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Artist Spotlight

Meet Jeremiah Stokes, Hip Hop Artist To Look Out For In 2021

Today, we had the opportunity to interview Jeremiah Stokes, a multi-genre, hip-hop centrist based in Indianapolis, IN. Stokes is pound for pound a true hip-hop heavyweight in his own respective region of the Midwest. Achieved absolutely insane feats completely on his own. The young artist has coined his art: “Where Hermeticism meets Hip-Hop“. There is a wide variety of subject matter Mr. CRXW expounds on, ranging from alchemy and anime to love and manifestation. You never really know what to expect from the Midwestern wordsmith but if anything, know you will always receive a stellar performance with razor-sharp execution and delivery.

 

1: Tell us about your background getting to where you are today?

  • Man, honestly faith in God and just not giving up when shit got tough; my life has been a mess for the better half of my existence. I really spoke all of this into existence. I just stayed consistent. No matter my situation, I

2: Where are you from?

  • I was born in LaPorte, Indiana. I’ve resided in the capital, Indianapolis, for most of my life though. 219-317.

3: How did you get into music?

  •   I’ve always been sharp with literary skills since I was a child. I figured if I was so good at rapping and singing along with all of my favorite artists who are literally just speaking on their experiences from their perspective… Why can’t I do the same? So I just started taking writing a lot more seriously and it started with poetry that evolved into music. I still sometimes write poems for fun but it definitely took a backseat because I like music more.

 

4: What is the most challenging thing you have overcome in your life?

  • I was going to say my emotions and my own trauma but presently I can say I’m in an uphill battle with poverty. I come from ACTUAL poverty. Bottom of the “middle” class type shit… Section 8, Food stamps, all of that. Mom was feeding me and my sister with Penn Station vouchers for a GRIP. I haven’t touched my big bag just yet but I learned to overcome poverty, you gotta change the way you think about it. For instance, I don’t like calling myself “broke” & that has nothing to do with pride. When my funds are low, I just say I’m between fortunes or waiting for my check, because while your pockets might be slim, the latter statement is always true. There is always money out there and it’s not going anywhere. I don’t let it fuck my head up and ruin my life as many people would assume someone who was previously poor would. I’m just determined to figure this shit out without having to deal with drugs or the streets; I don’t want to fall into the same trap my father did.

 

5: Are you currently signed or independent?

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  • 100% independent. I own my own publishing company through BMI and everything. I would REALLY like a deal if it makes sense. I want to own my music flat out but I would absolutely not be opposed to a partnership with an Independent label… or hell, even a major if they aren’t being shiesty.

 

6: Who inspires you the most musically?

  • Ab-Soul, Kendrick Lamar, Earl Sweatshirt, WenYuWnt, The Weeknd, Mac Miller, Childish Gambino, XXXTentacion, Bonobo, The Hics, Don Toliver, Kanye West, Jay Z, Damon Albarn, Chester Bennington

 

7: What do you want people to take away after listening to your music?

  • Mind the spells you speak over your life because you can fix your life, just as quickly as you can ruin it…. just by saying nice things to and about yourself and your circumstances. My music is powerful because I incorporate magick into my relatable lyrics. I literally want men and women, boys and girls the world over to quote my songs and know that I am writing this music to help me as much as I’m trying to help you. Just listen closely.

 

8: What is your greatest achievement as a musician?

  • To be announced…. but some really cool things I’ve accomplished are:
  • Meeting and networking with iLLMiND at his Pass The Aux event.
  • I dropped my debut project, The Harrowing EP, in November and it’s already about to break 50,000 cumulative streams, all independent and organic.
  • My music has been played on multiple college radios several times, namely DePauw.
  • Been covered in Medium

All of my REALLY important moves are on the way through now that pandemic is slowly getting a bit better… so stay tuned for sure.

9: Do you produce your own music? If not, who do you work with?

  • I do not but I am about to learn here soon because I love MIDI controllers. The producers I work with the most frequently are all in-house and Indianapolis or Midwest natives for the most part. I have beats from Harry Otaku, Mandog, Bangers By One (aka Robert Jay), Ehll Evans, Emerson Vernon, blkyth, Lord Ward, H.0.M.3., BA on the Beat

 

10: Who is one artist you wish you could work with?

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  • Kenny Mason

 

11: Tell us about any new music you have coming out? When is it coming out? What is it about?

  • Natalie actually hit me at a great time because I am gearing up to drop an EP titled “Process Of Elimination” or (P.O.E.) on or around my birthday in August. It’ll be the precursor to my Freshman release/Debut album. (TBA)

12: What does a day inside your shoes look like?

