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Richard Lynch Named Finalist For Academy Of Western Artists Awards On Heels Of Monumental Performance

The Ohio-based member of the Indie Country Hall of Fame recently performed at the inaugural Traditional Country Music Festival in Shreveport, LA. His album, “My Guitar Drips Country” was named a Top 5 finalist for the AWA Awards.

The inaugural Traditional Country Music Festival was held at the Shreveport Municipal Auditorium, on Saturday, July 23. The festival featured day-long live traditional country music performances at the historic world-famous Shreveport Municipal Auditorium, previously known as the Louisiana Hayride. The Hayride was renowned for featuring the young Elvis Presley and launching the careers of numerous country music stars. 

Among the artists performing was Indie Country Music Hall of Famer and member of the Ohio Country Music Hall of Fame, Richard Lynch. He joined well-known artists Gene Watson, Moe Bandy, Joe Stampley, Linda Davis, and more, delivering a knock-out performance.

Richard’s album, “My Guitar Drips Country” was also recognized by the Academy of Western Artists, as a Top 5 Finalist for Pure Country Album of the Year. Richard’s album, “A Better Place” won the award in 2015.

ABOUT RICHARD LYNCH: Over the past 3 decades, Richard Lynch has compiled a long list of country hits and chart-toppers on both domestic and international sales and radio airplay charts, including multiple #1 iTunes chart singles, several #1 New Music Weekly radio songs, #1 IndieWorld and Roots Music Report chart tracks and a Christian Music Weekly Top 20 single. Richard has been in Billboard Magazine, Taste Of Country, The Boot, CCM Magazine, Country Music People, Maverick, and countless others. He has also appeared on WSM Radio Nashville, RFD TV, Fox TV and more. He has recorded popular duets with legendary artists like Ronnie McDowell and Leona Williams, as well as Grammy Winner, Rhonda Vincent. Richard Lynch is a proud member of the Ohio Country Music Hall of Fame and the Independent Country Music Hall of Fame. Lynch is also the owner of Keepin’ It Country Farm in Waynesville, OH and co-founder of Love Tattoo Foundation that assists veterans. Website: http://www.richardlynchband.com

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Artist Spotlight

“Subterranean Homesick Blues” finds a new direction through Ghost of Panama

Ghost of Panama

Rearranging a song that carries six decades of cultural weight is a creative challenge, but Ghost of Panama approaches “Subterranean Homesick Blues” with clear purpose. The rock band radically reworks Bob Dylan’s counter-culture hit, reshaping its identity while keeping its rebellious spirit. It’s a tribute to musical heritage and a statement of artistic independence all in one.

This new interpretation is very much shaped by the production, made at Ghost of Panama’s home studio in West London. The setting allows an intimate approach to reinterpreting a familiar song and lets the group engage directly with the material, taking it in a new artistic direction.

“Subterranean Homesick Blues” centers on the tension between conservation and transformation. Ghost of Panama is true to the song’s rebellious spirit without adding to its legacy, and this approach gives the release an adventurous feel, grounded in countercultural energy but driven by a desire to see what the composition can become in a different musical context.

Their version of this 60-year-old classic shows that respecting a song’s history can also mean breaking the rules and finding new ways to express its spirit. Fundamentally, “Subterranean Homesick Blues” presents Ghost of Panama as artists who want to engage with the past without being tied to it. The release’s strongest identity is a familiar heritage reimagined through a singularly forward-looking creative vision.

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Artist Spotlight

“NO MORE” by Amanda Holley connects healing, awakening, and survival

Amanda Holley

“NO MORE carries that kind of emotional weight, and some songs feel like they come from lived experience but reach for something bigger. Amanda Holley blends R&B and soul, turning a lifetime of survival into a vision of healing, awakening, and the determination to move beyond what caused the pain.

“NO MORE is a healing anthem for people who have gone through bad experiences and reached a place of higher awareness, but it’s also an emotionally charged protest. The duality is introspective and outward-looking at the same time, turning personal survival into a broader declaration that some experiences, conditions, or cycles should end.

Holley had a premonition of the song six months before the world went into global shutdown. In the vocal booth, working out melodies with her collaborators, she pictured people in the streets. Those images were hard to imagine at the time, but subsequent events would make them painfully familiar.

“NO MORE is given a particularly contemplative underpinning by the context. The identity of R&B and soul leaves room for emotion. The song’s themes link survival, awakening, resistance, and the need for change. Amanda Holley is an artist using music to process personal endurance and a broader sense of social awakening. It’s got a complicated significance, and its release feels like a glimpse of a moment when personal intuition and public reality collided in an unexpected way.

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Photo Credit: Yulia Shusharina

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