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Jack Horton shares a new single, “Set Me Free”

Jack Horton

Jack Horton returns with “Set Me Free,” an anthem that marries his singer-songwriter roots with a fresh, anthemic energy. This track feels like a powerful blend of emotion and melody, “Set Me Free” is the song that lives in your chest long after the final note fades. True to its name, the song feels like a moment of personal reckoning. Horton tells a story. With every lyric, you hear the ache, the hope, and ultimately, the courage to let go of whatever’s holding him back.

Built on a catchy, well-crafted foundation, the song opens with a simmer of vulnerability before bursting into a chorus that begs to be belted from car windows and bedroom walls alike.  It’s a story about reflection and liberation anchored by Horton’s raw vocal delivery. His voice is right there in the open, reminding you that this is a song written from the gut. There’s a timeless quality in “Set Me Free” that taps into that universal craving for release, growth, and a second wind.

Horton’s message can be related to whether you’re walking away from a broken relationship, a past version of yourself, or just trying to breathe in a world that keeps closing in. Sometimes, the only way forward is to break your chains. But what makes this song stand out is its balance. It’s emotional but never heavy-handed. It’s catchy but not overproduced.

Poetic, without losing its grip on the real world. Jack Horton shows us that songwriting isn’t just about clever hooks but honesty. And with “Set Me Free,” we all can step into a moment of release. Expect “Set Me Free” to echo far beyond playlists. It’s a song built for late-night drives, early-morning reflections, and anyone in the middle of their escape.

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Artist Spotlight

Loris Tils brings funk energy to life with “IKKI”

Loris

Loris Tils comes out swinging with “IKKI,” a single that comes with energy and musicianship right from the opening note. Borne on the unmistakable thump of Minneapolis Funk, the song surges forward with a groove that feels impressively designed and still wildly alive.

“IKKI” is a naughty conversation between slap bass and guitar, and the two instruments impressively craft around each other with both precision and flair, building a high-octane rhythm section that feels as tight as it is explosive.

The magic of “IKKI” is this tension, relentless discipline balanced by acrobats of daring improvisation. The energy never overwhelms the groove. Instead, it expands on it, making this song a celebration of rhythm, creativity, and instrumental chemistry.

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Artist Spotlight

Glass Mansions turn a possible goodbye into “SUNSETTING”

Glass

Glass Mansions return with “SUNSETTING,” a new single that came together during some uncertain times for the project. What began as a mini farewell to music turned out to be among the band’s most authentic and openhearted efforts yet.

The back story of the song’s creation feels almost cinematic. The day the decision was made to quit music altogether, a message came through from some big-time music executive who had heard about the band’s first Ep and wanted to collaborate. The band had agreed to share unreleased demos on request, though they hadn’t prepared any. That urgency caused a combustion of creativity that would shape the song’s trajectory.

“SUNSETTING” was written, tracked, and recorded in a home studio with scratch vocals in roughly two hours. What could have been a thrown-together demo became a surprise breakthrough. Confronted with the prospect of delivering just one last song, the writing became rather reflective, what would you say if it were your final creative curtain call.

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“SUNSETTING,” produced by Zack Odom and Kenneth Mount alongside Orb Studios’ Taylor Webb, captures the urgency of its origin story but colors it with a new reflective emotional depth. The upshot is a song that feels at once improvisational and profound, an affirmation that, sometimes, when we think we’re reaching the end of something, it’s actually only setting in motion the most powerful of new starts.

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