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Dwight Howard Called Out By Ex Royce Reed For Allegedly Neglecting Kids
It was his first NBA title after a lengthy career with the league, so it was unsurprising to see Dwight Howard showing off his Los Angeles Lakers win and celebratory antics online. In a post, it looked as if he accidentally shared a screenshot of a text exchange with his lady friend which prompted Royce Reed, the mother of his son Braylon Howard, to unleash her wrath. The former Basketball Wives star has had a contentious relationship with Howard for years, and while they have seemed to have learned to keep their drama offline, things have taken a turn.
“Imagine having to text a 3rd party to try and find out if this person plans on seeing their 2 kids that live here and that they haven’t seen since July or SPOKEN to since August before they leave the city and the response is ‘I don’t know, I gotta see what the team doin,'” Royce wrote in the caption to a text image post she shared to Instagram. “A multimillionaire who can catch any flight with a choice to spend a couple hours with children who want to think he’s their own personal Superman. A child who REALLY NEEDS HIM RIGHT NOW!”
“But… I hold this little boy at night through tears and anger. I comfort him. I raise him with love not through money,” Reed added. “So anyone who has an issue with that F*CK YALL! Straight up! Braylon will always cause my lioness to come out! PERIOD!” This bit was an addition to her post which also claimed that their son wants to change his name and was crying because his father was “in his same city but won’t call, text, visit, or send note by pigeon.”
Then, the woman Dwight Howard is allegedly seeing stepped into the conversation with a subliminal shot that seemed to be aimed at Royce. It didn’t go unnoticed, and Royce bit back with a few Instagram Stories that went unanswered. Read through Royce Reed’s messages in their entirety below.
Artist Spotlight
Billy Chuck Da Goat finds his flow on new release “Vibez”
Billy Chuck Da Goat’s latest release, “Vibez,” has a laid-back, hypnotic bounce that makes it easy to listen to without ever feeling empty. It makes a place where calmness and quiet confidence come together.
“Vibez” was made on purpose, but it also sounds simple. Billy Chuck’s smooth delivery flows through the production without rushing or pushing anything. Instead, he lets the rhythm breathe, allowing people to get into the song at their own pace. This laid-back energy is the best part of the song, nothing feels forced, which is exactly what it’s trying to do.
The track changes to fit whatever you need it for, like a late-night drive, a focused workout, or a way to unwind after a long day. It has a quiet edge of confidence, it’s not loud or bragging, but it’s steady and sure of itself.
Connect with Billy Chuck Da Goat on Spotify || Instagram || Facebook || Youtube
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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”
François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.
François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.
The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.
“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.
Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud
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