Music

50 Cent Is Willing To Do A ‘Verzuz’ Battle With The Game

‘As much as we argued and fought in the early stages, I would rather see him benefit from the momentum than someone else,’ 50 said. …

This past Saturday, the hip-hop community was surprised by the news of Gucci Mane and Jeezy putting their differences aside for a head-to-head matchup on Verzuz. With that battle just days away, fans of the online platform already have their eyes set on another possible battle, which also finds another pair of rappers duking it out despite not seeing eye to eye at the moment. Supporters of Verzuz are hoping that 50 Cent and The Game would be able to sit down for a matchup and when the New York rapper was asked about the possibility, he delivered an answer that many might not have expected.

During an interview on Big Boy’s Neighborhood, 50 Cent was asked if he would consider participating in Verzuz and he said, “If you think about, from my time period, there’s nothing that can match that run.” Big Boy pushed the rapper further on the Verzuz topic and asked who he would face and 50 replied with The Game, but only under one condition. “You know what? Look,” he said with a grin on. his face. “Okay, he can’t play no records with my voice on it.” He also admitted that the West Coast rapper had “some hits.”

Artist Spotlight

“Subterranean Homesick Blues” finds a new direction through Ghost of Panama

Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.

This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.

“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.

Artist Spotlight

“NO MORE” by Amanda Holley connects healing, awakening, and survival

“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.

“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.

Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.

“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.

Photo Credit: Yulia Shusharina

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