  • It’s a mix of enlightening epiphanies, ADHD, intense bursts of creativity, and crippling depression some days. Other times, I’m pretty relaxed in most cases and I don’t trip over too much until I get annoyed or I feel overwhelmed. I like eating healthy and holistically.

 

13: Anything else you want the audience to know about you?

  • I am absolutely not being cocky when I say this but stick around and I assure you, I belong amongst the greats in this music shit. I am one of the greatest to ever do this, lyrically. My goal is to get noticed and eventually managed or picked up by TDE. I promise to change your opinion and shine as brightly as possible to change your opinion about an artist from Indianapolis.

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Natalie is a journalism major with a focus on Entertainment and Music who aspires to become a Content Creator For Honk Magazine. Eventually, she wants to be the Publisher or Editor-in-Chief of a major Publishing House. She loves helping people find their voice and passion for writing and journalism, and she can always be found with coffee in hand, editing another article.

Album Review

Cognitive Constellation Corps blurs humanity and technology on “Thank You for Your Feedback (I)” album

Cognitive Constellation Corps

In a world of notifications and automated responses, algorithms, and feedback requests, Cognitive Constellation Corps finds something unexpectedly human inside the machinery. “Thank You for Your Feedback (I)” is an alt-pop exploration of connection, isolation, communication, and the increasingly complicated relationship between people and technology, transforming familiar procedural language into something else.

Created by Brooke Tamsin Clevenger, a Belfast-based artist, the project’s principal composer, lyricist, producer, and conceptual director, the album is deliberately constructed around what happens to human emotion when our lives are increasingly structured by systems that process information rather than necessarily understand feelings. The album opens with “Opening Loop (i),” which introduces that world through the idea of repetition, linking software loops to the habits we humans learn in modern life.

Followed by “Signal Received (i),” the track becomes more fragile, a mix of bubbling electronic movement and the promise of waiting for a response. It picks up the strange emotional weight that can be behind something as simple as a digital signal. “Thank You For Your Feedback (i)” examines the pressure to be constantly evaluated, and “Echo Chamber (i)” reflects on how digital interaction creates intimacy and amplifies alienation. “The Curve of Clarity (i)” is a road toward understanding where data and human realization begin to converge.

On the production side, the project explores electronic textures without allowing its technological concept to overwhelm its emotional core. “Threadbare, Threadshare (i)” turns the fatigue of constant communication into an interesting concept. “The Response Loop (You’re Still Talking)” injects a sense of urgency with a faster, more club-friendly beat that mixes early-80s electronic music with state-of-the-art sounds.

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“Harmonic Distortion (i)” continues the album’s obsession with emotion that has been filtered, and “Always (i) [Sevahem]” is an appropriate closer, reflecting on organic feeling and ancient human knowledge through the prism of digital sound. “Thank you for Your Feedback” is a tech-driven concept that is always aware of the person behind the screen. Cognitive Constellation Corps is cerebral and electronic and conceptually ambitious while remaining emotionally accessible.

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Artist Spotlight

Shawn Brown raises the volume on love, loss, and survival in “What a Way to Go”

Shawn Brown

Shawn Brown’s new single, “What a Way to Go,” is a guitar-heavy rock-pop anthem that makes doomed young love, instability, and survival something ferociously cathartic. The single, produced by celebrated musician and producer Grecco Buratto, fully embraces the scope of its story. Brown doesn’t turn heartbreak into a quiet, inward experience, but he energizes it, giving it drive and urgency.

“What a Way to Go” is a relationship against impossible odds, and the emotional tension is the clash between a world that feels like it’s falling apart and the stubbornness of two people who won’t let go of each other. That tension is what makes the song dramatic, but it also allows Brown to aim for a bigger, more explosive sound.

Recorded at The Trench in Portland with engineer Gregg Williams and the full Shawn Brown Band and trusted creative team, including Ben Landsverk, Jeff Langston, Ned Failing, Tiago Becker, and Juan Garcia Petri. Their combined presence adds to the muscular, expansive character of the single that one would expect from an anthem of this magnitude.

Brown handles the emotional commitment with confidence, true to its survivalist spirit, and pairs the guitars with a performance that feels immediate rather than remote. “What a Way to Go” is one of Shawn Brown’s most electrifying releases, blending raw rock power with the emotional openness of a love story that won’t go quietly. It’s raw, loud, passionate, and unapologetically alive.

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