Music

Big Sean And Jhene Aiko Channel ’90s Romance Classics In Their Full ‘Body Language’ Video

The couple revisits the song after releasing a teaser earlier in the year. …

Big Sean and Jhene Aiko channel the classic Black romantic films of the ’90s in the full video for their collaboration “Body Language” from Sean’s album Detroit 2. The couple revisited the song after releasing a teaser earlier in the year as part of the promotion for Detroit 2. Where the original video didn’t include hook singer Ty Dolla Sign and simply followed Jhene and Sean on a romantic getaway, the new version goes full-on conceptual as the two reimagine fan-favorite scenes from Love Jones, Poetic Justice, and Waiting To Exhale.

Opening with a reference to Love Jones‘s spoken-word poetry readings with Sean taking the Darius role, the video sees them reproducing the workplace flirtation between Justice and Lucky from Poetic Justice, as well as the postal truck road trip. A reference to Waiting To Exhale‘s famed car-burning sequence appears as a flashback/fantasy of Jhene’s, while a mid-video interlude brings back Love Jones for a cab exchange between Jhene and her friend that praises Sean’s D-game. Ty appears in his own scenes, which reproduce the ill-fated bachelor party from The Best Man.

Meanwhile, Sean confirmed during a Reddit AMA that more new music is coming from him and his girlfriend Jhene, as they are working on another Twenty88 release.

Album Review

Paul Terry, Aptøsrs & Cellarscape unite on bold new album “Alternative Piano Club”

Combining his three artistic alter egos, Paul Terry presents an awe-inspiring new 12-track album, “Alternative Piano Club,” written in collaboration with Aptøsrs and Cellarscape. This is an album-length voyage of music that blends acoustic, rock, and piano-driven cinematic sounds.

Torn between this complex emotional spectrum, all the while the piano remains at its core throughout. Paul Terry opens his “Memento Mori (Chromogenic Phase)” contemplatively, creating a solemn, reflective mood. Cellarscape’s “Three Years Of Roses“ is warmer, whereas Aptøsrs’ “Questionnaires“ is much more textured as a large, sculptural post-rock.

“Dave’s Theme,” written by Paul Terry, musically expands the narrative with a touch of cinematic elevation that aligns well. “We Shape The Clouds” by Cellarscape is fluffy and heart-warming, “Writers Behind The Curtain” is somber, more narrative. We are all together in “A Place We Made,” an honest, intimate, emotionally grounded space.

The project contains vocal warmth and cultural depth in the song “This Is My Home“ by Silas Miami & Lana Crowster. Proceeding in a totally different direction is the stronger emotional clarity of Paul Terry’s acoustic storytelling on “Any Time You Want To Fly” and “No Sleep Has Come.” Cellarscape presents a wide, spacious atmospheric moment in “Cygnus,” while Aptøsrs ends with “Rust Mountain (Monochrome Piano Version),” a simple gem that brings the project full circle.

The mixing of Sam Okell and Adam Noble, the mastering of Alex Wharton and Robin Schmidt have, in many ways, brought their polish to it while still making it feel human. “Alternative Piano Club” is a work entity, where three musical personalities met and talk mind in the same emotional language.

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Artist Spotlight

LAST ALEX! balances precision and pulse on the electrifying track “Plus 1”

LAST ALEX!, a Chicago-based artist and producer, comes out with “Plus 1,” a high-energy release that combines technical prowess with an undeniable melodic instinct.

LAST ALEX! puts both craftsmanship and creativity on display here. The song’s strength lies in its balance, in detailed execution without sacrificing feeling, and in complexity without losing momentum.

LAST ALEX! doesn’t fully lean into the cold technique or loose emotion, but finds the sweet spot where skill and soul meet. This yields a polished, vibrant, and musically confident track.

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