Music
Future And Lil Uzi Vert’s ‘Drankin N Smokin’ Video Features A Massive Mansion Party
The ‘Pluto X Baby Pluto’ collaborators keep it simple as they maintain the buzz of their joint project. …
Future and Lil Uzi Vert know the key to the success of their Pluto X Baby Pluto collaboration was keeping things simple, so that’s what they do in their latest video from the project, “Drankin N Smokin.” Sticking to the most basic precepts of the rap music video, the duo rents out a mansion, hires a bunch of scantily-clad models, and mugs for the camera as they roam from room to room admiring the scenery. Atlanta comedian Lil Duval makes a cameo as the mansion’s owner and the ostensible impetus for the party.
As prolific as both artists were in 2020, with Future releasing High Off Life early in the year and Uzi dropping Eternal Atake and its deluxe version shortly after, it already looks like Future may be gearing up to release another new project after he cleared his Instagram account, which he usually does in preparation for big album rollouts. Meanwhile, Uzi also has also been teasing new music, which makes sense based on how much music he probably has saved up from years between projects.
In the meantime, it seems the two have been content to continue promoting their shared project with videos for “Drankin N Smokin,” “Over Your Head,” and “That’s It.”
Watch the “Drankin N Smokin” video above.
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“Get There Before Noon (LA Mix)” by The Afro Nick inspires a heartfelt anthem for racing the clock
Every second matters with Nick Anastasakis, recognized as the talented lead figure of his indie-rock ensemble, The Afro Nick, influenced by his formative experiences on the sun-soaked island of Crete, to create a rich thematic tapestry of intention in his latest single, “Get There Before Noon (LA Mix),” a stirring anthem for seizing life by the moment. With its roots in indie, alternative, and psychedelic rock, the track pulses with vibrant urgency, making it as much a call to action as an auditory exploration.
The track kicks off with bold guitar riffs accompanied by intricate electronic melodies, pulling listeners into a whirlwind of sound that feels both intimate and expansive. Grammy-winning synth player Leonardo Genovese contributes a sophisticated element, skillfully integrating vibrant electronic melodies into the track’s fabric. But Nick’s raspy, soul-drenched vocals truly anchors the piece, delivering its poignant message with raw sincerity.
This artistic synergy is born from the influence of Nick’s Crete upbringing, and his subsequent reinvention in Los Angeles unmistakably shines through in every note that hasn’t dulled his Mediterranean soul. The lyrics convey an imperative to seize the fleeting time, encouraging listeners to embrace the present with unreserved enthusiasm. The Afro-Nick’s hopeful wisdom yet gritty perspective transcends superficiality, reminding audiences that life is to be lived fully, even amid its inherent imperfections.
“Get There Before Noon (LA Mix)” exemplifies The Afro Nick’s thoughtful approach to music, functioning as a heartfelt manifesto. Its layered instrumentation and passionate delivery leave audiences feeling inspired and reflective, with a lingering urge to chase your version of “noon.” This track is an ideal companion for anyone navigating life’s twists and turns, urging listeners to hit the gas and savor every mile, particularly in the context of life’s relentless progression against time constraints before it’s too late.
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Music
Sarah Biddick’s Emotional Call, “Save Me” Bridges Heartache and Hope
Sarah Biddick‘s latest single, “Save Me,” explores the interplay between vulnerability and resilience, characterized by her distinct vocal timbre and emotive delivery. The track embodies a near-intimate quality, akin to personal diary entries, while simultaneously maintaining a universal appeal for listeners grappling with emotional turmoil.
From the outset, “Save Me” envelops the audience in its melancholic timbre, featuring a fusion of ethereal melodies and poignant lyrics that effectively convey the theme of seeking solace. The production is both minimalistic and impactful. It prioritizes Biddick’s vocal delivery, which operates as the emotional fulcrum of the piece. Her vocal phrasing oscillates between urgent desperation and nuanced strength, lending each lyric a compelling gravitas.
The instrumentation develops incrementally, layering understated percussion and atmospheric synth pads that correlate with the song’s emotional trajectory. This intentional arrangement reflects the nuanced highs and lows associated with the experience of reaching out for support.
What distinguishes “Save Me” is its raw authenticity. Biddick does not shy away from the intricacies of expressing the need for help; instead, she embraces the inherent imperfections in these moments, crafting a sonic narrative that serves as a backdrop for experiences of emotional struggle when verbal communication may fall short.
This track is an ideal companion for late-night contemplation or a powerful connection conduit during challenging times. With “Save Me,” Sarah Biddick cements her status as a vocalist and storyteller whose work resonates deeply with the human experience. Whether a newcomer or a long-time aficionado, listeners will find in this piece a testament to music’s profound capacity to heal, connect, and ultimately save us in our most vulnerable moments.
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