Music
Cupcakke Repurposes 50 Cent’s Breakout Hit To Call Out Her Contemporaries On ‘How To Rob (Remix)’
Cupcakke goes after Cardi B, Lizzo, Doja Cat, Lil Baby, DaBaby, and just about everybody else in hip-hop. …
On 50 Cent’s 1999 single “How To Rob,” the rapper called out a bunch of his hip-hop contemporaries. Now, over two decades later, Cupcakke has done the same thing on her own version of the track, the appropriately titled “How To Rob (Remix).” The full list of people Cupcakke mentions on the song by name includes Sada Baby, Lady Gaga, Migos, Offset, Wiz Khalifa, Tory Lanez, Too Short, Young M.A., Lizzo, Lil Baby, Cardi B, Doja Cat, Sukihana, Lil Durk, City Girls, Megan Thee Stallion, Tekashi 69, DaBaby, Lil Kim, Chief Keef, G Herbo, Mulatto, Flo Milli, and DreamDoll.
She doesn’t pull punches on any of them either. She says of Cardi, “Runnin’ through your party just so I can find Cardi, like, ‘B*tch, I’m finna give you your old teeth back!’” Of Megan Thee Stallion, she raps, “Run up on Megan like, ‘Give me your funds,’ and you can’t even run ’cause you just got shot.” She also says of Lizzo, “Catch Lizzo, drag her out the food court,” and notes of DaBaby, “Pull up on DaBaby, I change his Pampers.”
It doesn’t look like she’s trying to start any feuds, though, as she says at the top of the track, “Gang, gang, gang / If you hear your name, it’s all muhf*ckin’ love, don’t take sh*t personal / But you know how I’m finna slap this b*tch.”
Listen to “How To Rob (Remix)” above.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Artist Spotlight
Alwyn Morrison explores betrayal, judgment, and survival on new EP “Trial”
Life isn’t always a straight line, and Alwyn Morrison explores that in “Trial,” a four-track EP that goes beyond the familiar territory of love and heartbreak. The project blends pop, rock, and singer-songwriter influences, exploring themes of betrayal, false accusations, emotional pain, self-defense, and survival. Each track is inspired by courtrooms and is a step in a personal journey of understanding, acceptance, and ultimately freedom.
The first track, “Puzzle Piece,” is Morrison’s raw, heavy alternative rock sound, fitting the weight of betrayal and false accusations. The song has a sense of tension, putting you in the shoes of someone trying to understand a difficult situation. Followed by “Everybody Bleeds,” which follows that emotional path, creating a song about confusion, openness, and the struggles we all face, and it’s an emotional listen, with hard truths and personal experiences laid bare.
The project’s focus track, “Monster,” goes into more personal territory. It explores what happens when we are judged or condemned for the choices we make, and it carries a message that goes far beyond Morrison’s own experience. The central theme will strike a chord with anyone who has felt misunderstood, unfairly labeled, or defined by others’ opinions.
The EP closes with “Fireflies,” a track that shifts the mood, contrasting childhood innocence and memories with the realities of adult life. The sequence moves the story toward resilience, survival, and earned acceptance. Alwyn Morrison spins a musical tale of hard life experiences put to the test. The courtroom concept gives the four songs real purpose to move on without letting past experience dictate the future.
Artist Spotlight
Fanny Alexandra explores emotional recovery and self-discovery on “Ceasefire”
Not every fight ends a relationship, and there could be long-term emotional damage, with questions about identity, attachment, and the difficult path to moving on. “Ceasefire” is a ghostly alternative rock ballad in which Fanny Alexandra navigates difficult terrain, exploring emotional dependency and the search for selfhood after a toxic relationship.
“Ceasefire” is full of sad melodies and hints of atmospheric rock, making it a dark, cinematic listen. The song’s alt-rock pivot provides an emotionally charged foundation, and it’s about the internal battle, especially when your identity has been so tied to another person.
Fanny Alexandra’s ethereal vocal approach suits the song, lending real emotional weight to the exploration of self-loss and internal tension. “Ceasefire” is a reflective track, with atmospheric instrumentation and deeply personal songwriting that capture feelings that can linger long after a tough chapter closes.
It’s about finding yourself again, and its emotional arc moves from openness and dependence to the hard-earned discovery that personal freedom is more than just walking away. Fanny Alexandra’s love for dark, emotional alternative music inspired “Ceasefire.” Her art is about intimate storytelling, cinematic atmosphere, and making music that explores the quieter struggles people tend to keep inside. In this record, she turns the fallout from a toxic relationship into a meditative reflection on the long road to selfhood.
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