Music
Indie Folk Rockers Little Wretches Offer Message Of Hope For At-Risk Teens With Latest Music Video “Running”
The song features a vocal spotlight on Rosa Colucci. “Running (Was the Only Thing to Do)” appears on the band’s 2020 album “Undesirables and Anarchists.”

“This song represents how every teenager feels when their world is falling apart and they don’t feel safe in their own home.”— Rosa Colucci, Little Wretches
“All I really needed was some breathing room
But my hiding place slowly became my tomb
Had me down so long I started to assume
That I would never see the light of day.’
‘Seemed like running was the only thing to do
The only thing to do
So I ran…”
– Robert Andrew Wagner, Little Wretches “Running (Was the Only Thing to Do)”
With the 2020 release of their album, “Undesirables And Anarchists,” indie folk rock pioneers Little Wretches hit the ground “running.” The album received national college radio airplay on over 115 AM/FM stations in North America. Propelled by international iTunes chart hits like “Ballad of Johnny Blowtorch” and “All Of My Friends,” Robert Andrew Wagner and company have amassed more than 130K Spotify streams. Their Youtube videos are quickly approaching 70K views. Now, the Pittsburgh-based band has released their most poignant video yet.
The music video for “Running (Was The Only Thing To Do)” was released on February 15th, 2022. Taken from “Undesirables And Anarchists,” the Wagner-written song was inspired by Cecil B. DeMille’s movie, “The Ten Commandments” and bandmember/spotlight vocalist, Rosa Colucci’s life story.
Wagner tells the story behind the song: “Prior to joining The Little Wretches, Rosa Colucci had never sung in a band. She’d been the only white soloist in a predominantly African-American Gospel choir, and she’d sung some karaoke, but that was the extent of it. Shortly after Rosa joined the band, Scott Mervis of The Pittsburgh Post-Gazette wrote, ‘Rosa Colucci is the best thing that ever happened to The Little Wretches.’ Given Rosa’s vocal power, audiences came to expect her to have a ‘spotlight’ number in band’s live shows, so she asked me to write something for her.”

“Rosa is an April baby, the season of Easter and Passover, and I wanted to have a song ready for her birthday. Watching Cecil B. DeMille’s THE TEN COMMANDMENTS on television while strumming my guitar, I paused to marvel at the big scene when Charlton Heston as Moses raises his staff and God parts The Red Sea. Bondage and hopelessness behind them and the impossible before them, what would the average Israelite do? What else could they do? RUN! Believers and non-believers alike. Oh, well… Here goes nothing. Or everything. I recalled Rosa having told me that she’d been on her own since the age of fifteen. The details are for Rosa to tell, but I saw the parallels. EXODUS. Let My People Go! In her own way, Rosa had fled a kind of bondage and leapt into an uncertain future with only faith to guide her.”
Rosa says, “This song represents how every teenager feels when their world is falling apart and they don’t feel safe in their own home.”
Watch the video for “Running (Was The Only Thing To Do)” at https://youtu.be/qsF_MtrVsyQ
The Little Wretches hope that the visual imagery, the lyrics, the band’s performance and Rosa’s vocal work together to provide hope and resilience for any at-risk teenager who stumbles across this video. In addition to writing and performing music, Robert holds a master’s degree in teaching and works with at-risk, court-adjudicated and special-needs teens.
https://littlewretches.com
https://www.facebook.com/thelittlewretches
Words and Music by Robert Andrew Wagner
Lead Vocals–Rosa Colucci
Drums–Mike Madden
Bass–John Carson
Piano–H.K. Hilner
Guitars–Robert Andrew Wagner
Artist Spotlight
E.G. Phillips explores cosmic escape with “Please Don’t Make Me Come Back from the Moon”
E.G. Phillips’ new release, “Please Don’t Make Me Come Back from the Moon,” is a track that drifts effortlessly between genres and atmospheres. “Please Don’t Make Me Come Back from the Moon” is an experience that feels suspended in time and space.
Blending alt-folk with jazz-fusion touches, the track creates a dreamy and unpredictable wave of radio-static textures that ripple beneath the verses, giving the impression of floating through an unfamiliar yet comforting universe. There’s a sense of detachment here, as if reality has been left behind entirely.
Just as listeners settle into its hazy rhythm, the bridge shifts gears into a jazz-rock groove, complete with trumpet lines that subtly nod to a fusion-inspired legacy. This transition feels organic, enhancing the track’s exploratory nature rather than disrupting it. “Please Don’t Make Me Come Back from the Moon” is a beautifully strange offering that invites listeners to step outside themselves and embrace the unknown, even if only for a few minutes.
Connect with E.G. Phillips on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Captain Iron and the Windrift Band put on a sci-fi pop show with new release “Ultra Sound”
Captain Iron / Windrift Band opens a vivid portal with “Ultra Sound,” a bold, creative dance-pop song that fully embraces cinematic storytelling. From the outset, the track establishes itself as more than just a catchy club-ready anthem, it’s a narrative-driven experience wrapped in glossy, futuristic production.
“Ultra Sound” is a great track because of its unique idea, a sexy fembot synth lures astronauts into a trap, then uses an ultrasonic tractor beam to steal their ship. It’s fun, a little strange, and very different from what you usually hear in pop music. This lets Captain Iron show off his unique lyrical style. The story feels like it’s moving forward with each beat, like it’s a movie.
It’s easy to see how “Ultra Sound” could grow even further with full-scale production or collaboration, since its foundation already offers plenty of possibilities. Captain Iron / Windrift Band gives us a song that is both fun and smart. “Ultra Sound” doesn’t just want people to dance, it wants to take them to a colorful, imaginative world where stories and sounds come together thrillingly.
Connect with Captain Iron / Windrift Band on Spotify || Twitter || Youtube
-
Artist Spotlight4 days agoOuroboric explores the dark side of love with “Sin Eater”
-
Artist Spotlight7 days agoLusinate turns viral energy into dancefloor gold with “Bounce for Me”
-
Artist Spotlight4 days agoEileen Carey finds strength in letting go on reflective track “This Is Where”
-
Artist Spotlight4 days agoTerrell Journey rewinds emotion and identity in cinematic EP “Retrograde”
-
Artist Spotlight2 days agoDavid Laborier gets people excited with new release “Owl Skewl”
-
Artist Spotlight4 days agoKENTON journeys through family, identity and healing in “Sweetmouth (Sugar Free)” (EP)
-
Artist Spotlight4 days agoJNabe blends energy and rhythm on new dancehall single “Respect Her Bag”
-
Artist Spotlight2 days agoSéhkou turns pain into power with new release “Black Emotive”

