Artist Spotlight
Meet Jeremiah Stokes, Hip Hop Artist To Look Out For In 2021
Today, we had the opportunity to interview Jeremiah Stokes, a multi-genre, hip-hop centrist based in Indianapolis, IN. Stokes is pound for pound a true hip-hop heavyweight in his own respective region of the Midwest. Achieved absolutely insane feats completely on his own. The young artist has coined his art: “Where Hermeticism meets Hip-Hop“. There is a wide variety of subject matter Mr. CRXW expounds on, ranging from alchemy and anime to love and manifestation. You never really know what to expect from the Midwestern wordsmith but if anything, know you will always receive a stellar performance with razor-sharp execution and delivery.
1: Tell us about your background getting to where you are today?
- Man, honestly faith in God and just not giving up when shit got tough; my life has been a mess for the better half of my existence. I really spoke all of this into existence. I just stayed consistent. No matter my situation, I
2: Where are you from?
- I was born in LaPorte, Indiana. I’ve resided in the capital, Indianapolis, for most of my life though. 219-317.
3: How did you get into music?
- I’ve always been sharp with literary skills since I was a child. I figured if I was so good at rapping and singing along with all of my favorite artists who are literally just speaking on their experiences from their perspective… Why can’t I do the same? So I just started taking writing a lot more seriously and it started with poetry that evolved into music. I still sometimes write poems for fun but it definitely took a backseat because I like music more.
4: What is the most challenging thing you have overcome in your life?
- I was going to say my emotions and my own trauma but presently I can say I’m in an uphill battle with poverty. I come from ACTUAL poverty. Bottom of the “middle” class type shit… Section 8, Food stamps, all of that. Mom was feeding me and my sister with Penn Station vouchers for a GRIP. I haven’t touched my big bag just yet but I learned to overcome poverty, you gotta change the way you think about it. For instance, I don’t like calling myself “broke” & that has nothing to do with pride. When my funds are low, I just say I’m between fortunes or waiting for my check, because while your pockets might be slim, the latter statement is always true. There is always money out there and it’s not going anywhere. I don’t let it fuck my head up and ruin my life as many people would assume someone who was previously poor would. I’m just determined to figure this shit out without having to deal with drugs or the streets; I don’t want to fall into the same trap my father did.
5: Are you currently signed or independent?
- 100% independent. I own my own publishing company through BMI and everything. I would REALLY like a deal if it makes sense. I want to own my music flat out but I would absolutely not be opposed to a partnership with an Independent label… or hell, even a major if they aren’t being shiesty.
6: Who inspires you the most musically?
- Ab-Soul, Kendrick Lamar, Earl Sweatshirt, WenYuWnt, The Weeknd, Mac Miller, Childish Gambino, XXXTentacion, Bonobo, The Hics, Don Toliver, Kanye West, Jay Z, Damon Albarn, Chester Bennington
7: What do you want people to take away after listening to your music?
- Mind the spells you speak over your life because you can fix your life, just as quickly as you can ruin it…. just by saying nice things to and about yourself and your circumstances. My music is powerful because I incorporate magick into my relatable lyrics. I literally want men and women, boys and girls the world over to quote my songs and know that I am writing this music to help me as much as I’m trying to help you. Just listen closely.
8: What is your greatest achievement as a musician?
- To be announced…. but some really cool things I’ve accomplished are:
- Meeting and networking with iLLMiND at his Pass The Aux event.
- I dropped my debut project, The Harrowing EP, in November and it’s already about to break 50,000 cumulative streams, all independent and organic.
- My music has been played on multiple college radios several times, namely DePauw.
- Been covered in Medium
All of my REALLY important moves are on the way through now that pandemic is slowly getting a bit better… so stay tuned for sure.
9: Do you produce your own music? If not, who do you work with?
- I do not but I am about to learn here soon because I love MIDI controllers. The producers I work with the most frequently are all in-house and Indianapolis or Midwest natives for the most part. I have beats from Harry Otaku, Mandog, Bangers By One (aka Robert Jay), Ehll Evans, Emerson Vernon, blkyth, Lord Ward, H.0.M.3., BA on the Beat
10: Who is one artist you wish you could work with?
- Kenny Mason
11: Tell us about any new music you have coming out? When is it coming out? What is it about?
- Natalie actually hit me at a great time because I am gearing up to drop an EP titled “Process Of Elimination” or (P.O.E.) on or around my birthday in August. It’ll be the precursor to my Freshman release/Debut album. (TBA)
12: What does a day inside your shoes look like?
- It’s a mix of enlightening epiphanies, ADHD, intense bursts of creativity, and crippling depression some days. Other times, I’m pretty relaxed in most cases and I don’t trip over too much until I get annoyed or I feel overwhelmed. I like eating healthy and holistically.
13: Anything else you want the audience to know about you?
- I am absolutely not being cocky when I say this but stick around and I assure you, I belong amongst the greats in this music shit. I am one of the greatest to ever do this, lyrically. My goal is to get noticed and eventually managed or picked up by TDE. I promise to change your opinion and shine as brightly as possible to change your opinion about an artist from Indianapolis.
Contact
Youtube: https://www.youtube.com/
Instagram: @OfficialJStokes
Twitter: @OfficialJStokes
Artist Spotlight
Alias Wayne celebrates the beauty of genuine affection on latest release “Tribute”
Alias Wayne brings the romantic message to the fore with “Tribute,” a song written to celebrate someone whose qualities deserve recognition and appreciation. The whole release is really about love and wanting the world to know how special someone is to you. It’s a simple yet significant idea, especially since the song takes an appreciation-based approach to romance rather than focusing on the thrill of attraction.
As the track progresses, the addition of shakers and hand drum adds yet another layer of rhythmic character, giving the arrangement a lively quality. What I really like is how these elements help the song move forward without detracting from its romantic message.
The lyric direction also keeps affection at the center, expressing admiration for someone’s qualities and a desire to get closer through a personal invitation to share a dance. It gives the song a warm, accessible feel. “Tribute” is a release that celebrates someone special. Alias Wayne blends a message of love with guitar, percussion, and rhythmic movement. It’s a nice treat for fans of romantic songs with a personal touch.
Connect with Alias Wayne on Spotify || Instagram || Facebook
Artist Spotlight
Séhkou unveils a beautiful connection between faith and intimacy on latest release “Song of Songs 1:3-4 (I Know)”
Romance meets spiritual expression in Séhkou’s new single, “Song of Songs 1:3-4 (I Know),” featuring Angélica Allen. The release provides a fresh take on attraction and intimacy. The song blends hip-hop with soul and R&B influences, celebrating a bond between two people who genuinely choose and cherish each other. Rather than the indecision of chasing after someone who keeps their distance, it’s about mutual affection, desire, and the reassurance of being wanted back.
I particularly appreciate the solemn flute that flows throughout the track. This gives the arrangement an interesting musical character and strengthens the connection between the romantic and spiritual themes. The rap rhythm is also noteworthy, bringing a different feel to the track, while keeping the lyrical focus front and center.
Allen’s spoken-scripture intro and outro provide an important framework for the record, connecting its expressions of intimacy to a sense of reverence. Song of Songs 1:3-4 (I Know) has something meaningful to offer listeners who appreciate music that goes beyond surface attraction to explore love. Séhkou blends hip-hop, soul, R&B, and spiritual expression thoughtfully.
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