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Azealia Banks Suspended After Vile Transphobic Tweets
Azealia Banks is always stirring the pot, ending up in headlines more frequently because of her controversial takes than for her music. While she remains a very talented artist, her divisive opinions have led her to be dropped by many of her fans and, this week, she crossed the line again.
The “212” rapper was tweeting about how she believes farmers deserve to be first-in-line for the stimulus package that Trump sends out but, in doing so, she decided to vocalize her thoughts about the trans community. Most notably, she stated that she does not support free healthcare for transitioning men and women.

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“CANCEL ALL THESE DUMBASS LUXURY TRANSGENDER HEALTHCARE ‘RIGHTS’ AND REDIRECT THE CASTRATION FUNDS TO THE LATINO FARMERS WORKING TO ACTUALLY FEED ANY OF US THROUGH THIS CRISIS,” wrote Azealia Banks on Twitter.
She continued with even more disturbing statements, suggesting that trans individuals simply suffer from body dysmorphia and claiming that, if trans men and women can get free healthcare and surgery, then why shouldn’t cisgender women who want to enhance their bodies?
Her statements are all kinds of transphobic and it’s no surprise that she was suspended from using Twitter because of them.
This is not the first time that Azealia has shared such views. She has also been restricted from her social media accounts on more than one occasion.
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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”
RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.
Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.
“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.
With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.
Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok
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Kieran James Honors Memory with “Part of the Grind”
Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.
Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.
Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.
In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.
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