Music
Houston Pop Artist Confronts Inner Demons on LoFi Single “lately i been”
“lately i been” is a vibey, introspective reflection for mental health challenges and feeling directionless in life.
Houston-based pop artist tonnhi is expanding his musical landscape with his upcoming lofi R&B single, “lately i been,” out January 14. Paired with the sparkling vocals of indie (R&B) artist Jolise, the single describes the hardships and circumstances that prevent one from moving forward. The two singers touch on feelings of isolation and struggles with mental health. “Songs like this are important, especially as society works to create an open space to discuss mental health issues,” says Jolise.
Working together came naturally for the two during quarantine, says tonnhi. “Funny enough, I had a vocal melody idea already made for the second verse for Jolise to write lyrics over, but she completely made her own thing, and I’m so glad she did, because she brought this song to a whole new level. She killed it!” Reminiscent of pop artists like H.E.R. and Joji, “lately i been” casually dives into the raw, honest message of owning your struggles. Fans of all ages can relate to this single as society combats the trials presented by the pandemic alongside the growing pains of simply being human. The introspective track features lo-fi soundscapes paired with a strong R&B/pop core, which is the perfect delivery for such an engaging message.

Fans can stream “lately i been” on January 14.
Houston-born singer songwriter and producer “tonnhi” has been creating music since early 2020. His music tends to fall under the indie/alternative umbrella, but he often dives into the hip hop, R&B, pop and soundtrack genres as well. Tonnhi started his musical journey at the age of 6 when he picked up the violin. After mainly playing in orchestras throughout his childhood, he eventually took on performing across Houston as a solo freestyle violinist, where he learned what his personal music style is. Some major influences of his include Jon Bellion, Twenty One Pilots, Childish Gambino, and Studio Ghibli composer Joe Hisaishi. These influences, along with his orchestral background give tonnhi a unique take on songwriting and production, often creating a cheeky yet enchanting vibe with his music.
Houston-based Singer/songwriter Jolise started out at a very early age writing songs, singing in talent shows, and competing in choir competitions and continued to do this all the way through her school career. Her current music style is mainly R&B with a touch of pop and indie/alternative as she continues to write, produce, and perform around Houston. Her vocal delivery is more on the gentle side, and with her soft controlled tone, Jolise provides the listener with a smooth and soothing experience with her vocal performance. Some of her biggest musical/vocal inspirations include Toni Braxton, Babyface, Ariana Grande, Giveon, Mac Ayres, Amber Mark, Charlie Wilson, Lucky Daye, and HONNE.
Album Review
Cognitive Constellation Corps blurs humanity and technology on “Thank You for Your Feedback (I)” album
In a world of notifications and automated responses, algorithms, and feedback requests, Cognitive Constellation Corps finds something unexpectedly human inside the machinery. “Thank You for Your Feedback (I)” is an alt-pop exploration of connection, isolation, communication, and the increasingly complicated relationship between people and technology, transforming familiar procedural language into something else.
Created by Brooke Tamsin Clevenger, a Belfast-based artist, the project’s principal composer, lyricist, producer, and conceptual director, the album is deliberately constructed around what happens to human emotion when our lives are increasingly structured by systems that process information rather than necessarily understand feelings. The album opens with “Opening Loop (i),” which introduces that world through the idea of repetition, linking software loops to the habits we humans learn in modern life.
Followed by “Signal Received (i),” the track becomes more fragile, a mix of bubbling electronic movement and the promise of waiting for a response. It picks up the strange emotional weight that can be behind something as simple as a digital signal. “Thank You For Your Feedback (i)” examines the pressure to be constantly evaluated, and “Echo Chamber (i)” reflects on how digital interaction creates intimacy and amplifies alienation. “The Curve of Clarity (i)” is a road toward understanding where data and human realization begin to converge.
On the production side, the project explores electronic textures without allowing its technological concept to overwhelm its emotional core. “Threadbare, Threadshare (i)” turns the fatigue of constant communication into an interesting concept. “The Response Loop (You’re Still Talking)” injects a sense of urgency with a faster, more club-friendly beat that mixes early-80s electronic music with state-of-the-art sounds.
“Harmonic Distortion (i)” continues the album’s obsession with emotion that has been filtered, and “Always (i) [Sevahem]” is an appropriate closer, reflecting on organic feeling and ancient human knowledge through the prism of digital sound. “Thank you for Your Feedback” is a tech-driven concept that is always aware of the person behind the screen. Cognitive Constellation Corps is cerebral and electronic and conceptually ambitious while remaining emotionally accessible.
Artist Spotlight
Shawn Brown raises the volume on love, loss, and survival in “What a Way to Go”
Shawn Brown’s new single, “What a Way to Go,” is a guitar-heavy rock-pop anthem that makes doomed young love, instability, and survival something ferociously cathartic. The single, produced by celebrated musician and producer Grecco Buratto, fully embraces the scope of its story. Brown doesn’t turn heartbreak into a quiet, inward experience, but he energizes it, giving it drive and urgency.
“What a Way to Go” is a relationship against impossible odds, and the emotional tension is the clash between a world that feels like it’s falling apart and the stubbornness of two people who won’t let go of each other. That tension is what makes the song dramatic, but it also allows Brown to aim for a bigger, more explosive sound.
Recorded at The Trench in Portland with engineer Gregg Williams and the full Shawn Brown Band and trusted creative team, including Ben Landsverk, Jeff Langston, Ned Failing, Tiago Becker, and Juan Garcia Petri. Their combined presence adds to the muscular, expansive character of the single that one would expect from an anthem of this magnitude.
Brown handles the emotional commitment with confidence, true to its survivalist spirit, and pairs the guitars with a performance that feels immediate rather than remote. “What a Way to Go” is one of Shawn Brown’s most electrifying releases, blending raw rock power with the emotional openness of a love story that won’t go quietly. It’s raw, loud, passionate, and unapologetically alive.
-
Artist Spotlight6 days agoKarate Boogaloo find sunshine through the storm on “Wet Day Timetable”
-
Artist Spotlight4 days agoMaija breathes new life into classic emotion with latest release “Where Is the Love”
-
Artist Spotlight6 days agoSkyve makes life’s hardest questions latest release “Ponder”
-
Artist Spotlight5 days agoDaiyon raises the stakes with unstoppable energy on latest release “Vicous”
-
Artist Spotlight6 days agoJeff Vidov elevates orchestral rock ambition on latest release “Signs of Life”
-
Artist Spotlight4 days agoBrian David finds quiet strength through emotion with new release “The Echo in Your Soul”
-
Artist Spotlight4 days agoCrispy C Notes brings focused ambition on latest release “Chosen”
-
Artist Spotlight4 days agoFinn pensively looks back on fading memories on latest release “Last Love Song”

