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Benny The Butcher Spits Crazy Bars On LA Leakers

One of the many unfortunate side-effects of a COVID-19 era has been the noted absence of radio freestyles. As such, the amount of BARS we’ve received this year has been lower than ever before, much to the dismay of enthusiasts across the board. Luckily, the LA Leakers have decided to boldly trudge onward in the face of adversity, bringing Benny The Butcher into the fold for a pre-Burden Of Proof freestyle session.

At this point, it goes without saying that The Butcher is one of the game’s most dominant lyricists, thus making him the perfect candidate for the revival of on-air freestyles — shout out to the LA Leakers by the way, who never fail to connect with the game’s deadliest lyricists. Taking to Jay-Z’s classic “Dead Presidents,” Benny wastes little time in delivering some impressive punchlines. “They want my take on social justice issues, I get that / but telling ya’ll what ya’ll wanna hear, nah I ain’t with that,” he spits. “A rapper post a meme, ya’ll treat him like Dr. King / his record label pulling strings, they only want him to stream.”

The madness only continues. “The only rapper that would have thrived in the 2Pac era,” he raps, comfortably in the zone. “I’m talking 98′ drug money, shoebox era / I proved myself every tape and the proof got clearer.” Between that and his “I shoot with no body round me like a penalty shot,” it’s clear that the Butcher isn’t playing any games with this one. Check it out for yourself below, and stream Burden Of Proof when it arrives in full at midnight.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

Connect with Morpheus von Dobenhausen on Spotify || Instagram || Facebook || Youtube || Tiktok

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Kieran James Honors Memory with “Part of the Grind”

Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.

Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.

Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.

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In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.