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Chris Rock Hates Civil Rights Films: “Racism & Jim Crow Is So Much Dirtier”
They’re blockbusters in the theaters, but films about slave narratives or the Civil Rights Movement have been polarizing, especially among American audiences. While they are praised as stories that need to be told on a grander scale, some don’t agree with their often peaceful resolution. Chris Rock recently gave his take on such films while appearing on Neal Brennan’s How Neal Feel and shared that the Civil Rights Movement is “dirtier” than what most people have been taught.
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“I hate all civil rights movies,” said Chris. “Don’t get me wrong. I applaud the effort and they should exist. The problem is they only show the back of the bus and the lunch counter. They actually make racism look very fixable. They don’t really get into how dysfunctional the relationships were. In the ’40s and ’50s, White men would just walk in your house and take your food… What do you think would happen during the Depression when people were hungry? White people are hungry? Oh, there’s Black people cooking on that side of town. What do you think would happen? They would walk in your house and take your sh*t.”
He called it a “predator-prey relationship” and went on to discuss how White men would commit brazen acts of sexual assault because they could get away with it. “They would go and rape the women they could rape without actually going to jail for it, okay? Or sexual assault… all that sh*t. This sh*t is so much more—racism and Jim Crow is so much dirtier than any movie ever shows.”
Chris Rock then shared that there were so many rules that existed for Black people during that time, explaining that his mother would get her teeth taken out at the veterinarian. “‘Cause you weren’t’ allowed to go to the dentist,” he added. “No movie shows you that.” Check out the clip from Chris Rock on How Neal Feel below.
Artist Spotlight
Billy Chuck Da Goat finds his flow on new release “Vibez”
Billy Chuck Da Goat’s latest release, “Vibez,” has a laid-back, hypnotic bounce that makes it easy to listen to without ever feeling empty. It makes a place where calmness and quiet confidence come together.
“Vibez” was made on purpose, but it also sounds simple. Billy Chuck’s smooth delivery flows through the production without rushing or pushing anything. Instead, he lets the rhythm breathe, allowing people to get into the song at their own pace. This laid-back energy is the best part of the song, nothing feels forced, which is exactly what it’s trying to do.
The track changes to fit whatever you need it for, like a late-night drive, a focused workout, or a way to unwind after a long day. It has a quiet edge of confidence, it’s not loud or bragging, but it’s steady and sure of itself.
Connect with Billy Chuck Da Goat on Spotify || Instagram || Facebook || Youtube
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François Marius and Bérénice creates a tender acoustic pop confession with “Billie Jean”
François Marius’ latest release, “Billie Jean (Acoustic Version),” cuts to the quick and lets raw emotion take over. What you get, ultimately, is a personal pop experience that feels closer to a secret than to either a spoken-word show or a performance. The initial soft strum of an acoustic guitar creates a mood that is soft, sweet, and quietly interesting. It’s a full-throated, backbones-out piece, and every note is screaming its potential. It’s simple but riveting, and it proves that sometimes less is more.
François Marius and Bérénice’s voices sound right together, their voicings intermingle so naturally that they seem accidental or spontaneous, harmonies that emerge from nowhere. The way they speak to one another is very, I mean, they really love each other. That even makes the track seem like a conversation about feelings.
The two artists are clearly close. Romance and Eros are not just ideas, and they inhabit every note that lingers and every minuscule shift in tonality. The harmonies soar effortlessly over the acoustic foundation, a blend of sweetness and strength. It’s a sign of strength and also of a willingness to be hurt.
“Billie Jean (Acoustic Version)” is stripped of any fancy production or theatrical effects, it wins you over with its frankness and forthrightness. Sandy François Marius’s impersonation is fresh and real, endowed with depth and softness thanks to Bérénice’s presence, which definitely makes everything more perfect. This acoustic performance serves as a stark reminder of the elements that do connect people: the singer, his guitar, and a story from the heart.
Connect with François Marius on Spotify || Instagram || Facebook || Youtube || Twitter || Soundcloud
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