. Carter has made himself a controversial figure with his antics, but he forges ahead with his music career with his fiancée by his side.
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The singer recently sat down with Vlad TV to talk about his days with Michael Jackson, as he and the music legend were reportedly close when Carter was younger. Aaron Carter seems to regularly speak about his friendship with the late King of Pop and during his conversation with Vlad, Carter claims that he once asked Jackson why he liked spending so much time with children.
“He started giggling and he said, ‘Because the best way in the music industry to stay relevant is to always keep instilling a positive message into the younger youth and showing them different sides of life,’” Carter claimed Michael Jackson said. He then alleges that he spoke with Jackson just weeks before he died and the music icon told him that he couldn’t take living life anymore.
Check out what else Aaron Carter had to say about smoking weed with MJ and much more below.
Artist Spotlight
Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.
Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.
The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.
The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.
The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.
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Artist Spotlight
Marsha Bartenetti reinvents in her own style “New York Minute”
Marsha Bartenetti’s latest release, “New York Minute,” written by Don Henley, Danny Kortchmar, and Jai Winding, offers emotional depth, turning a timeless look at life’s fragility into a reflective, cinematic journey. Stephan Oberhoff’s arrangement perfectly frames Bartenetti’s voice, and Kevin Bate’s expressive cello adds a warm resonance that makes the track feel like a movie.
The way each instrument sounds makes it feel planned, which lets the listener stay in the fleeting moments the song so beautifully describes. Bartenetti’s singing is the best part of the song. She shows an openness that feels real, as if she has lost something and still fully embraces love and presence with complete honesty. Her choice of words and small changes in tone make the lyrics feel even closer.
“New York Minute,” is a new version that pays tribute to the original while showcasing Bartenetti’s own style. The movie-like instruments and heartfelt vocals make the song feel both personal and universal. It makes us think about how hard it is to let go and hold on.
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