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Benzino Doubles Down Against Eminem’s Bloodthirsty Stans
When Eminem dropped off Revival, this isn’t what people had in mind. Yet this past week, Benzino did his damndest to dig up a decades-old feud, taking to Twitter to unleash years of pent-up resentment on his old sparring partner. But given how Em happens to be one of entertainment’s biggest superstars period, his fanbase is damn near legion. It didn’t take long for the Stans — and even a few casuals — to rally against Benzino’s vitriolic and racially-charged rant.
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In fact, popular YouTuber NoLifeShaq ultimately found himself inheriting the long-dormant beef, taking it upon himself to administer the finishing blow. The anti-Benzino onslaught was so vocal that the Love & Hip-Hop star soon found himself overwhelmed with negativity, though he maintained that the opinion of a Stan means nothing to him. “Y’all soft ass Stans think you can talk shit about and to me all day and I’m suppose to just say nothing,” says a defiant Zino. “Talk can suck my dick. Maybe you can bully some weak mf but I ain’t s worried bout nun u goofy mfs. Who tf y’all think y’all are. Y’all be taking shit to far like y’all tough.”
Given how swift and decisive the backlash against his scathing rant Eminem was — lest we forget, he called Slim “King Pussy” and a “Kkkrackkker,” not to mention leveling racially-charged attacks at NoLifeShaq — it’s interesting to see Zino frame himself as a victim. In fairness, it’s likely that many have been unwilling to let him forget about the infamous war with Shady Records, which ultimately saw the release of both “The Sauce” and “Nail In The Coffin.” “Y’all are soft as cupcakes,” he maintains, as the protracted siege continues.
Don’t expect Zino to give any ground on this one, even if the pressure from the Stans and NoLifeShaq’s sizeable following heats up. Who’d have thought that Eminem and Benzino’s feud would remain relevant nearly twenty-years later?
Artist Spotlight
Billy Chuck Da Goat finds his flow on new release “Vibez”
Billy Chuck Da Goat’s latest release, “Vibez,” has a laid-back, hypnotic bounce that makes it easy to listen to without ever feeling empty. It makes a place where calmness and quiet confidence come together.
“Vibez” was made on purpose, but it also sounds simple. Billy Chuck’s smooth delivery flows through the production without rushing or pushing anything. Instead, he lets the rhythm breathe, allowing people to get into the song at their own pace. This laid-back energy is the best part of the song, nothing feels forced, which is exactly what it’s trying to do.
The track changes to fit whatever you need it for, like a late-night drive, a focused workout, or a way to unwind after a long day. It has a quiet edge of confidence, it’s not loud or bragging, but it’s steady and sure of itself.
Connect with Billy Chuck Da Goat on Spotify || Instagram || Facebook || Youtube
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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”
François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.
François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.
The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.
“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.
Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud
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