Music
Hundred Round Kado showcases a new album, “Never Lost A Gun Fight (Allegedly)”
Boston-based lyricist Hundred Round Kado, whose name means “gift” in his native language, Haitian Creole. He embodies a revolutionary and emotionally raw spirit reminiscent of the Golden Age of hip-hop; aggressiveness mixed with deep introspection. This versatility is a testament to his superpower – articulating his experiences into words without creative compromise. However, the emerging underground MC, the byproduct of systemic racism, violence, and poverty, was heavily influenced by trap music (Gucci, Jeezy, T.I., Boosie, ZRo, Playa Fly). At 32 years old, Kado has spent one-third of his reality behind bars, yet his desire for rap has never wavered; if anything, it has intensified. The proof can be seen in his latest creation, Never Lost A Gun Fight (Allegedly).
Artfully executed, Kado’s 11th release is a tightly-wrapped 14-song tracklist with various perspectives and masterfully narrated by Charlie Masheen, who shines seamlessly. The title single is a cathartic ghetto gospel that opens with Masheen’s thought-provoking spoken word laying the energetic groundwork for Kado to spit his soul-baring truths over a sparse soundscape. On records like “Gratitude,” “Dead Person,” and “9 And A Nina,” there’s a soulful rap&b vibe as the MC flawlessly flows atop melodic basslines, while cuts like “Boolin In The Kut” and “Bring Your Skale” find Kado showcasing his ability for cinematic storytelling.
Each track is thorough enough to stand on its own yet as a whole, Never Lost A Gun Fight (Allegedly) is a brick-laced bar-for-bar symphony of cohesive hood poetry. It took over a decade of growth, highs, and lows, lock-ups and freedom, death, and life for Kado to produce the autobiographical content found in the project. From subject matter ranging from legal woes and street politics to relationship struggles and spiritual breakthroughs, Kado’s young OG reputation was earned. “I don’t rap; I make my life rhyme,” says Kado about why he makes music. Over the last few months, Kado has managed to drop back-to-back music videos for tracks from Never Lost A Gunfight (Allegedly) while confined to house arrest. The ability to hone in on the art and focus is seen in the outcome of the visuals; they don’t follow conventional scripts. In the video for the single “Dededede,” the dynamic rapper shows himself as somewhat of a bibliophile as the camera pans across his bedroom bookshelf showcasing the works of literary icons like Toni Morrison, Octavia Butler, and Zora Neale Hurston.
This collection of female authors might seem somewhat of an anomaly for a gang member currently out on bail while awaiting trial for a gun charge (allegedly), but Kado is a rare breed. On the strength of individual and professional respect, multi-Grammy-winning artist Malik Yusef introduced Kado to Roc Nation artist Vic Mensa while on the 4:44 Tour with Jay Z in 2017. The relationship proved to be mutually priceless.
“Kado is one of the most talented lyricists I know,” says Mensa. “The elite level of his wordplay is probably only trumped by the gravity of his story, which is breathtaking; born in federal prison, it’s a miracle he’s still alive and has been able to transmute his pain into passion. Kado held me down in some tough times when I had a lot of people out for me, but it wasn’t until 2021 when he was locked up facing a life, that our relationship became what it is today.
In those 8-9 months, I sent him nearly 40 books ranging from James Baldwin to Eckhart Tolle and saw this miraculous transformation take place in him as he began to harness his innate power to build, as opposed to destroying. In many of these verses, he spits for me when he was doing his time and always inspired me to go harder.” Yusef says, “Kado speaks the language of a certain journey that few will ever decode, but almost all will enjoy.”
Known as the Godfather of New England, Kado has a head for entrepreneurship and a heart for service. The strategic businessman has a portfolio of investments encompassing a barbershop, hair salon, clothing store, studio, and art gallery. Living up to the meaning of his name, Kado is truly a gift. A marginalized outsider who became an insider against all odds, including a 20-year history within the criminal justice system, the intelligent artist doesn’t know what his future holds. However, mentally, emotionally, spiritually, and creatively speaking, he’s free.
