Orshina’s new album, “Requiem for “NOVA”,” is emotionally charged, turning personal pain into a message of remembrance, healing, and hope. The result is a blend of ambient and rock that explores the raw emotions of loss and reflection. The album is a journey through a very difficult creative process, crossing grief, rage, trauma, and collective pain, not forgetting the importance of remembering those who are no more.

The album was recorded mostly at Orshina’s home studio and features violinist Maianne Tur, drummer Roey Brosh, and vocalists Idit Eshel and Shiran Tzfira. Additional drums and mixing were done at Leon Sound Pro. The album opens with “Graveyard Blues,” which lays out the core themes of grief and loss. It serves as a reflective launchpad, drawing you into the project’s emotional weight.

“Bread & Circus” looks outward, exploring the dissonance between private grief and a world obsessed with entertainment. The song asks how easy it is to miss serious pain when the attention is elsewhere. With “Hell In Paradise,” Orshina explores the difficulty of carrying trauma in a world that can feel peaceful on the surface.

“Rest In Music” takes music to a place you can visit when it’s hard to understand or put feelings into words. The song is also about the creative process as a way to sit with complicated feelings and begin working through them. “Dressed up for the Devil” is a darker emotional journey, dealing with grief as well as anger, bitterness, and destructive thoughts.

The album moves from the personal to the historical tragedy with “Holocausts and Slavery,” the collective suffering. In a project of remembrance, Orshina places these subjects within a larger responsibility to recognize painful histories and link them to individual grief. Through “Requiem for “NOVA,”” the artist creates a musical statement about healing and the importance of keeping memories alive through a difficult creative process. “Requiem for “NOVA”” is a tribute to the lost, a reminder that hope can exist alongside sorrow.

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Technology keeps changing the way we live, think, and connect, but Craigycraig of The Fatewell Project takes a different approach with “YOU’RE NOT SO HUMAN,” a house, EDM, and pop release exploring the complex relationship between humanity, machines, and artificial intelligence.

It celebrates technological progress but also asks what it means to be human in terms of feelings, compassion, and consciousness. The basic concept behind “YOU AREN’T SO HUMAN” is that great skills don’t imply real understanding. Here, Craigycraig shifts to a broader reflection on technology’s role in daily life.

The result is a concept video that asks you to look beyond convenience and consider the responsibilities that come with technological advancement. This release approaches a complex subject through a medium rooted in modern electronic music. Craigycraig moves the conversation from the technical zone of the human/AI relationship to a creative space where you can play with the idea’s questions.

“YOU’RE NOT SO HUMAN” is built completely without any AI at all, which is especially interesting given the relevance of the theme of the project to its own creative process. The song was created in his home studio, and the video was shot in challenging conditions. With this release, Craigycraig of Fatewell reminded us of the human element alongside the technology.

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