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Lorenzo gabanizza New Track Released – You’re Not There

Now more than ever artists understand the importance of the music has a vibe. That music captures a certain emotion, as you feel it, and can instantly think about your own life past or present. It’s that type of music that sticks with you because you have an occasion to play it, and for this new collaboration from LORENZO GABANIZZA and JEFF CHRISTIE you can play it if you want to feel the love on the new song “You’re Not There”.

Lorenzo Gabanizza was a member of various groups, notably a Queen Cover band called Mantras, with which he toured Europe. His “Queen project” continued with his band The Slightly Mad. Lorenzo Gabanizza started a fund-raising program to help fight AIDS that was recognized by the Mercury Phoenix Trust, the organization that was founded soon after Freddie Mercury’s death.

This new single “You’re not there” (MTS Records USA) with the British Legend JEFF CHRISTIE (on sax another legend: Snake Davis, who worked for McCartney and Sting) Jeff is an Ivor Novello and Carl Alan Award recipient and is the author of smashing 70’s hits as YELLOW RIVER, which sold 30 millions of copies worldwide.

In 2016, Lorenzo Gabanizza produced and recorded a self-penned album, Celtic Bridge (Italian way music), a concept album that sold well both in Europe and the United States, entering the American download charts top 100. In July of that year, he appeared in front of 12,000 people at the worldwide event, Celtica.

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In October 2021, he releases a new single featuring the multi-platinum Jeff Christie under the label MTS Records by multi-awarded Manager Michael Stover and mastered by Greg Calbi. The song gets terrific press and reaches an impressive list of accolades: #1 in Itunes Country Charts, South Africa; #1 in the European Indie Charts; #4 in the World Indie Charts; #3 in the MTV USA Spotify chart; while the related video clip wins the 4th Golden Wheat Awards, the Toronto Alternative Film Festival and got an official selection at the Munich Music Video Awards, International Music Awards (London) and Malabar Film Festival (India).

Jeff Christie also rocketed to fame at the dawn of the 70s with their single “Yellow River, “a smash hit that made it into the charts in just about every country in the world. Listeners found the catchy, commercial beat and melody — backed by solid production values and a “jingle jangle” sound that was to become a trademark of many other Christie offerings — an irresistible combination, and bought the single by the millions.

The band was to follow up the single with many more songs that were just as melodic and appealing. “San Bernadino” brought forth more success, and has been adopted as that city’s official song. Another hit, “Iron Horse” is as close to pure commercial pop as you can get. Most of the band’s output was written by the group’s leader and lead vocalist, Jeff Christie, who was equally at home writing bright and bouncy, commercial tunes, as he was at dreaming up a lilting ballad, a soulful refrain, or a heavier, more powerful sound.

In 2004, Lorenzo Gabanizza became a member of the Vic Elmes band with CHRISTIE again. He wrote the song “Meet me at the river” that became a success and featured in the album Christie Again all the hits and more. In 2007, Lorenzo Gabanizza tried a solo career. His first album, Du bist meine welt, was not successful as expected under the management of Garrelt Danker. In 2013, Lorenzo Gabanizza released an album of Queen covers, featuring his own composition Freddie Still lives, the royalties of which were donated to the Mercury Phoenix Trust.

In 2016, Lorenzo Gabanizza produced and recorded a self-penned album, Celtic Bridge (Italian way music), a concept album sold well both in Europe and the United States, entering the American download charts top 100. In Germany, Lorenzo Gabanizza was seen as a fresh pop/Celtic rock style singer, and was compared to great artists as U2 or Angelo Branduardi. Gabanizza‘s version of “Danny Boy” that was featured on the album gained him a place on the list of best Celtic performers in Italy. In July he appeared in front of 12,000 people at the worldwide event Celtica among others such as Vincenzo Zitello, Katia Zunino, and Celkilt.

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His latter album, Roses in the sky, received good reviews in Italy and entered the download charts having mentions and airplay from Italy to Texas. The album included, Stefano Guidi, Luca Gabanizza, Beppe Peracchi, vocalist Isabel, and Max Gabanizza and credits the Yvor Novello recipient Jeff Christie in an advisory capacity. The band toured with Chuck Berry, Cristiano de André, New Era Mogol and others. In 2017, he released a single, “Feeding the Waves of War,” a protest song against Trump’s administration, under the management of John Toso which features on Nobel nominee David Swanson’s website. January 2018, he released a single, “Demons”, which enclose a cover of the Linkin Park song “One more light”, and donates all the royalties to the 320 change direction, founded by Chester’s Bennington widow Talinda Bennington.

So many numerous artistical works both men have achieved. That’s a rare achievement. It’s far from the final achievement we’ll hear from this outstanding artist; his creative spirit seems to fly higher with each new outing. Lorenzo Gabanizza’s new single ranks among the year best and should open many new doors.

Lorenzo gabanizza works best on Alternative rock, Blues, Classical music, Country Americana, Garage rock, Hard rock, Indie folk, Indie pop, Indie rock, Instrumental, Pop rock, Rock & roll, Singer songwriter, & Traditional music.

 

Instagram: https://www.instagram.com/lorenzo.gabanizza

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Spotify:  https://open.spotify.com/artist/6Fg1ym1kW0i8l0X7Csl3BY?si=JGCzqp0gT_2OB3kuAvjmyA

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Artist Spotlight

“Empatia” by Aurien & Jab Vix set the tone for an atmospheric new era

Aurien

“Empatia, the stunning electronic debut of Aurien, in collaboration with Jab Vix, is the start of a new creative universe under Aurien’s newly launched imprint Château Bonheur Musique. The track feels like a doorway into a curated emotional space, built from atmosphere, storytelling, and immersive sound design.

“Empatia” is founded upon a contemporary electronic aesthetics that favors texture. The production is sleek and considered, offering up soft rhythmic pulses within roomy layers that breathe. Working with Jab Vix gives texture and dynamics to Aurien’s perspective and sets the sound for the song. It’s more about feeling the music than looking for peaks of high energy. It builds slowly and invites you to sit in the mood.

A highlight is the “Elegant Mix,” which takes the original and gives it a more subdued, slicker makeover. It allows the heart of the composition to come through more intimately, and this duality reinforces the idea behind Château Bonheur Musique as environment, experience, and feeling. “Empatia” is a debut statement and manifesto for the immersive, emotionally intelligent electronic music that works as effortlessly as it does in shared spaces. It’s a thoughtful direction for Aurien, where sound is not just heard, but lived in.

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Artist Spotlight

Saint Escape injects an attitude into a classic for a new generation on latest release “Everybody Wants To Rule The World”

SAINT ESCAPE

SAINT ESCAPE takes a classic favorite, “Everybody Wants To Rule The World,” and gives it a new twist, transforming the iconic hit into an alternative rock statement full of personality and modern flair.

    Rather than just repeating a familiar song, Saint Escape offers a bold vision to the track. There’s a touch of “baddiecore-lite” attitude, married with alt-rock vibes, a feeling that seems tailor-made for those who love nostalgia but want something that speaks to today. The result is familiar, yet refreshingly different.

    The track establishes its own identity right from the first moments. The alternative rock styling provides a sharper edge to the song’s timeless themes, making for a dynamic listening experience that feels vibrant and contemporary. With confidence in every note, the performance can stand on its own but still respect the legacy of the original.

    While acknowledging the song’s emotional and cultural significance, Saint Escape also celebrates a more rebellious aesthetic. The “baddiecore-lite” influence adds an interesting attitude to the track, making it feel fun, confident and effortlessly cool.

    Connect with SAINT ESCAPE on Spotify || Instagram || Youtube

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