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Westside Gunn Says He Is No Longer Signed To Shady Records And Labels Himself A ‘Free Agent’

The Buffalo rapper called himself a free agent, a move that occurred just a month after he delivered his ‘Who Made The Sunshine’ debut. …

Westside Gunn has had an absolute monster year in 2020. The Buffalo rapper has released not one, not two, but three albums in 2020 thanks to his Pray For Paris, Flygod Is An Awesome God II, and Who Made The Sunshine drops. Despite the success he’s had this year, Gunn may enter 2021 as a “free agent” as the rapper revealed he is no longer signed to Shady Records on Saturday.

The news came during an appearance on the Joe Budden Podcast where he simply said, “I’m off Shady,” when he was asked about his label situation. He added, “I’m actually a free agent.”

The announcement came after Gunn laughed off Eminem’s poor promotion of his Who Made The Sunshine album. After a fan noticed that Eminem posted The Alchemist’s The Food Villain project — which is not a Shady release — to Instagram without doing the same for Westside’s album, the fan said, “No post of @westsidegunn album that’s in your own label? Lol wtf.” The Buffalo rapper caught wind of the comment and replied with a series of laughing and shushing emojis.

After revealing the news, the hosts on the Joe Budden Podcast asked the rapper if he felt like the label fell short of their goal for him, but he opted to stay tight-lipped on the details. “I’m not no pillow talking type of n****,” Westside said. “That’s how I move. … It’s like saying me and [Benny The Butcher] or Conway or Conway or Benny or whoever, we may have a disagreement the world will never know about it. It’s just going to be brothers and cousins. It’s the same way with business.”

You can watch the full Joe Budden Podcast episode with Westside Gunn above.

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Artist Spotlight

“Subterranean Homesick Blues” finds a new direction through Ghost of Panama

Ghost of Panama

Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.

This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.

“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.

Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.

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Artist Spotlight

“NO MORE” by Amanda Holley connects healing, awakening, and survival

Amanda Holley

“NO MORE carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.

“NO MORE is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.

Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.

“NO MORE is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.

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Photo Credit: Yulia Shusharina

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