Connect with us

Artist Spotlight

SUMO Y LOS HERMANOS DEL ALMA Track Released – King of Creation

Music is something that people come to for several different reasons, but one of the major reasons is to be entertained. That music helps you escape after a long day, with a sound that grabs you and makes things in life more exciting with a special sound that thrills. That is what shines about this new must-hear song from SUMO Y LOS HERMANOS DEL ALMA called “King of Creation.”

SUMO Y LOS HERMANOS DEL ALMA’s “King of Creation.” is a major anthem that stops time for the listener to get lost in this true experience of the music. It stands out musically, as well visually with a masterful video that brings the vision to life in a special way, to make sure we can enjoy this piece of art, in its full vision.

Since its creation in the late 90s, we have seen Sumo roam various territories: electro, soul, funk, hip-hop, dub… Loyal to their initial state of mind, the group made up of brothers Alex (guitar, vocal) and Fred Sumi (bass, production) doesn’t box itself into one specific style, embarking instead on a constant musical odyssey.

 

Advertisement

For its 6th opus “Oya”, the journey continues by exploring new horizons, rhythms and sounds. The group exiled itself to Cuba, where two tours (Habanarte festival, Cubadisco in 2017) had brought about striking and heartfelt friendships.

In this new adventure, Sumo met his Cuban soul brothers to become: “Sumo y Los Hermanos del Alma”. The result is both fascinating and fulminating. “Oya” is an afro-cuban rock record… a kind of UFO with multiple sounds: afro-beat, rock-fusion, latin-jazz, afro-cuban soul voices.

This album was conceived in complete immersion: two weeks of recording sessions in Havana surrounded by a tribe of the top Cuban musicians and singers. Oya is a captivating album whose numerous and varied levels of listening will never tire music lovers hungry for novel discoveries and explorations.

Incidentally, it is no coincidence that the album brings together such an eclectic assortment of musicians: Chilean drummer Ramon Plaza, who has accompanied the group since 2013; legendary Jamaican reggae singer Wayne Paul; percussion player Dunieski Baretto, pianist Maykel Gonzalez and trumpeter Eduardo Bringuez, all three members of the mythical salsa group “Pupy y los que son son”; singers Los Niches, who spearheaded the new Cuban rap scene; and finally, Nelson Labrada, singer and guitarist from renowned rock group, “Miel con Limon”.

Wayne’s stories are profound, his voice full of soul. In conjunction with the two brothers Alex and Fred Sumi from Geneva he created songs that reach high into the sky and in the same time plunge into deep bass waves. The lyrics spread confidence and let us dream of a better future that holds the answers to the pressing questions of a society in an increasingly complex and disoriented world.

Advertisement

SUMO Y LOS HERMANOS DEL ALMA works best on African music, Afrobeat, Alternative rock, Dub, Latin music, Reggae Authentic, Creative, Eclectic, Energetic, Experimental, Fusion, Good vibes, Groovy, Unique, Intense, Original, Positive, & Surprising.

Available on Spotify, Composer, On stage experience, International potential, Strong social media presence, Supported artist, Unsigned artist, & Upcoming project.

 

Instagram: https://www.instagram.com/sumoyloshermanosdelalma/

Spotify: https://open.spotify.com/artist/1OCDJNAHCnnolvYxGXS1Tz

Advertisement
Advertisement

Artist Spotlight

“Subterranean Homesick Blues” finds a new direction through Ghost of Panama

Ghost of Panama

Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.

This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.

“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.

Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.

Advertisement

Connect – Website | FB | IG | TikTok | X |

Continue Reading

Artist Spotlight

“NO MORE” by Amanda Holley connects healing, awakening, and survival

Amanda Holley

“NO MORE carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.

“NO MORE is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.

Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.

“NO MORE is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.

Advertisement

Photo Credit: Yulia Shusharina

Connect – Website | IG |

Continue Reading

Video Of The Week

Trending