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Fans Think A Conway The Machine Tweet Means A Break With Shady Records Is Coming

Getty Image Griselda fans have proven to be some of the most loyal and enthusiastic, even if it sometimes gets the best of them. …

Fans have always been protective of their favorite entertainers but thanks to social media, that tendency has been turned way up. Now, stans view their every chart disappointment as a conspiracy against their beloved artists and perceive slights in every digital promo campaign slip-up. Case in point, the fans of the Griselda Records collective are as enthusiastic as any but they’ve recently taken to expressing displeasure at the indie’s affiliation with the larger Shady Records, feeling like Shady has suppressed the deserved success of the Buffalo boys’ venture.

Now, a cryptic tweet from core member Conway the Machine has those fans speculating on a possible split after the fans apparently decided that Griselda has become disgruntled with the distribution deal they signed with Shady in 2017. “I’m not f*ckin wit none of them n****s no more,” Conway wrote, leaving off any defining characteristics for just whom he might be cutting off. However, that hasn’t stopped fans from chiming in with their assumptions regarding Shady Records.

For what it’s worth, the Shady deal hasn’t stopped Griselda from continuing to be one of the more productive indie labels out in 2020, releasing no less than six projects over the course of the year, including multiple Westside Gunn albums, Benny The Butcher’s album, Armani Caesar’s album, and yes, a pair of Conway The Machine projects, all of which have been well-received by critics and fans. Many of the projects were distributed by EMPIRE, meaning no Shady funds were put into the creation, marketing, or promotion of those projects and Griselda seems to retain much of their creative control on their Shady releases.

Of course, none of those facts will ever stop fans from clamoring for ever more material from their favorite artists and believing that those artists should only ever go No. 1 on all the charts (these fans especially, because they seem to share a consensus opinion that everything else sucks). Unfortunately, there’s only room for one act at the top and it’ll always be the more popular ones, rather than just the ones with the most vehement supporters. However, that doesn’t mean they aren’t successful; if anything, this shows fans need to find new ways to define success.

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Artist Spotlight

Mamas Gun and Brian Jackson shines light on the truth on latest release “DIG!”

Mamas Gun

Mamas Gun makes a strong comeback with their new single “DIG!.” The track sounds more like a strong statement of intent than just a release. The UK band is known for its smooth blend of blue-eyed soul and traditional black music. They show once again that they can make music that sounds both thoughtful and very new, while still being real, emotional, and sophisticated.

“DIG!” was recorded directly onto analogue tape, and every note has warmth, grit, and soul. The production choice gives the music a rich, natural sound that complements the band’s unique groove. It is a piece of music that makes people slow down, really listen, and experience it rather than hear it.

Adding famous collaborator Brian Jackson, whose vocals, keyboard, and flute give the song a timeless elegance, adds even more depth and magic. Jackson is known for working with artists such as Stevie Wonder, Gil Scott-Heron, Roy Ayers, and Earth, Wind & Fire. His addition makes the song something truly special. His reunion with Andy Platts, the lead singer of Mamas Gun, almost twenty years after they first worked together creatively in New York, gives “DIG!” a very personal touch that can be felt throughout. “DIG!” sets a strong mood based on connection, art, and essence. Mamas Gun not only goes back to their roots but also makes them stronger. This song is heartfelt, timeless, and completely captivating.

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Artist Spotlight

Bromsen crafts a suspension between attachment and release in new single “Concendrain”

Bromsen

Bromsen’s latest release, “Concendrain,” is very immersive and lives in the space between control and disintegration. The song smoothly shifts from focused to tired, from connected to free, and captures a complex emotional balance that is both personal and universal.

“Concendrain” starts slowly and carefully, the structure has layers that change over time, so each part can come out on its own without any stress or hurry. As time goes on, electronic textures begin to emerge, giving the music a mood that eventually turns into rock-infused energy. These different sounds don’t clash, they work together to create a track that is alive, fluid, and always changing.

The guitar, voice, and rhythm should all work together on the song. These parts don’t compete for attention; instead, they work together to make a smooth flow that pulls the listener into the song’s emotional depth. The arrangement features vocals that complement complex guitar lines and a steady beat that keeps everything in line.

“Concendrain” is really interesting because it has two sides. The track is about the fight in your head between giving up and pushing through, and between staying focused and giving in to tiredness. Bromsen and Reatsch work together to make something that looks natural and well-made. “Concendrain” doesn’t try to be cool or follow trends. Instead, it gives you a slow experience that you should really pay attention to. “Concendrain” is a powerful and thought-provoking work that sticks with you long after the last note has faded away. It stands out because its structure changes, its atmosphere is rich, and its emotions are strong.

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