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[Op-Ed] Hip Hop Democracy and the Future of Our Freedom

by Kyle T. Mays, Ph.D. In the wake of the election of president-elect Joe Biden and the incoming Vice President, Kamala Harris, who will be the first Black and Southeast Asian…

[Op-Ed] Hip Hop Democracy and the Future of Our Freedom

by Kyle T. Mays, Ph.D.

In the wake of the election of president-elect Joe Biden and the incoming Vice President, Kamala Harris, who will be the first Black and Southeast Asian woman, millions of people were happy that President Donald Trump will no longer be in the White House. People partied in the streets. Although we should be ecstatic, we still have work to do.

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People can be joyful in this moment of important change, but we should proceed cautiously. Black male Hip Hop artists like Lil Wayne, Ice Cube, and 50 Cent aligned themselves publicly with Trump. It was a huge mistake on their part. It didn’t matter, because Biden won the electoral college, and earned the most votes ever, at more than 75 million. Yet, Trump earned the second-most ever, at nearly 71 million. Some Republicans voted for Biden but did not vote Democratic in state elections.

We can argue all we want about the nuances of who voted for him and why, but to me, it is clear: Donald Trump was an outward white supremacist in office, and voting for him because of “conservative values” won’t cut it.  This is not good for the 2024 election. We still have work to do. After all, unless Trump is charged with criminal charges, he could run again and could get just about the same number of votes. The Hip Hop community can play an important role.

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Hip Hop Nation has always been political. From its inception, rappers and taggers used their voice and visual expressions to tell stories about the condition of poor, working-class Black and Latinx communities. Before Hip Hop engaged in mainstream politics, they were in the streets placing their tattered ballots on the walls of dilapidated New York City buildings and daring society to push them to the edge. Hip Hop’s elements aren’t just cultural production. Drawing on a historical blueprint laid out by organizers like Fannie Lou Hamer and the Student Nonviolent Coordinating Committee, parts of Hip Hop Nation has been deeply committed to community organizing. They have encouraged young people to vote but also to be involved in their communities every day, not just every four years.

The Hip Hop community, especially at the grassroots level, has a lot of work to do over the next several years to avoid a letdown. We can’t rely on the voices of Hip-Hop billionaires and millionaires who may not represent the interests of those they claim to represent. For almost twenty years the Hip Hop community has sought to engage young people in voting with the Vote or Die campaign, Rock the Vote, and Respect My Vote campaigns. Those have been important in encouraging young people to vote. However, we don’t need to create a new political party to “represent” Black people. A study of the 1972 Black Political Convention held in Gary, Indiana would reveal a lot about how diverse Black politics truly are. Black youth are engaged in politics on the ground, and one of the best ways to help is to donate money and other resources to the causes that they actually want.

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We must persist in our struggle for our freedom. There are grassroots organizations at the local level that have continued the work of social change. Many organizations continue the struggle to make Black Lives Matter every day. Assata’s Daughters, based in Chicago, is a Black woman, femme, and gender non-conforming group that continues the work of Black liberation, inspired by the activism of Assata Shakur. Shakur has been in exile in Cuba for decades, remains on the FBI’s Most Wanted list, and is the godmother of the late, Tupac Shakur. Other groups include the Aadizookaan, a Black and Indigenous artistic collective in Detroit. They combine Hip Hop culture and Indigenous storytelling techniques to encourage young people to decolonize their neighborhoods and continue the work of making sure that Black and Indigenous Lives matter in Detroit and beyond. Another organization is 1Hood, led by rapper Jasiri X, who educate young people through creative arts. There are hundreds of organizations that could use more resources to do the work in their local communities.

Hip Hop royalty could, as some are likely already doing, donate money and resources to these types of grassroots organizations. They can de-platform their brands and uplift those groups who really need the assistance. But the question, of course, is who is in their ear?

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In some ways, it doesn’t matter what the elites in our communities do. As long as those on the ground continue to struggle, we will get our freedom. Voting is important, but without constant on the ground struggle, political education, and working against the forces that impact us, like police brutality and extreme poverty, the electing of Biden and Harris won’t matter. We still have work to do.

Kyle T. Mays, Ph.D., is an Assistant Professor of African American Studies, American Indian Studies, and History at UCLA. He is the author of Hip Hop Beats, Indigenous Rhymes: Modernity and Hip Hop in Indigenous North America (SUNY Press, 2018) and is finishing up a book titled, An Afro-Indigenous History of the United States (Beacon Press, forthcoming, November 2021)

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The post [Op-Ed] Hip Hop Democracy and the Future of Our Freedom appeared first on The Source.