Artist Spotlight
DONELLI A.I. ENSEMBLE offers a jazz fusion and electronic atmosphere on “Previsioni del tempo incerto”
DONELLI A.I. ENSEMBLE unveils an 18-track album, “Weather Forecasts of Unknown Weather”, blending jazz fusion, world music, progressive rock, new age, and cinematic textures with sounds inspired by the 80s. The album is built on compositions made with keyboards, samplers, and DAW software, as well as collaborations with other musicians, which are then rearranged and reworked with the help of artificial intelligence. The process embeds technology directly into the creative fabric of the project.
The album opens with “Previsioni del tempo incerto”, which features trumpet and vocals with the rest of the ensemble, setting up the album’s blend of instrumental and vocal elements. “Villistas” is more dancey, with dreamy synths and layered compositions that create a lighter electronic atmosphere. The differences between these tracks show that the album is willing to move between genres rather than stay in a single fixed sonic category.
“Claudia” opens with a saxophone and the sweet presence of a jazz orchestra, adding a more traditional jazz colour to the album’s wider electronic and cinematic landscape. The quality of “Pigalle” continues to pull the listener in with its atmospheric approach and vocal effects. Together, these selections reveal the project’s oscillation between acoustic-inspired instrumental timbres and electronically shaped spaces.
The album closes with a softer track, “ninna nanna”, thanks to its gentle presence and composition. The positioning brings the stylistic range heard across the record to a peaceful close. “Previsioni del tempo incerto” is defined by its willingness to blend contrasting musical languages, jazz, world, prog rock, electronic production, cinematic atmosphere, and 80s-inspired textures into a single expansive project. That cross-genre approach, with AI-assisted reworkings as another element of the album’s evolving sound, is especially clear in the artistic direction of the DONELLI A.I. ENSEMBLE.
Connect with DONELLI A.I. ENSEMBLE on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Mark Cee unveils an acoustic storytelling with a restless edge on New Album “Ghost Talk Show”
Mark Cee, an ambient indie folk artist dedicated to the art of the human recording, releases a nine-track album titled “Ghost Talk Show.” A set of folk-rock and singer-songwriter songs built on acoustic textures, personal reflection, memory, and emotional movement. The album begins with a conversational feel that lets the themes play out in character-driven tunes and melodic playing. The result is an album that is simultaneously intimate acoustic writing and sporadic ventures into electric rock.
The album begins with “I Am Dreaming Of,” an acoustic-tinged song about the possibilities of who someone could be and the desire to have that potential recognized. The way it reflects establishes the mood for what follows, a mood of memories. “Drifting Back Again” is a look back at past behavior, dealing with the complicated feeling of looking back at experiences that weren’t necessarily good but still have an undeniable emotional pull.
“Thought I Saw You Yesterday” has that reflective feel all the way through, with acoustic guitar and catchy vocals making the tune memorable and easy to get into. There’s a darker metaphorical edge to the album in “Skeletons on Your Lawn,” which explores the idea of hidden truths that can’t stay hidden. “And Now The Rain Is Gone” later turns towards leaving the past behind, and “Wish You Were Coming Home” adds an especially emotional quality to the record.
The last track, “Don’t Buy Gas Station Gummies,” shakes up the instrumental palette with catchy electric rock guitar, providing an energetic finish to an album largely defined by acoustic sensibilities. The “Ghost Talk Show” shows Mark Cee’s artistic direction, which is based on storytelling and emotional observation. The album moves around memory, regret, longing, self-reflection, and forward motion but always keeps a recognizable folk-rock base. Other tracks on the album:
And Now the Rain Is Gone (Instrumental)
Sweet Jenny.
Connect with Mark Cee on Spotify || Instagram || Facebook || Youtube
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