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Lil Nas X Admits He Was Tired Of ‘Old Town Road’ After It Was No. 1 For Months

Getty Image ‘I was ready to throw it out the window in June last year.’ …

Lil Nas X just dropped “Holiday,” his first new single in a while. He joined Apple Music’s Zane Lowe to discuss the track, and he also revealed during the chat that after a while into the extended No. 1 run of “Old Town Road,” he was getting tired of the hit.

The rapper discussed the creative growth he has undergone since “Old Town Road,” saying:

“I felt super accomplished, but I felt like, ‘OK, that’s cool. Now it’s time to really get to business’ kind of thing, you know? I found better, healthier ways to create, I’ll say that. Little things like taking much more time with my lyrics and putting more into the concept of whatever the song I am making. Because I used to go to the studio, make the song, I’m out, and never go back to it, never work on it again. And it worked, but that wasn’t the move. If I can do that without doing that, what can I do beyond that? Another thing with quarantine I decided I wanted to do was definitely give people more of an inside of me beyond the characters I portray. Even ‘Holiday,’ I’m talking about the past year or whatever, and all this sh*t. You know, a couple of sh*ts that’s been happened, and just establishing where I’m going, where I’m moving, how I’m good no matter what.”

He then revealed that he was ready to move on from “Old Town Road” while it was still the top song in the country, saying, “‘Old Town Road’ didn’t stop being number one until August, I think, of 2019, and I was already ready to throw it out the window in June last year. And I was so ready to move on from it because of what other people were saying that I almost missed out on even bigger blessings from it.”

Meanwhile, Lil Nas X also has an interesting new venture coming up: He’s putting on a virtual concert in Roblox.

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Album Review

Cognitive Constellation Corps blurs humanity and technology on “Thank You for Your Feedback (I)” album

Cognitive Constellation Corps

In a world of notifications and automated responses, algorithms, and feedback requests, Cognitive Constellation Corps finds something unexpectedly human inside the machinery. “Thank You for Your Feedback (I)” is an alt-pop exploration of connection, isolation, communication, and the increasingly complicated relationship between people and technology, transforming familiar procedural language into something else.

Created by Brooke Tamsin Clevenger, a Belfast-based artist, the project’s principal composer, lyricist, producer, and conceptual director, the album is deliberately constructed around what happens to human emotion when our lives are increasingly structured by systems that process information rather than necessarily understand feelings. The album opens with “Opening Loop (i),” which introduces that world through the idea of repetition, linking software loops to the habits we humans learn in modern life.

Followed by “Signal Received (i),” the track becomes more fragile, a mix of bubbling electronic movement and the promise of waiting for a response. It picks up the strange emotional weight that can be behind something as simple as a digital signal. “Thank You For Your Feedback (i)” examines the pressure to be constantly evaluated, and “Echo Chamber (i)” reflects on how digital interaction creates intimacy and amplifies alienation. “The Curve of Clarity (i)” is a road toward understanding where data and human realization begin to converge.

On the production side, the project explores electronic textures without allowing its technological concept to overwhelm its emotional core. “Threadbare, Threadshare (i)” turns the fatigue of constant communication into an interesting concept. “The Response Loop (You’re Still Talking)” injects a sense of urgency with a faster, more club-friendly beat that mixes early-80s electronic music with state-of-the-art sounds.

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“Harmonic Distortion (i)” continues the album’s obsession with emotion that has been filtered, and “Always (i) [Sevahem]” is an appropriate closer, reflecting on organic feeling and ancient human knowledge through the prism of digital sound. “Thank you for Your Feedback” is a tech-driven concept that is always aware of the person behind the screen. Cognitive Constellation Corps is cerebral and electronic and conceptually ambitious while remaining emotionally accessible.

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Artist Spotlight

Shawn Brown raises the volume on love, loss, and survival in “What a Way to Go”

Shawn Brown

Shawn Brown’s new single, “What a Way to Go,” is a guitar-heavy rock-pop anthem that makes doomed young love, instability, and survival something ferociously cathartic. The single, produced by celebrated musician and producer Grecco Buratto, fully embraces the scope of its story. Brown doesn’t turn heartbreak into a quiet, inward experience, but he energizes it, giving it drive and urgency.

“What a Way to Go” is a relationship against impossible odds, and the emotional tension is the clash between a world that feels like it’s falling apart and the stubbornness of two people who won’t let go of each other. That tension is what makes the song dramatic, but it also allows Brown to aim for a bigger, more explosive sound.

Recorded at The Trench in Portland with engineer Gregg Williams and the full Shawn Brown Band and trusted creative team, including Ben Landsverk, Jeff Langston, Ned Failing, Tiago Becker, and Juan Garcia Petri. Their combined presence adds to the muscular, expansive character of the single that one would expect from an anthem of this magnitude.

Brown handles the emotional commitment with confidence, true to its survivalist spirit, and pairs the guitars with a performance that feels immediate rather than remote. “What a Way to Go” is one of Shawn Brown’s most electrifying releases, blending raw rock power with the emotional openness of a love story that won’t go quietly. It’s raw, loud, passionate, and unapologetically alive.

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