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Keyshia Cole’s Instagram Drama, Reactivation Sparks Firestorm Over Hunxho’s Steamy Shots with Gloss Up

Keyshia Cole

Keyshia Cole’s Instagram Drama, Reactivation Sparks Firestorm Over Hunxho’s Steamy Shots with Gloss Up

Keyshia Cole‘s Instagram hiatus was short-lived, but the drama it stirred certainly wasn’t. The R&B star recently made waves by deactivating and then reactivating her account, all to address the sizzling controversy surrounding her boyfriend, Hunxho, and Gloss Up’s latest collaboration.

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Earlier today, Gloss Up dropped the music video for their joint track “Come Here,” sending fans into a frenzy. But while the audience was grooving to the beat, Keyshia Cole was feeling anything but love. The video showcased Gloss Up and Hunxho in intimate scenes, from twerking to bathtub hangs, raising eyebrows especially since Cole and Hunxho only recently went public with their relationship.

In a swift social media move, Cole briefly disappeared from Instagram, prompting speculation. But Gloss Up’s subsequent posts, featuring cozy shots with Hunxho and suggestive captions, sparked Cole’s reactivation and a fiery clapback.

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“Him playing the ‘sneaky link’ while I’m here thinking marriage? That’s just low,” Cole exclaimed, punctuating her response with laughter. Despite her disappointment, she extended well wishes to Gloss Up’s project, albeit with a hint of sarcasm.

The timeline of the photos remains a point of contention, with Cole asserting they were taken pre-relationship. Yet, Gloss Up’s persistent taunting on social media, including retweets hinting at a prior connection with Hunxho, keeps the tension alive.

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As the internet buzzes with opinions on Gloss Up’s video and Cole’s candid reaction, Hunxho himself has remained relatively silent, save for a cryptic tweet. The drama continues to unfold, leaving fans eager for more updates.

What’s your take on Gloss Up’s provocative video and Cole’s unfiltered response? Join the conversation below, and stay tuned to Honk Magazine for the latest developments.

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Hip-Hop

Benzino and Jacksonville Rapper Natalac Announce Drop Date for “Trending Topic”

Hey music lovers!

We’ve got some exciting news that you’ve all been waiting for! The highly anticipated new single, “Trending Topic”, will be dropping on all your favorite streaming platforms on April 12, 2024. So, mark your calendars because you wouldn’t want to miss the debut of this promising track!

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Straight from Jacksonville, Florida, Natalac, our beloved rapper and the CEO of Natalac Records and Natalac Express, is all set to release this brand new single. The exciting part? This upcoming single will be featuring none other than the entrepreneur, TV personality, and rapper, Benzino!

Remember when Benzino made waves in the hip hop and rap world with his release “Rap Elvis”, an Eminem diss? Our very own Natalac, draped in white mink, was a part of the single’s official video, filmed in Detroit. And it’s not the first time Natalac and Benzino have joined forces. They previously collaborated on projects like “Run Tell That” from the ‘Love & Pimp-Hop’ album by Natalac, which was released back in 2021.

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This time, they’re back with “Trending Topic”, their latest collaboration. The official video for this single, filmed in Detroit, will also see Bo$$ Money in the mix. Fans can expect to find “Trending Topic” in the upcoming Natalac album, ‘Return of Goldie’.

Natalac’s illustrious career in music spans over two decades. Remember his voter’s rights single “Fire in Florida”? It was so impactful that it caught the attention of the NAACP “Get Your Vote On” tour for the 2000 Presidential election. Since then, he’s been consistently releasing albums and working on numerous projects. One of his memorable works includes the 2012 ‘Coast 2 Coast Mixtape Vol. 183’ with Wyclef Jean, Young Jeezy, Mary J. Blige, Ludacris and several more that followed. Currently, Natalac is signed with his own label Natalac Records.

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Natalac’s charisma, talent, and raw perspective have earned him billions of views online. He’s also known for his character A Pimp Named Slickback, featured on Adult Swim’s ‘The Boondocks’.

So, on April 12, 2024, all fans and followers of Natalac and Benzino, get ready to tune in to “Trending Topic” as it makes its digital debut. Want to learn more about Natalac? Visit https://natalac.com/ or Google Natalac at http://bit.ly/2RcUJpn.

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ABOUT NATALAC: Natalac is a rapper based in Jacksonville, Florida. He’s the CEO of Natalac Express and Natalac Records. Find out more about him on https://rap.fandom.com/wiki/Natalac, https://bit.ly/2RcUJpn, linktr.ee/natalac, and Natalac.com.

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