Music
The Rock And Roll Hall Of Fame’s Induction Ceremony Has Been Permanently Moved To The Fall
Getty Image Before this year’s pandemic-prompted rescheduling, the ceremony had historically taken place in the spring. …

The Rock And Roll Hall Of Fame ceremony always manages to capture indelible moments, like when The Cure’s Robert Smith had an infamously apathetic response last year to an interviewer’s question about their induction. This year, however, the ceremony will look quite different. Not only will it be held virtually, but it will also take place this month rather than in May — and it looks like the ceremony’s schedule change is now permanent.
Rock And Roll Hall Of Fame CEO Joel Peresman addressed the shift this week, according to NME. Peresman said that rather than starting the nomination process in September and announcing the new inductees at the beginning of the next year, the entire process will be pushed back several months. “We moved the timing of the ceremony,” he said of this year’s event. “We’re going to move the ceremony permanently so it’s in the fall of each year because of COVID.”
Peresman continued, “We’re also moving the nomination process. Normally, the nomination process starts in September, we announce the nominees in October, and then we announce the inductees in January. This time the nomination meetings will happen in January, so we’ll announce the nominees in February and start that voting process then.”
While the future of live events in the US remains uncertain, Peresman is remaining optimistic about next year. Peresman added that he’s “hopeful by next fall in some form that we’ll be able to get together again.”
Even though the event is virtual this year, the lineup is still stacked with big-name artists. David Grohl will kick things off by announcing this year’s inductees, which includes Nine Inch Nails, The Notorious B.I.G., Whitney Houston, T. Rex, Depeche Mode, and the Doobie Brothers. Other artists that will make a digital appearance include Diddy, Miley Cyrus, Jennifer Hudson, Billy Idol, Iggy Pop, Alicia Keys, Adam Levine, Chris Martin, Bruce Springsteen, St. Vincent, and more.
The Rock And Roll Hall Of Fame induction ceremony streams on HBO 11/7 at 8 p.m. ET. Watch it here.
Some artists covered here are Warner Music artists. Uproxx is an independent subsidiary of Warner Music Group.
Artist Spotlight
“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.
This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.
“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.
Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.
Artist Spotlight
“NO MORE” by Amanda Holley connects healing, awakening, and survival
“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.
“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.
Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.
“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.
Photo Credit: Yulia Shusharina
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