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Delonte West “Roughing It Out” In Rehab: Report

Heart-wrenching images of Delonte West begging for money in the streets of Dallas went viral this year and, after spotting them, Mark Cuban promised to help the former hops star. 

The owner of the Dallas Mavericks found West at a gas station, had a conversation with him, and vowed to get him the help that he needs. After that, West reunited with his mother and they agreed to send him to a rehabilitation center in Florida. He has been in rehab for about a week and, according to a new report by TMZ, he’s doing well.


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The retired basketball player is reportedly in the detox stage of his rehab, which is one of the hardest parts to get through. This is known as Phase 1 in his treatment, and it may take longer than you think. Effectively, West is being helped to remove all traces of drugs and alcohol in his system. He is being looked after by professionals and, once he completes this end of the rehab process, he will be moved to a new facility to focus on mental health and long-term sober plans. 

The report states that Delonte is “doing fine” and “roughing it out” right now.


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Hopefully, West is able to find a long-term solution to his substance abuse issues, also locking down a source of income to stay off the streets. We’re all praying for you!

[via]

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

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RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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Kieran James Honors Memory with “Part of the Grind”

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Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.

Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.

Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.

In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.

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