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Micah Edwards Redefines His Concept Of Love In New Single “Jean Leon”

“Jean Leon” is a captivating retro-pop track exploring what it means to be in love with the charismatic stylings of “Mr. Texas Soul” himself.

Critically acclaimed retro-pop singer-songwriter Micah Edwards dives into 2022 head-first with his signature Texas Soul flare on “Jean Leon,” the title track from his upcoming album, on February 3rd. This track is a magnificent showcase of Edwards’ masterful songwriting abilities in which he brings a deeply personal story to life with a picturesque, throw-back inspired soundscape. The inspiration for the track being the story of his parents’ marriage, the title, “Jean Leon,” is a combination of both their middle names. The golden-voiced crooner immediately hooks listeners with the warmth of his angelic vocals; dressed with the boldness of a pristine brass section, the sparkle of a vintage electric guitar, and the subtleness of buttery keys, this track comes together perfectly atop a contagiously groovy bass line. Following his fall 2021 release, “Girl From The Valley,” that has already accumulated well over 100k Spotify streams, the artist’s music continues demanding the attention of listeners from all over.

The final version of “Jean Leon” came to fruition over the course of a few years. Edwards wrote the first version of the retro-pop track in honor of the resilience of his parents’ marriage after withstanding an instance of infidelity from his father. The inspiration came upon the songwriter when they managed to reconcile after approaching a breaking point; at first, “Jean Leon” was a celebratory love song honoring a powerful love. The songwriter explains that “a few months later, [his] dad cheated again, and that’s when [his] mom officially left him.” The artist planned to permanently shelve the song following this hardship, until a fresh wave of inspiration struck after re-discovering the first version of the song in the summer of 2020. He decided to rework it, painting “Jeon Leon” as the toxic love interest he sings to, when in reality the Texas native is grappling with the personified representation of his parents’ dysfunctional relationship. Edwards reflected on this, ultimately concluding that the once celebratory “Jean Leon” now confronts the “dysfunctional expectations [he] had for marriage that [he’s] ready to hand over to Jesus.”

Listeners can stream “Jean Leon” on all major streaming platforms on February 3rd. 

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Steeped in complexity—disappointment, failed relationship, maturity, and underlying it all, hope—Jean Leon is the first studio album from “Mr. Texas Soul” himself, Micah Edwards.

Having explored a spectrum of neo-soul, jazz, lo-fi, and pop over the last two years, Micah’s smooth vocals lend themselves to many different styles and genres. But for his debut full-length project, a story about his personal testimony during one of the hardest years of his life, Micah sought to create his own sound. This sound was specifically inspired by his story—an amalgamation of what he loves: Jesus, his wife, Texas, piano, pedal steel, and his mother…mixed with things he’s sought to understand: brokenness, forgiveness, reconciliation, and his relationship with his father.

Micah’s family values were largely shaped by growing up in a large, mixed-race family on the West Coast. As Micah grew older and his family moved to Texas, that view started to be challenged on a regular basis, forcing Micah to reconcile what he thought he knew about the man he wanted to be. What do you do when the man you looked up to as the leader of your family isn’t who you needed him to be? When your family has been let down and hurt, time and time again? And how do you stop yourself from becoming that same man for your own family?

Bitter, yet uplifting—Jean Leon is a healing, soulful exploration of faith from Micah. Searching for answers from God while searching his own heart, you will understand who Micah is as a musician and artist from the unique blend of up-front vocals driven by bass and drums, supported with piano and retro-soul guitar, and embellished with soulful horns and twangy steel guitar.

This debut album is a nod to the artists before him, as a young virtuoso who understands not just the heart, but the musical precision of retro-soul and country music. Someone who pays homage to Curtis Mayfield’s brilliance of guitar in early Impressions records and Etta James’ almost conversational vocal expression, while embracing his classic country songwriting influence through calculated storytelling employing the fiddle and steel guitar. Someone who respects and honors Leon Bridges, Nathaniel Rateliff & The Night Sweats, Marcus King, Durand Jones & The Indications, Aaron Frazer, Michael Kiwanuka—but leans heavily into the sounds of this particular moment. This is a daring explorer who has created a unique fusion of retro and contemporary elements to defy what has been done before and craft a new genre: Texas soul.

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Album Review

Brynja Rán finds clarity in complicated relationships on “Unblurred” [album]

Brynja Rán

It can be hard to see when a relationship no longer meets your emotional needs, especially when affection, uncertainty, and repeated disappointment are hard to untangle. “Unblurred,” an album built on the bedrock of emotional unavailability, recurring conflict, and the slow dawning that a relationship might need to end, is where Brynja Rán unpacks that difficult process.

The ten songs follow the arc of attachment and frustration, weaving together the story of someone trying to figure out what they deserve. The focus track, “Unblurred Lines,” hits on the album’s central concept. This is when the veils begin to fall, and the person is more ready to see the partner’s behavior for what it is. The song is musically rich, with an acoustic and electric guitar soundscape, synthesizers, bass guitar, drums, and additional instrumentation.

The surrounding songs view the same emotional landscape from different angles. “Cowboy Wannabe” explores a partner masking insecurity with a detached personality, and “Deja Vu” captures the frustration of arguments that go round and round without changing anything. “Adore” is about ignoring red flags when you’re that into something, and “Cherry” is about the temporary comfort of being in a relationship that just isn’t right.

The album opens up by looking at borders and the need for real connection. “Make Me Feel” is about wanting to be loved, and “Until” is about how long you should stay in the twilight zone. “Still Stuck Waiting” captures the frustration of waiting for communication and commitment. “Don’t You Leave” begins with fear of abandonment and moves toward healing, while “What Else” ends the record with emotional exhaustion and a desire to move on.

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Rather than treating every experience as a one-off event, the tracklist of “Unblurred” attempts to create a single image of relationship troubles. With this release, Brynja Rán explores unhealthy patterns, boundaries, and getting the clarity to choose a different path.

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Album Review

Legends of the Seven Golden Vampires explore healing and personal growth on “The Pumphouse of Broken Dreams” [album]

Legends of the Seven Golden Vampires

Albums often have a strong sense of identity, with songs linking to a broader emotional and musical direction. The nine-song album “The Pumphouse of Broken Dreams” by Legends of the Seven Golden Vampires, featuring Dutch vocalist Ilse Van Der Linden front and center, is more cohesive.

The band’s melodic psychedelic pop offers a welcome counterpoint to a project that explores recovery, longing, uncertainty, and personal growth. The tracklist is an emotional journey. “To Think, To Heal” starts with the idea of mental healing and moving on from the past. “Flying” is more of an escapist wish to escape the pressures of day-to-day life. “Come Home” is about finding comfort and belonging.

“Here I Am” is about self-awareness and openness. Together, these early songs form an album about finding stability and processing difficult experiences. The middle ground is more emotionally layered. “Hopelessly Devoted To You” is about being attached all the time, and “Lost & Burned” is about being worn out and the results of hard experiences. Then there is “In My Dreams,” which turns into memory and unfulfilled wishes. Later, “AIR” brings the need for freedom, air, space, and a new start.

It ends with “BLEND,” a combination of psychedelic, shoegaze, and electronic influences. The release also includes another visual element from Gareth Halliday, who also worked on Noel Gallagher’s High Flying Birds Who Built The Moon. “The Pumphouse of Broken Dreams” has softer vocals and a range of emotions. This album is deliberately constructed, moving from reflection to acceptance without losing the variety of experiences it tackles.

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