Music
Lil Durk And King Von Are ‘Still Trappin’ In Their Dark New Video
Durk released his latest album, ‘The Voice,’ on Christmas Eve after pushing it back when his friend and protege Von was killed. …
Lil Durk’s latest single from his new album The Voice, “Still Trappin’,” helps keep Durk’s artist King Von‘s voice in the conversation as the two Chicago rappers trade verses full of threats and boasts. In the video, which Durk released today, Durk and his OTF crew invite some dancers to the studio, showering them with currency. Although the late Von couldn’t be in the video, Durk pays homage to him with a massive portrait of Von airbrushed onto the back of Durk’s custom jacket.
The Voice arrived on Christmas Eve after the rapper spent several months teasing the project and pushing it back in the wake of Von’s death in Atlanta. In the meantime, he kept the buzz going through a series of standout guest appearances with the likes of Bia on her “Same Hands” single and Queen Naija in the flirtatious “Lie To Me.” When Durk did promote The Voice, it was with singles “Backdoor” and “Stay Down,” for which he also released a fan-focused lyric video yesterday.
2020 was a breakout year for Von. Despite releasing music commercially since the Chicago drill outbreak of 2012, last year saw his biggest increase in popularity thanks to the release of his album, Just Cause Y’all Waited 2, and a flurry of high-profile feature verses, including one on Drake’s comeback single “Laugh Now Cry Later.”
Watch the “Still Trappin’” video above.
Artist Spotlight
The trapheaux gracefully glides over in new release “Marble Floors”
Trapheauxly’s latest release, “Marble Floors,” is a smooth, seductive single that combines clean, complex rap verses with melodic R&B. The song’s production, soulful vocal harmonies, and steady rhythmic pulse create a luxurious yet emotionally grounded atmosphere. All of these elements work together to create this atmosphere.
The most impressive aspect of it is the way it shifts from a catchy melodic hook to a rapid-fire delivery of the lyrics. One moment, “Marble Floors” is silky smooth, and the next, it is razor sharp. This contrast is what gives the musical its identity.
When it comes to lyrical concerns of intimacy, devotion, and elevated aesthetics, the image of marble floors appears, time and time again, as a symbol of elegance and emotional weight. Trapheauxly is a polished package that combines style, substance, and value that cannot be denied in terms of replay value.
Connect with Trapheauxly on Spotify || Instagram || Soundcloud
Artist Spotlight
NIHLNØTHING unleashes increased tides on new release “ocean” Power
NIHLNØTHING’s latest release, “Ocean” is a powerful, immersive single that defies classification as heavy music. The track sounds huge, punishing, and emotionally complex, as the title promises, drawing on post-metal, alternative metal, sludge, groove metal, metalcore, and deathcore.
A sense of depth makes “ocean” appealing. The song balances atmosphere and intensity like a violent current under calm waters. This track has towering sonic weight and textured melodic darkness, suggesting it can go from hypnotic tension to explosive release in a heartbeat.
Genre DNA enables NIHLNØTHING to create something expansive. It has sludge, groove, metalcore urgency, and a post-metal mood that’s probably more than aggression. NIHLNØTHING excels in contrasting crushing weight with atmosphere, chaos with control, and brutality with reflection. Balance distinguishes loud from powerful music.
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