Music
Cardi B Apologizes After Many Were Offended By Her Hindu Goddess Photoshoot
Getty Image ‘If people think I’m offending their culture or their religion I want to say I’m sorry,’ she said. ‘That was not my intent.’ …

Back in October, Cardi B unveiled the Club C Cardi shoe, a collaboration with Reebok that would go on sale on November 13. As a part of its rollout, she did a cover shoot for Footwear News, but the resulting image received a large amount of criticism after it appeared to emulate the Hindu culture, which many found disrespectful.
Cardi b did not pay “homage” to the Hindu goddess Durga by holding a shoe in her hand, this is plain disrespect and in no way cultural appreciation. she can’t getaway with this without addressing and apologizing for mocking our culture pic.twitter.com/ZLVcz0mBlB
— Hana
(@MissAmericHANA) November 11, 2020
you're fucking kidding this is so disrespectful to hindu culture?? how do celebrities not understand that using other people's culture to promote their brand is wrong on so many levels!? On top of that they're comparing CARDI B to a hindu goddess… worms for brains. pic.twitter.com/Oz7g79VMqn
— sami (@soobmoob) November 11, 2020
One person labeled it as “plain disrespect,” saying that the cover is “in no way cultural appreciation,” while another asked, “how do celebrities not understand that using other people’s culture to promote their brand is wrong on so many levels!?” In response to the backlash, Cardi apologized for offending people with the photoshoot.
Cardi Addressing The Hindu Situation In Apologizing Pt 1 Via: Instagram stories pic.twitter.com/YRo2XKXK9s
— The Popular Table (@PopularCardiB) November 11, 2020
“When I did the Reebok shoot, the creatives told me I was going to represent a Goddess; that she represents strength, femininity, and liberation, and that’s something I love and I’m all about,” she said. “And though it was dope, if people think I’m offending their culture or their religion I want to say I’m sorry. That was not my intent. I do not like disrespecting nobody’s religion. I wouldn’t like people to offend my religion.” She added, “I wasn’t trying to be disrespectful; maybe I should have done my research, I’m sorry, I can’t change the past, but I will do more research for the future.”
Footwear News also shared a statement on the issue with People. “Yesterday we posted content from our exclusive Cardi B cover shoot. One of the images was intended to pay homage to Hindu goddess Durga, and our intent was to show a powerful woman,” the magazine said. “However, we realize we were not considerate of certain cultural and religious perspectives and how this could be perceived as deeply offensive.” They added, “Today, we’re releasing another cover from the shoot that was a subscriber exclusive.”
Cardi B is a Warner Music artist. Uproxx is an independent subsidiary of Warner Music Group.
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Alwyn Morrison explores betrayal, judgment, and survival on new EP “Trial”
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The first track, “Puzzle Piece,” is Morrison’s raw, heavy alternative rock sound, fitting the weight of betrayal and false accusations. The song has a sense of tension, putting you in the shoes of someone trying to understand a difficult situation. Followed by “Everybody Bleeds,” which follows that emotional path, creating a song about confusion, openness, and the struggles we all face, and it’s an emotional listen, with hard truths and personal experiences laid bare.
The project’s focus track, “Monster,” goes into more personal territory. It explores what happens when we are judged or condemned for the choices we make, and it carries a message that goes far beyond Morrison’s own experience. The central theme will strike a chord with anyone who has felt misunderstood, unfairly labeled, or defined by others’ opinions.
The EP closes with “Fireflies,” a track that shifts the mood, contrasting childhood innocence and memories with the realities of adult life. The sequence moves the story toward resilience, survival, and earned acceptance. Alwyn Morrison spins a musical tale of hard life experiences put to the test. The courtroom concept gives the four songs real purpose to move on without letting past experience dictate the future.
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“Ceasefire” is full of sad melodies and hints of atmospheric rock, making it a dark, cinematic listen. The song’s alt-rock pivot provides an emotionally charged foundation, and it’s about the internal battle, especially when your identity has been so tied to another person.
Fanny Alexandra’s ethereal vocal approach suits the song, lending real emotional weight to the exploration of self-loss and internal tension. “Ceasefire” is a reflective track, with atmospheric instrumentation and deeply personal songwriting that capture feelings that can linger long after a tough chapter closes.
It’s about finding yourself again, and its emotional arc moves from openness and dependence to the hard-earned discovery that personal freedom is more than just walking away. Fanny Alexandra’s love for dark, emotional alternative music inspired “Ceasefire.” Her art is about intimate storytelling, cinematic atmosphere, and making music that explores the quieter struggles people tend to keep inside. In this record, she turns the fallout from a toxic relationship into a meditative reflection on the long road to selfhood.
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(@MissAmericHANA) 