Artist Spotlight
A Conversation with Singer Songwriter Eddy Mann

Eddy Mann is a smile for the soul. He’s a combination of cultural and spiritual traditions living in an ever evolving neighborhood. He’s ever comfortable in his hometown Philly roots that speak of peace, and brotherly love. An award winning and prolific singer-songwriter, he’s moved gracefully through a catalog of twenty diverse albums. His hit single, “The Consequence” was a Top 10 Christian Music Weekly radio hit.
His latest album, “Chapel Songs” featured the #1 UK ITunes hits, “Hallelujah” and “Hope of the World.” His new album is out on June 7th, with the first single being released today. Eddy took some time to answer some questions about his music, his career, and of course, his faith…
HM: Can you tell us about the inspiration behind your single “The Humble Cottage by the Sea”? What themes or messages do you hope listeners take away from it?
Eddy Mann: The inspiration came from a gospel story that presents a theme of healing and hope. In a world that’s broken and hurting, one can only pray that a message of peace and unity might be found within the spirit of the song.
“Turn Up the Divine” is your latest album set to release soon. How does this album differ from your previous work, both musically and thematically?
EM: The album is a collection of divine stories and prayer moments that have been put to song over the past year. They’re really just a reflection of my daily experiences. The musical influences are a little more diverse than usual, but that’s just what the songs were calling for.
Your music is known for blending cultural and spiritual influences. How do you navigate incorporating these elements into your songwriting process?
EM: I don’t consciously bring influences into a song, but what I’ve been exposed to naturally becomes a part of my fabric, and then it’s re-processed into my own creativity. I’ve had a very diverse upbringing and it probably shows throughout my catalog.
“The Consequence” was a Top 10 Christian Music Weekly radio hit. Could you share the story behind that song and its impact on your career?
EM: The Consequence was released in November of 2016 on election day. I wanted to make a statement about the apathy I was witnessing. Our system only works if everyone participates. Anything less than that doesn’t reflect honestly about who we are, and how we feel. It was my hope that I might bring a few more folks into the fray and that would help in the cause.
Both “Hope of the World” and “Hallelujah” from your album “Chapel Songs” topped the UK iTunes Christian chart. What do you think contributed to their success, and how do you plan to build on that with your new album?
EM: Both of those songs took a very simplified approach musically and lyrically. I was looking for an easily remembered melody with an easily remembered lyric, and both songs seem to reflect that it was successful on some level. I’m pleased that they’ve done as well as they have.
Your career spans over 20 albums. How do you keep your music fresh and relevant while staying true to your artistic vision?
EM: I’m a student by nature, I love learning new things and I think that helps to naturally put me in new situations where I can be surrounded with challenging thoughts and different soundscapes.
You mentioned that God often appears in humble settings, such as the cottage by the sea. How does this concept influence your approach to music and ministry?
EM: As a man of faith, I never wander anywhere on my own. What I mean is that my faith is always traveling along with me, usually leading the way, and yes, sometimes correcting my faulty navigation. It doesn’t matter where I might be, or what may be going on around me, my God is not influenced by the trappings of this world.
What can fans expect from “Turn Up the Divine” in terms of sound and lyrical content?
EM: Everything was written, performed, and produced in house, under the Spirit’s watchful eye, and with the blessing of the One. So the success of the project will be measured in it reaching each and everyone that God intends.
With the changing landscape of the music industry, how do you see Christian music evolving, and how do you position yourself within that evolution?
EM: I’ve reached an understanding that I just need to be an honest reflection of myself. I don’t feel restricted or restrained by what the business tells me I should be doing, about the how the mix should sound, or about what messages are deemed appropriate. What God wants is for me to speak, write, and record what the Spirit puts on my heart, and then he’ll use it to fulfill His purpose.
What are your hopes and aspirations for your music career moving forward, especially with the release of your new album?
EM: I have no expectations anymore. I’ve been blessed to have produce an abundantly humble catalog. So I’ll just continue to follow the Spirit wherever it leads and be grateful.
Artist Spotlight
Who’s Making the Most Money on Spotify in 2025?

In 2025, Spotify conquers the music streaming world, with 500+ million monthly paying subscribers globally. Considering the platform paid out $10 billion in royalties, a record high, during 2024, it’s evident that streaming is now a revenue stream for artists. Yet only a few musicians are making good money from it.
At the top of the list is Drake, whose 21.5 billion streams yield around $52.5 million. Next up is J Balvin, with $37.9 million this year, a clean-up job from his massive streaming numbers. Other artists who earned significant amounts included Post Malone, Ariana Grande, and Bad Bunny, each featured among the platform’s top earners.
In electronic music, the Chainsmokers had 7.2 billion streams and made $17.7 million, and Calvin Harris made $14 million. The first-place finisher among the grossers is Ed Sheeran’s “Shape of You,” which earned $6.6 million from 2.7 billion streams.
Although these numbers are impressive, most artists on Spotify receive a much lower payday. In its 2024 Loud & Clear report, Spotify found that only 4.4% of artists make at least $131,000 annually. On average, an artist in the bottom 98.6% of earners makes just $12 monthly. This difference underscores the difficulties many musicians face in the streaming age.
Dead artists are still having a real impact on Spotify. Pop Smoke, Shoot for the Stars, and Aim for the Moon have 8.51 billion streams, £29.29m, 6.79 billion streams, and £23.37 million in earnings with Juice WRLD’s “Legends Never Die.” Lil Peep and The Notorious B.I.G. are also proving influential, with their music still raking in significant amounts of money.
Spotify’s global platform has allowed artists to perform in front of audiences beyond their home countries. In 2024, most artists who earned at least $1,000 in royalties made most of their revenue through international listeners, at over 50%. Since 2017, the number of female artists grossing over $1 million per year has quadrupled, signaling greater diversity and representation in the music industry.
The few artists who do make millions from Spotify streams get 1 %, while the 1% of artists get funds. Only a handful of artists are financially rewarded through it, even as the platform’s continued global reach and growing diversity create opportunities for emergent practitioners.
Let me know what you thought of this post in the comments if you found this article interesting!
Artist Spotlight
Kayla Marque lights a fire with “Slow Burn”

Kayla Marque has returned with a new single, “Slow Burn,” a simmering, soul-passionate affair that holds you well past when the last notes die out. True to her endlessly evolving artistry, Marque serves up something future-facing and thoughtful, stitching together a grunge-adjacent bassline with ethereal melodies and haunting vocal dynamics.
Right from the outset, “Slow Burn” sucks you into its smoky milieu. The measured bassline sounds plucked from the ‘90s alt-rock golden age and dunked in modern, velvety skin. But Marque’s voice brings center stage, fluent, forceful, and emotionally detailed. She doesn’t only sing; she tells stories, whispers, and wails, and her approach lends the music an astonishing contrast between restraint and release.
As the song progresses, there’s something undeniably mesmerizing about how the instrumentation interacts with the vocals. The melodies shimmer like heat off the pavement, entrapping listeners in a hypnotic haze that feels at once intimate and cinematic. Marque displays not only her vocal range but also her emotional depth. Every note feels deliberate, and every word feels lived-in.
What’s so exciting about “Slow Burn” is how it feels like another chapter in a broader story. Kayla Marque has consistently refused to settle into a single groove, and this track demonstrates that she’s continuing to push limits and defy expectations. There’s a rawness here, an audacity that doesn’t plead for attention but commands it regardless. It’s a song that reveals more textures and emotions after every listen. “Slow Burn” is a vibe, a feeling, a statement. It’s another step in Kayla Marque’s evolution as an artist, and if this is what’s to come, we’re in for something special.
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