Music
Old Tom & The Lookouts Aim to Bring Listeners “Alive” with New Self-Worth Anthem
Old Tom & The Lookouts continue their conversation on mental health in their new single “Alive” releasing on September 23. A melodious, folksy soundscape accompanies the vocals of band member Alex Calabrese as he sings about self-worth – saying, “it’s hard to know if I’m alive, slinging sorrow like we’ll never die”. Discussing the tumultuous relationship one might face with finding fulfillment and purpose and one’s self-worth within their community, “Alive” brings to light how difficult the journey to understanding your purpose may be. “How we see ourselves and how the world sees us can be so different, and navigating those anxieties can feel like a constant uphill battle,” says Calabrese. 
The Boston-based Indie-Folk band is known for creating hopeful, evocative music about mental health. The lyrically driven project is shared through the lens of writer and singer, Alex Calabrese and violinist Cecilia Vacanti. With their combined efforts the two provide a minimalist tone, accompanied by lush string arrangements, witty and brooding lyrics, soulful melodies, and striking harmonies. Musically, “Alive” continues showcasing those musical strengths with an anthemic-like rhythm that is buoyed by the driving string arrangements of traditional folk instruments. Paying homage to influences such as Frightened Rabbit, Phoebe Bridgers, and Tom Waits, yet capturing a new voice within the Indie-Folk genre, the band’s full record, Just for Beasts, (November 4th) is a concept piece centered around finding community, a sense of self-worth, and finding a healthy and sustainable way to love and support yourself as well as others you care about. The record addresses many of the nuanced challenges presented to folks suffering from depression and anxiety.
“Alive” is available to stream on all major platforms.
Artist Spotlight
“Subterranean Homesick Blues” finds a new direction through Ghost of Panama
Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.
This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.
“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.
Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.
Artist Spotlight
“NO MORE” by Amanda Holley connects healing, awakening, and survival
“NO MORE“ carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.
“NO MORE“ is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.
Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.
“NO MORE“ is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.
Photo Credit: Yulia Shusharina
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