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T.I. Condemned For “Spreading Misinformation” About How To Avoid Catching COVID-19

Over 230,000 Americans have died from COVID-19 as the pandemic surges forward, and it’s unclear how the United States will grab hold of the virus to keep cases from increasing. While some cities are still on lockdown under quarantine, others have opened back up to business as usual—so while one town is still “bored in the house,” another can be out at the club. Recently, T.I. celebrated the release of his album The L.I.B.R.A. where he was spotted in a packed club, and when questioned about if he was worried about contracting coronavirus, the rapper said he wasn’t overly concerned.

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“I’ve taken 13 COVID tests, they’ve all come back negative. All of them,” T.I. told Speedy Morman. “I just took one. I get the results back in two hours. It’s not like I’m just careless about my concerns for the virus. I just refuse to live in fear. I’d rather prepare, and when I say prepare, some people feel like the mask… I myself have a perspective I’d rather boost my immune system to defend me against COVID should I come in contact with it rather than wear a mask and hide in fear of coming in contact with it.”

The rapper went on to explain that while he and his wife, Tameka “Tiny” Harris, have taken multiple tests, all have been negative for both of them. However, Tiny had a test that did show she had antibodies, meaning at some point she had COVID-19, but recovered. T.I. believes that if he was in such close contact with his wife and tested negative without antibodies, meaning he never contracted the virus, he is doing something right to keep himself immune.

“I’ve researched and I’ve found that COVID starts in the throat,” said the rapper. “A scratchy throat, a sore throat, before it makes its way..it grows and it travels to the lungs. If you catch it while it’s still in the throat and you drink warm liquids, the warm liquids wash it down to the stomach where the stomach acid then kill it.”

T.I.’s tea regime is reportedly helping him stave off the virus, but after his interview hit social media, people criticized the rapper for spreading misinformation. You can check out his interview below along with a few reactions, as well.

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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”

François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.

François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.

The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.

“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.

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RoHaNa and Morpheus von Dobenhausen paint love in shadows and light “WHEN A BOY LOVES A WOMEN”

RoHaNa feat. Morpheus von Dobenhausen, in this new release, “When a Boy Loves a Woman,” This track, recorded in winter, has a hint of gothic style that blends emotional restraint with atmospheric elegance. The track is all about RoHaNa’s emotional singing, which fits perfectly with the carefully crafted production. Her voice shows desire, weakness, and dedication without being too loud, letting each note ring out. The result is a sound that affects people on a personal and universal level. There is a sense of innocence that permeates, capturing the delicate nature of love in its purest form.

Morpheus von Dobenhausen is a guest singer who deepens the track’s emotional journey. Their voices work together to make a conversation of feelings that is both clear and mysterious. The song doesn’t go too fast, so the listener can feel the mood and atmosphere as they go through its subtle changes.

“When a Boy Loves a Woman” is unique because it strikes the perfect balance between modern pop and gothic restraint. The result is a soundscape that is both creepy and easy to listen to. It is a moving story about love and devotion, told with grace and quiet strength.

With this first release, RoHaNa confidently joins the scene, thanks to XanadumusiX’s never-ending creative drive, even when things get hard in the winter. This release not only introduces a new artist with significant potential but also showcases a bold artistic direction in which emotion, atmosphere, and story come together to make a lasting impression.

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