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Rihanna Opens Up About Rediscovering “Fun” In Making Music

Earlier this year, reports surfaced that Rihanna’s highly anticipated ninth studio album, coined R9 by eager fans, was complete. Unfortunately, the months have come and gone without a trace of the upcoming project, leaving some wondering if it was doomed to linger in a purgatorial state. But rest assured, the album is coming — even if the pandemic has thrown a wrench in some of Rihanna’s best-laid plans, presenting new challenges in the process. 

Rihanna

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In a new interview with the Associated Press, Rihanna opens up about rediscovering a joy in making music again. “We started with tons of writing camps,” she reveals, letting out an exasperated sigh. “Now it’s more what do I feel personally? What do I want to put out as an artist? How do I want to play it with my art? How do I want to interpret that, reimagine that? Because it’s been so structured before. You do pop, you do this genre, you do that, you do radio, you do who’s following you and your fans. But now, it’s just like — what makes me happy? I just want to have fun with music.”

“Everything is so heavy,” she continues. “The world that we live in, a lot is overwhelming every single day. And music, I’m using that as my outlet. I just want to have fun with that.” When asked about whether or not she would hit the road under ideal circumstances, Rihanna appears enthusiastic at the prospect. “I want to go on tour but I can’t, and now I’m stuck with music that I love, and now I’m trying to to figure out how I can even create visuals to that. That’s a challenge as well, but I love challenges so you know I’ma get it done.”

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

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“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

Morpheus von Dobenhausen

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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