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Machine Gun Kelly Blasts Musicians Using Sadness As A Marketing Tool

In the entertainment industry where artists are molded to become a certain “type” to be marketed to the masses, authenticity is a rare find. Even some of our favorites have played the game in order to gain sympathy from fans to increase their popularity or sell records, and Machine Gun Kelly is calling them out. The rap-rocker caught up with Kerrang! recently and discussed being an authentic artist in a sea of others who use emotional triggers to collect sympathy.

“Some musicians are honest… they’re honestly annoying,” Machin Gun Kelly told the publication. “They f*cking cry about everything as a marketing tool and leave no space for people like me who’re like, ‘Yo, I actually never f*cking cry about shit that I wanna cry about, but here I am today ready to cry about some sh*t.’ But I won’t do it because you f*cked the whole landscape up because you’re f*ckin’ crying and went you to your label with a marketing campaign like, ‘Hey, here’s my strategy, I’m gonna f*ckin’ tweet every day about how much I f*cking hate myself and how sad I am and rack up the sympathy vote.’”

MGK added that he strives to be an artist that doesn’t rely on deceiving his fans. “If I’m such an inspiration to somebody, as sad as I am, aren’t I supposed to show that there’s resilience in that sadness? Aren’t I supposed to show that you’re supposed to smile through it?” he asked. “I know the internet’s great, but it doesn’t need to necessarily be the form of how I’m going to let my diary out.” Who do you think he was talking about?

[via]

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

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RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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Kieran James Honors Memory with “Part of the Grind”

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Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.

Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.

Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.

In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.

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