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Anderson .Paak Once Got Wasted At Rick Ross’s Estate

Despite feeling the impact of the “Lockdown” like everyone else, Anderson .Paak is still managing to make the best of his year. As you might remember, the Aftermath artist dropped off a collaboration with Rick Ross called “Cut Em In,” which recently earned some appropriately lavish visuals. And though the pair connected on wax prior to the clip’s release, Paak reveals that he first met Rick Ross on the video set — an introduction that soon led to some amusing antics.

Anderson .Paak

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“When it came time to do the video, that was the first time I ever met him face to face,” explains Anderson, speaking with Zane Lowe on Apple Music. “Super cool estate, eight-plus hours on the video set. Then after the next day we went and gave us a full tour of his house, drinking Belaire until, I mean, I got so drunk, man. They had to drag me out of there, dude. I wanted to stay all week, but man, this dude is a cool cat bro. One of the coolest cats in the industry, man. That’s why he’s been around for so long and has a connection to everybody. It’s like them cats like that.”

On a musical note, Paak also takes a moment to reflect on one of his biggest influences — the legendary producer Dilla, who still feels underappreciated in today’s climate. “I was a late learner to Dilla and that whole scene,” explains Paak. “When I was coming up, I was really heavy into the 2000s era and that kind of just went over my head. When I was in high school, it was all about Jay-Z, Nelly, Ludacris, and Missy. And then when I got older and got into Dilla, it was like that’s all I wanted to listen to.”

“And then you start seeing the effect of his music and how it has on people,” he continues. “And just infectious grooves, it’s hard to find groove-based music in new music now, people that are really making groove-based music. And that’s what I feel like we’re making and we’re a part of that lineage in hip hop…he’s definitely one of my icons and someone I really look up to.”

Are you excited to see what Anderson .Paak has been cooking up on a musical level?

[via Zane Lowe on Apple Music]

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok

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Kieran James Honors Memory with “Part of the Grind”

Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.

Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.

Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.

In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.