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Matthew Pinder Delivers Highly Anticipated Indie-Folk EP ‘Seated In The Sun’

‘Seated In The Sun’ is a collection of four captivating tracks recounting stories of hopelessness, embracing change, and finding peace with an innovative, pop-kissed folk sound.

Bahamian folk artist Matthew Pinder excitedly welcomes the long-awaited release of his new EP, ‘Seated In The Sun,’ out November 5. Pinder’s soothing vocals and introspective lyricism couple to create a mesmerizing soundtrack that eases the soul despite exploring heavy-hearted subject matter. The caliber of intentional, profound artistry captured on this project implores listeners to surrender their full attention to every word Pinder whispers. This release follows the recent previews “Cascade,” “Used To Say,” and “Stars,” completing the collection with the final track, “Plans,” featuring Sara Davis Regan. Pinder describes this project as “songs made in many little rooms,” in reference to the difficult, yet undeniably successful remote recording process with this project. ‘Seated In The Sun’ was made in collaboration with co-producers Mitch Webb and Sara Davis Regan, and Sherwood Rahming, who worked closely with Pinder in the early stages of creating the EP.

Matthew Pinder EP Cover.jpeg

Listeners can stream ‘Seated In The Sun’ on all major streaming platforms November 5.

Matthew Pinder is a Bahamian singer-songwriter who has established a quintessential sound within the indie-folk space over the last few years. Pinder often sings from his own experiences allowing his music to leave an “indelible mark on indie-folk music” (B-Sides & Badlands). First gaining recognition for his viral hit single “Golden Hour” – still one of his most popular releases today with over 2 million streams – he soon followed with the release of the full-length album, Give Me Some Time which was hailed as “Pinder’s magnum opus: a debut so rich and extravagantly heart-rending and deeply-crushing” (B-Sides & Badlands). Soon after, Pinder took a break from music to focus on his mental health until he was ready to begin on his next project, set to release later this fall. Working with local studio engineer/producer Sherwood Rahming and past collaborators Mitch Webb and Sara Davis Regan, Pinder is eager to make music “fun” again by making it with people and friends along the way. Nonetheless, fans can still expect his modern flair with the influences of classic singer-songwriters and present-day artists, all melded into a sound completely his own.

Album Review

Cognitive Constellation Corps blurs humanity and technology on “Thank You for Your Feedback (I)” album

Cognitive Constellation Corps

In a world of notifications and automated responses, algorithms, and feedback requests, Cognitive Constellation Corps finds something unexpectedly human inside the machinery. “Thank You for Your Feedback (I)” is an alt-pop exploration of connection, isolation, communication, and the increasingly complicated relationship between people and technology, transforming familiar procedural language into something else.

Created by Brooke Tamsin Clevenger, a Belfast-based artist, the project’s principal composer, lyricist, producer, and conceptual director, the album is deliberately constructed around what happens to human emotion when our lives are increasingly structured by systems that process information rather than necessarily understand feelings. The album opens with “Opening Loop (i),” which introduces that world through the idea of repetition, linking software loops to the habits we humans learn in modern life.

Followed by “Signal Received (i),” the track becomes more fragile, a mix of bubbling electronic movement and the promise of waiting for a response. It picks up the strange emotional weight that can be behind something as simple as a digital signal. “Thank You For Your Feedback (i)” examines the pressure to be constantly evaluated, and “Echo Chamber (i)” reflects on how digital interaction creates intimacy and amplifies alienation. “The Curve of Clarity (i)” is a road toward understanding where data and human realization begin to converge.

On the production side, the project explores electronic textures without allowing its technological concept to overwhelm its emotional core. “Threadbare, Threadshare (i)” turns the fatigue of constant communication into an interesting concept. “The Response Loop (You’re Still Talking)” injects a sense of urgency with a faster, more club-friendly beat that mixes early-80s electronic music with state-of-the-art sounds.

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“Harmonic Distortion (i)” continues the album’s obsession with emotion that has been filtered, and “Always (i) [Sevahem]” is an appropriate closer, reflecting on organic feeling and ancient human knowledge through the prism of digital sound. “Thank you for Your Feedback” is a tech-driven concept that is always aware of the person behind the screen. Cognitive Constellation Corps is cerebral and electronic and conceptually ambitious while remaining emotionally accessible.

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Artist Spotlight

Shawn Brown raises the volume on love, loss, and survival in “What a Way to Go”

Shawn Brown

Shawn Brown’s new single, “What a Way to Go,” is a guitar-heavy rock-pop anthem that makes doomed young love, instability, and survival something ferociously cathartic. The single, produced by celebrated musician and producer Grecco Buratto, fully embraces the scope of its story. Brown doesn’t turn heartbreak into a quiet, inward experience, but he energizes it, giving it drive and urgency.

“What a Way to Go” is a relationship against impossible odds, and the emotional tension is the clash between a world that feels like it’s falling apart and the stubbornness of two people who won’t let go of each other. That tension is what makes the song dramatic, but it also allows Brown to aim for a bigger, more explosive sound.

Recorded at The Trench in Portland with engineer Gregg Williams and the full Shawn Brown Band and trusted creative team, including Ben Landsverk, Jeff Langston, Ned Failing, Tiago Becker, and Juan Garcia Petri. Their combined presence adds to the muscular, expansive character of the single that one would expect from an anthem of this magnitude.

Brown handles the emotional commitment with confidence, true to its survivalist spirit, and pairs the guitars with a performance that feels immediate rather than remote. “What a Way to Go” is one of Shawn Brown’s most electrifying releases, blending raw rock power with the emotional openness of a love story that won’t go quietly. It’s raw, loud, passionate, and unapologetically alive.

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