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Bebe Rexha Calls On Doja Cat For “Baby, I’m Jealous”

Two women in music who have been storming the charts have collided. As artists have occupied their time indoors throughout 2020 by creating and releasing new music regularly, Bebe Rexha has refrained from sharing new tunes until Friday (October 9). The pop star released “Baby, I’m Jealous” featuring Doja Cat, and the dedicated fanbases of both artists have already taken over social media to retweet and reshare the sultry mainstream track.

Ahead of the release of “Baby, I’m Jealous,” Bebe and Doja shared a split-screen as they chatted on Instagram Live together. They weren’t the only pop culture figures who made an appearance; the pair was joined by social media superstars Charli D’amelio and Nikita Dragun. Meanwhile, on the track itself, Bebe and Doja trade versus about their feelings of envy about their partners possibly having wandering eyes, so stream “Baby, I’m Jealous” and let us kow what you think about the duo’s latest.

Quotable Lyrics

That chick can’t be that chick
Baby, I’m a bad b*tch
If he fiendin’ he’ll prolly get a catfish
Keep him dreamin’ to pull up on a nap, sh*t

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Artist Spotlight

Seun Kuti & Egypt 80 makes a stand for afrobeat against corruption on latest release Na Dem feat. Tom Morello.

Seun Kuti & Egypt 80

Seun Kuti & Egypt 80 deliver a powerful afrobeat statement with “Na Dem,” Featuring Tom Morello and produced by Femi Koleoso. The track has been a fan favourite even before its official release, and comes with the unmistakable spirit of protest, truth-telling, and social accountability that have long characterized Afrobeat’s most impactful moments.

The song’s heart is a direct challenge to corruption and the abuse of power. Instead of singling out one profession or institution for its critique, “Na Dem” identifies a larger culture of dishonesty, targeting bad lawyers, bad doctors, bad politicians, and anyone who would sell their integrity for personal gain. The message is sharp and uncompromising and delivered with the urgency that has become a hallmark of Seun Kuti’s artistry.

The inclusion of Tom Morello adds another level of intensity to the record. His presence adds to the song’s rebellious energy, creating a powerful intersection between the rhythmic activism of Afrobeat and the confrontational edge of rock. The result of the collaboration is a track that is both timeless and of the moment.

The song’s dedication to principle is what rings true. The moral center of the record is Seun’s statement that he would never prostitute his conscience for money. It turns “Na Dem” from a critique into a declaration of personal values, responsibility, and resistance.

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Artist Spotlight

Deaf Radio returning to a place that feels familiar but has changed on “No Place Like Home”

Deaf Radio

Deaf Radio offers a deeply affecting experience with “No Place Like Home,” a haunting meditation on grief, memory, and the enduring connection between family and place. Rather than a story of loss, the song invites listeners into the emotional experience of returning to a place that feels familiar but has changed.

It’s an open letter to the people, the moments that used to make home. It captures the unsettling experience of walking into a house where everything is still there, the clothes, the scents, the light streaming through the windows, but the person who gave those details meaning is gone. There is only a lingering ache that fills every room.

It’s a complex emotional journey that runs just under eight minutes in “No Place Like Home.” Its structure does not allow for repetition, each section uncovering another layer of feeling. The song begins with a hushed looping arpeggio and the striking line “your tough mother’s love”, immediately setting a deeply personal tone. From there, it spills out into spare, humane verses before exploding into ninety seconds of crushing guitars and feedback that feel like grief breaking through emotional constraint.

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