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KXNG Crooked, Eminem, & Family Bvsiness Connect On “Hot Sauce”
Last week, KXNG Crooked came through with Flag, a nine-track EP that further cemented his position as one of the game’s dopest lyricists. In tandem came a new banger from his Family Bvsiness clique, produced by none other than Eminem himself, having returned to his beat-making bag for the first time in a minute. And with “Liquor Store Church” proving to be an instant fan-favorite, KXNG Crooked has since come through to deliver some new visuals for “Hot Sauce,” which once again features Eminem on the production tip. Seeing as he only just premiered the new clip, it feels appropriate to highlight the track on our panel today.
Opting to deliver a more minimalist, grimy sound on this one, Eminem provides a simple but effective foundation for KXNG Crook and Family Bvsiness to put in work over. Rather than barring out for the occasion, Crook, Debo, Julius, Dice, and Kenny hold it down with eight bars apiece, working as one harmonious entity over Slim’s distorted synthesizers. If you enjoyed the clique’s last showing with Em on the beat — he also laced “Skip This Ad” back in June — be sure to check out the new visuals for “Hot Sauce” right now.
QUOTABLE LYRICS
Ghetto dope, I’m like Master-P, ho
I’m ghetto though, hot bag of Cheetos
Red Rooster, that’s the key though
Half the world want my Tapatío
Artist Spotlight
Wyn Calico create the need to support with his latest release “Support”
Wyn Calico steps into deeply personal territory with his latest single, “Support,” a heartfelt offering that addresses a feeling many people know, but rarely express so openly. It’s a song about the universal desire to be encouraged, recognised, and uplifted, turning personal frustration into a relatable message of resilience.
“Support” is a meditation on what it feels like to work tirelessly for something you want, but not have the support you need to fully achieve it. Wyn Calico expresses the emotional burden of wanting to make a difference, believing in your purpose, and still moving forward when you hit setbacks. The song is not only about disappointment, but also a rallying cry of resilience in the face of adversity.
This song also highlights an important truth, there are many talented and hard-working people out there who have everything it takes to make a difference, except the encouragement and opportunity to flourish. Wyn Calico’s lyrics and delivery shine a light on that struggle and offer a sense of solidarity to those in similar situations.
“Support” isn’t just a personal statement. It’s a conversation starter. It encourages us to think about the value of community, support, and believing in each other. Wyn Calico’s latest drop is honest, relatable, and emotionally driven, a powerful reminder that even in the moments of isolation, the desire to keep pushing forward is still stronger than ever.
Artist Spotlight
NNORDY steps into jazz fusion with latest release “Wrong Turn”
NNORDY’s latest release, “Wrong Turn” is a fully live jazz fusion album that showcases the limitless possibilities of instrumental storytelling with the remarkable chemistry between guitar, keyboards, bass, and drums. The song has no words but is an excellent story told through musicianship and sets the stage for listeners to embark on a rich jazz experience.
“Wrong Turn” shows the strength of live performance from the get-go. Each instrument feels alive and in conversation with the others, a dynamic dialogue that develops organically over the course of the piece. Without vocal guidance, each musical phrase is left to speak for itself, giving the listener the freedom to interpret the track in their own way.
The guitar and keyboards often lead, crafting complex melodic lines and textures that give the music direction and atmosphere. Meanwhile, the bass and drums lay down a solid rhythmic base, creating movement and momentum while still leaving a lot of room for exploration. NNORDY creates a track that both dedicated jazz fans and listeners looking for something adventurous and fresh will enjoy. “Wrong Turn” shows that instrumental music can be as expressive and compelling as vocal music.
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