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Mick Jenkins Questions Efficacy Of “#Endsars” & “BLM” Hashtags

Mick Jenkins has never been one to shy away from speaking his mind, and today, the acclaimed Chicago lyricist took to Twitter to vent about something that’s been frustrating him — the ongoing hashtag campaign dedicated to the #Endsars movement transpiring on social media. “I don’t know what tweeting #endsars actually does,” he captions, referencing the tragic and disturbing situation transpiring in Nigeria. “Any more than I know what tweeting #BLM does.”

Mick Jenkins

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“And that’s to say only: it’s clear people in power will do what the fuck the fuck they want,” he continues. “Suppress what they want. And lie to the world about what happend. While we tweet. Shit is infuriating. Like there killing ni**gas everywhere bro. On camera….all over the world. The fuck I look like promoting a album. Lol am I tweaking like?”

While it’s likely will misinterpret his words, as well as the main sentiment behind them, it’s clear that Mick is not dismissing the severity of what’s been going on. He’s simply questioning the efficacy of a hashtag movement, opening the door for a greater discussion in the process. From the sound of it, there’s a futility at the center of it all, a dark truth that no matter how much awareness is raised, change may never truly come — at least, not anytime soon.

Still, some felt that hashtag movements were effective in raising awareness to a cause that may otherwise fly under the radar. And given the severity of the situation transpiring in Nigeria, it stands to reason that increased awareness could go a long way in mobilizing politicians to take action — even if it is for the wrong reasons. Check out Mick’s reflection below, and sound off — do you agree with his assessment on social media hashtag movements?

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

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RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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Kieran James Honors Memory with “Part of the Grind”

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Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.

Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.

Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.

In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.

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