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Odell Beckham Jr. Doesn’t Believe That “[COVID-19] Can Get To Me”

During the NBA season, the league’s “Bubble” was able to keep players and staff safe from COVID-19. They were praised for not having any new reports of diagnoses throughout their lockdown, but the NFL hasn’t been as lucky. Players have been caught reportedly sneaking women into their hotels and coaching staff have been fined for their misuse of masks. There has recently been a number of reports about NFL players and staff members contracting coronavirus, but according to Odell Beckham Jr., he won’t be adding his name to the list. 

Odell Beckham, NFL, COVID-19, Coronavirus
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Just last week, Beckham missed practice because he was ill, but USA Today stated that it wasn’t due to COVID. The football player was asked if, at any time, he was concerned that he’d come down with the virus that has taken the lives of 220,000 Americans and over 1 million worldwide. “Not in an arrogant way, but I don’t think COVID can get to me,” said Beckham. “I don’t think it’s going to enter this body. I don’t want no parts of it, it don’t want no parts of me. It’s a mutual respect.”

Due to the recent COVID-19 diagnoses within the NFL, many teams have reportedly shut down their facilities in order to keep their locations from becoming “super spreaders” of the virus.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

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RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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Kieran James Honors Memory with “Part of the Grind”

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Singer-songwriter Kieran James delivers a devastating new single with “Part of the Grind,” a track to tackle the tangled emotions behind loss and memory. A love letter penned to a close friend who faced severe cognitive decline, the song’s emotional heft feels universal yet heartbreakingly personal.

Set to delicate instrumentation and achingly sung vocals, “Part of the Grind” is both a lament and an honoring, a means of remembering while addressing the unavoidable cost of time and illness. His voice floats, leaving room for silence and the long pauses that so often come with grief. But in that silence, there is warmth as well, a refusal to let memory be totally extinguished.

Resilience is also implied in the song’s title, a reminder that even in heartbreak, life goes on and holding the memory of someone stays with the rhythm of everyday living. it’s an anthem for anyone who has ever looked on witnessing decline, mixed sorrow with love.

In Kieran James’s “Part of the Grind,” we hear music as well as go behind it. He gives us room feel, to mourn, and to honor. In the process, he turns private pain into something achingly universal, a song for everyone who has either loved or lost.

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