Artist Spotlight

Philippe Lossen & Cocobamboo – Au bout de tes rêves ( Feat. Sino)

EN: The title “At the end of your dreams” is the first extract from the album “Dans son île” by “Philippe Lossen & Cocobamboo”
It’s reggae with detailed arrangements with a positive text!

FR: Le titre « Au bout de tes rêves » est le 1er extrait de l’album “Dans son île” de “Philippe Lossen & Cocobamboo”
C’est un reggae aux arrangements fouillés avec un texte positif !

EN: Philippe Lossen is a music artist from the sun.
Between 1998 and 2000, he was conductor of the Pau Caraibes cabaret in Paris on the Champs Elysées.
At the same time, he sets up a troupe that will take the name of Cocobamboo with the cream of West Indian, Brazilian, and Cuban musicians and dancers.

FR: Philippe Lossen est un artiste de musique du soleil.
Entre 1998 et 2000, il est chef d’orchestre du cabaret Pau Caraïbes à Paris sur les champs Elysées.
Parallèlement, il monte une troupe qui prendra le nom de Cocobamboo avec la crème des musiciens et danseurs Antillais, Brésiliens et Cubains.

EN: The song “At the end of your dreams” is interpreted by Sino (Singer-musician who made his debut as a drummer, under the pseudo-Max. He played all over the world to accompany Pascal Obispo, Zucchero, Tiken Jah Fakoly, Lyrics, Les Neg’Marrons, Cocobamboo, Bisso’na’Bisso, Princess Erika, Mario Canonge, La Compagnie Creole and many others !!)
see less.

FR: La chanson ” Au bout de tes rêves” est interprétée par Sino (Chanteur-musicien qui a fait ses premières armes en tant que batteur, sous le pseudo Max. Il a joué aux quatre coins du monde pour accompagner Pascal Obispo, Zucchero, Tiken Jah Fakoly, Lyricson, Les Neg’Marrons, Cocobamboo, Bisso’na’Bisso, Princesse Erika, Mario Canonge, La Compagnie Creole et bien d’autres !!) see less.

Watch Philippe Lossen & Cocobamboo – Au bout de tes rêves ( Feat. Sino)

What do you think about this song? Drop a comment below.

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Album Review

Paul Terry, Aptøsrs & Cellarscape unite on bold new album “Alternative Piano Club”

Combining his three artistic alter egos, Paul Terry presents an awe-inspiring new 12-track album, “Alternative Piano Club,” written in collaboration with Aptøsrs and Cellarscape. This is an album-length voyage of music that blends acoustic, rock, and piano-driven cinematic sounds.

Torn between this complex emotional spectrum, all the while the piano remains at its core throughout. Paul Terry opens his “Memento Mori (Chromogenic Phase)” contemplatively, creating a solemn, reflective mood. Cellarscape’s “Three Years Of Roses“ is warmer, whereas Aptøsrs’ “Questionnaires“ is much more textured as a large, sculptural post-rock.

“Dave’s Theme,” written by Paul Terry, musically expands the narrative with a touch of cinematic elevation that aligns well. “We Shape The Clouds” by Cellarscape is fluffy and heart-warming, “Writers Behind The Curtain” is somber, more narrative. We are all together in “A Place We Made,” an honest, intimate, emotionally grounded space.

The project contains vocal warmth and cultural depth in the song “This Is My Home“ by Silas Miami & Lana Crowster. Proceeding in a totally different direction is the stronger emotional clarity of Paul Terry’s acoustic storytelling on “Any Time You Want To Fly” and “No Sleep Has Come.” Cellarscape presents a wide, spacious atmospheric moment in “Cygnus,” while Aptøsrs ends with “Rust Mountain (Monochrome Piano Version),” a simple gem that brings the project full circle.

The mixing of Sam Okell and Adam Noble, the mastering of Alex Wharton and Robin Schmidt have, in many ways, brought their polish to it while still making it feel human. “Alternative Piano Club” is a work entity, where three musical personalities met and talk mind in the same emotional language.

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Artist Spotlight

LAST ALEX! balances precision and pulse on the electrifying track “Plus 1”

LAST ALEX!, a Chicago-based artist and producer, comes out with “Plus 1,” a high-energy release that combines technical prowess with an undeniable melodic instinct.

LAST ALEX! puts both craftsmanship and creativity on display here. The song’s strength lies in its balance, in detailed execution without sacrificing feeling, and in complexity without losing momentum.

LAST ALEX! doesn’t fully lean into the cold technique or loose emotion, but finds the sweet spot where skill and soul meet. This yields a polished, vibrant, and musically confident track.

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