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These Brittle Bones Begins New Era With Mesmerising Single ‘Postscript’

These Brittle Bones shares the first taste of a new era of releases in the form of ‘Postscript’, a tapestry of shimmering, hazy synthesiser loops, grounded by swells of lo-fi piano and octaved reverb. This is ambient, instrumental music but not as we know it – as the Welsh-Singaporean producer and musician pulls from different artistic realms of literature and poetry, interpreting the words with powerful, emotional instrumentation. With his eye on the creative detail, each track is accompanied by a stunning piece of looping modernistic digital artwork by US artist Cale Peeples.

Speaking on the release, These Brittle Bones says: “Postscript is the first song I’ve released in about three years, and I’ve taken my time to find the exact sound I was happy with. I found that I was limiting myself when trying to fit words to a melody, and instead wanted to explore the expressive capacities of instrumental music, which can communicate in often very powerful ways. In some senses then, Postscript is literally a ‘post-script’ – beyond words – but also a ‘P.S.’  – a retrospective statement, after the event, a few years after I last released music. In other ways, it’s also inspired by a striking Seamus Heaney poem of the same name. Heaney’s poem is rich in images of experiences that one will only encounter once in their lifetime, and I wanted to try and create a sonic landscape capturing the emotion of that poem. To translate it beyond words.”

The musical project of Welsh Singaporean Chris Jones, These Brittle Bones is back with a new sound. Having spent the time locked inside during various lockdowns in Wales, Singapore and London reflecting on his ultimate musical purpose, Chris combined his study of English literature, the influences of notable poets and writers including Ezra Pound and Virginia Woolf, and his love of crossover ambient/classical music. The result is a body of work of astute ambient instrumentalism, with synthesiser and piano lines swimming in calm tranquility, all sounds breathing and dovetailing together. If ‘Postscript’ is anything to go by, we can’t wait to hear the other new tracks he’s been busy cooking up.

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Natalie is a journalism major with a focus on Entertainment and Music who aspires to become a Content Creator For Honk Magazine. Eventually, she wants to be the Publisher or Editor-in-Chief of a major Publishing House. She loves helping people find their voice and passion for writing and journalism, and she can always be found with coffee in hand, editing another article.

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Album Review

Paul Terry, Aptøsrs & Cellarscape unite on bold new album “Alternative Piano Club”

Combining his three artistic alter egos, Paul Terry presents an awe-inspiring new 12-track album, “Alternative Piano Club,” written in collaboration with Aptøsrs and Cellarscape. This is an album-length voyage of music that blends acoustic, rock, and piano-driven cinematic sounds.

Torn between this complex emotional spectrum, all the while the piano remains at its core throughout. Paul Terry opens his “Memento Mori (Chromogenic Phase)” contemplatively, creating a solemn, reflective mood. Cellarscape’s “Three Years Of Roses is warmer, whereas Aptøsrs’ “Questionnaires is much more textured as a large, sculptural post-rock.

“Dave’s Theme,” written by Paul Terry, musically expands the narrative with a touch of cinematic elevation that aligns well. “We Shape The Clouds” by Cellarscape is fluffy and heart-warming, “Writers Behind The Curtain” is somber, more narrative. We are all together in “A Place We Made,” an honest, intimate, emotionally grounded space.

The project contains vocal warmth and cultural depth in the song “This Is My Home by Silas Miami & Lana Crowster. Proceeding in a totally different direction is the stronger emotional clarity of Paul Terry’s acoustic storytelling on “Any Time You Want To Fly” and “No Sleep Has Come.” Cellarscape presents a wide, spacious atmospheric moment in “Cygnus,” while Aptøsrs ends with “Rust Mountain (Monochrome Piano Version),” a simple gem that brings the project full circle.

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The mixing of Sam Okell and Adam Noble, the mastering of Alex Wharton and Robin Schmidt have, in many ways, brought their polish to it while still making it feel human. “Alternative Piano Club” is a work entity, where three musical personalities met and talk mind in the same emotional language.

Connect with Aptøsrs on Website | X | Instagram | Facebook | Spotify |

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Artist Spotlight

LAST ALEX! balances precision and pulse on the electrifying track “Plus 1”

LAST ALEX!

LAST ALEX!, a Chicago-based artist and producer, comes out with “Plus 1,” a high-energy release that combines technical prowess with an undeniable melodic instinct.

LAST ALEX! puts both craftsmanship and creativity on display here. The song’s strength lies in its balance, in detailed execution without sacrificing feeling, and in complexity without losing momentum.

LAST ALEX! doesn’t fully lean into the cold technique or loose emotion, but finds the sweet spot where skill and soul meet. This yields a polished, vibrant, and musically confident track.

Connect with LAST ALEX! on Spotify

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