Artist Spotlight
A Conversation with Singer Songwriter Eddy Mann
Eddy Mann is a smile for the soul. He’s a combination of cultural and spiritual traditions living in an ever evolving neighborhood. He’s ever comfortable in his hometown Philly roots that speak of peace, and brotherly love. An award winning and prolific singer-songwriter, he’s moved gracefully through a catalog of twenty diverse albums. His hit single, “The Consequence” was a Top 10 Christian Music Weekly radio hit.
His latest album, “Chapel Songs” featured the #1 UK ITunes hits, “Hallelujah” and “Hope of the World.” His new album is out on June 7th, with the first single being released today. Eddy took some time to answer some questions about his music, his career, and of course, his faith…
HM: Can you tell us about the inspiration behind your single “The Humble Cottage by the Sea”? What themes or messages do you hope listeners take away from it?
Eddy Mann: The inspiration came from a gospel story that presents a theme of healing and hope. In a world that’s broken and hurting, one can only pray that a message of peace and unity might be found within the spirit of the song.
“Turn Up the Divine” is your latest album set to release soon. How does this album differ from your previous work, both musically and thematically?
EM: The album is a collection of divine stories and prayer moments that have been put to song over the past year. They’re really just a reflection of my daily experiences. The musical influences are a little more diverse than usual, but that’s just what the songs were calling for.
Your music is known for blending cultural and spiritual influences. How do you navigate incorporating these elements into your songwriting process?
EM: I don’t consciously bring influences into a song, but what I’ve been exposed to naturally becomes a part of my fabric, and then it’s re-processed into my own creativity. I’ve had a very diverse upbringing and it probably shows throughout my catalog.
“The Consequence” was a Top 10 Christian Music Weekly radio hit. Could you share the story behind that song and its impact on your career?
EM: The Consequence was released in November of 2016 on election day. I wanted to make a statement about the apathy I was witnessing. Our system only works if everyone participates. Anything less than that doesn’t reflect honestly about who we are, and how we feel. It was my hope that I might bring a few more folks into the fray and that would help in the cause.
Both “Hope of the World” and “Hallelujah” from your album “Chapel Songs” topped the UK iTunes Christian chart. What do you think contributed to their success, and how do you plan to build on that with your new album?
EM: Both of those songs took a very simplified approach musically and lyrically. I was looking for an easily remembered melody with an easily remembered lyric, and both songs seem to reflect that it was successful on some level. I’m pleased that they’ve done as well as they have.
Your career spans over 20 albums. How do you keep your music fresh and relevant while staying true to your artistic vision?
EM: I’m a student by nature, I love learning new things and I think that helps to naturally put me in new situations where I can be surrounded with challenging thoughts and different soundscapes.
You mentioned that God often appears in humble settings, such as the cottage by the sea. How does this concept influence your approach to music and ministry?
EM: As a man of faith, I never wander anywhere on my own. What I mean is that my faith is always traveling along with me, usually leading the way, and yes, sometimes correcting my faulty navigation. It doesn’t matter where I might be, or what may be going on around me, my God is not influenced by the trappings of this world.
What can fans expect from “Turn Up the Divine” in terms of sound and lyrical content?
EM: Everything was written, performed, and produced in house, under the Spirit’s watchful eye, and with the blessing of the One. So the success of the project will be measured in it reaching each and everyone that God intends.
With the changing landscape of the music industry, how do you see Christian music evolving, and how do you position yourself within that evolution?
EM: I’ve reached an understanding that I just need to be an honest reflection of myself. I don’t feel restricted or restrained by what the business tells me I should be doing, about the how the mix should sound, or about what messages are deemed appropriate. What God wants is for me to speak, write, and record what the Spirit puts on my heart, and then he’ll use it to fulfill His purpose.
What are your hopes and aspirations for your music career moving forward, especially with the release of your new album?
EM: I have no expectations anymore. I’ve been blessed to have produce an abundantly humble catalog. So I’ll just continue to follow the Spirit wherever it leads and be grateful.
Artist Spotlight
Alwyn Morrison explores betrayal, judgment, and survival on new EP “Trial”
Life isn’t always a straight line, and Alwyn Morrison explores that in “Trial,” a four-track EP that goes beyond the familiar territory of love and heartbreak. The project blends pop, rock, and singer-songwriter influences, exploring themes of betrayal, false accusations, emotional pain, self-defense, and survival. Each track is inspired by courtrooms and is a step in a personal journey of understanding, acceptance, and ultimately freedom.
The first track, “Puzzle Piece,” is Morrison’s raw, heavy alternative rock sound, fitting the weight of betrayal and false accusations. The song has a sense of tension, putting you in the shoes of someone trying to understand a difficult situation. Followed by “Everybody Bleeds,” which follows that emotional path, creating a song about confusion, openness, and the struggles we all face, and it’s an emotional listen, with hard truths and personal experiences laid bare.
The project’s focus track, “Monster,” goes into more personal territory. It explores what happens when we are judged or condemned for the choices we make, and it carries a message that goes far beyond Morrison’s own experience. The central theme will strike a chord with anyone who has felt misunderstood, unfairly labeled, or defined by others’ opinions.
The EP closes with “Fireflies,” a track that shifts the mood, contrasting childhood innocence and memories with the realities of adult life. The sequence moves the story toward resilience, survival, and earned acceptance. Alwyn Morrison spins a musical tale of hard life experiences put to the test. The courtroom concept gives the four songs real purpose to move on without letting past experience dictate the future.
Artist Spotlight
Fanny Alexandra explores emotional recovery and self-discovery on “Ceasefire”
Not every fight ends a relationship, and there could be long-term emotional damage, with questions about identity, attachment, and the difficult path to moving on. “Ceasefire” is a ghostly alternative rock ballad in which Fanny Alexandra navigates difficult terrain, exploring emotional dependency and the search for selfhood after a toxic relationship.
“Ceasefire” is full of sad melodies and hints of atmospheric rock, making it a dark, cinematic listen. The song’s alt-rock pivot provides an emotionally charged foundation, and it’s about the internal battle, especially when your identity has been so tied to another person.
Fanny Alexandra’s ethereal vocal approach suits the song, lending real emotional weight to the exploration of self-loss and internal tension. “Ceasefire” is a reflective track, with atmospheric instrumentation and deeply personal songwriting that capture feelings that can linger long after a tough chapter closes.
It’s about finding yourself again, and its emotional arc moves from openness and dependence to the hard-earned discovery that personal freedom is more than just walking away. Fanny Alexandra’s love for dark, emotional alternative music inspired “Ceasefire.” Her art is about intimate storytelling, cinematic atmosphere, and making music that explores the quieter struggles people tend to keep inside. In this record, she turns the fallout from a toxic relationship into a meditative reflection on the long road to selfhood.
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