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15 Minutes With Music Producer Colin Brittain

Hi Colin! How are you? How have you been able to continue working during the pandemic?

Glad to talk to you guys!  Things have been good for me (very thankful). Artists have obviously had a lot of time on their hands over the past year- which has been good and bad.  But for creating music, I can honestly say that things have never been busier for me and my crew.

What’s the project you are the proudest of in your music career?

I feel like this is a cop out- but it’s the truth-  I can’t say one project is my favorite.  Some of the most memorable and grateful experiences I’ve had though have been with Papa Roach, All Time Low, One Ok Rock, and A Day to Remember.

What are you currently working on?

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Tons of stuff- a few of the most recent I’ve been working with are Sueco, Papa Roach, Fever 333, Parson James, and my band American Teeth.

Did you participate in any online concerts or music-related events?

I’ve checked out a few of them-  Code Orange and Underoath were incredible shows, as well as Post Malone.

Out of all the genres you have been involved in, which one is the closest to your heart?

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I’m a punk rock kid at heart- so anything that’s angsty and aggressive I tend to really have a soft spot for.  The best part about music is that you can genuinely love so many kinds and it doesn’t take away the love from another.

Which of your various activities gives you the highest fulfillment?

Probably production-  there’s something about taking a great song and bringing it to its full potential.  It’s like telling a story with sound- I’ve always been drawn to that artform.

Is there an artist that you would love working with (someone you haven’t collaborated with already)?

I would love to write with the Band Camino sometime- I think they are absolutely phenomenal.

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Post udostępniony przez Colin Brittain (@docbrittain)

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

The striking quality of “Ocean” is the blend of the mystical worlds. Boostani understands that strength often shows up as gentleness and that deep feelings are better expressed through frequencies than words. She wants people to see consciousness as immediacy, sensation as truth, and openness as an undeniable strength.

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Artist Spotlight

NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

NOAH.

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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Connect with NOAH. on Instagram

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