Music

Mimi Pretend Redefines Heartbreak with Unapologetic New Single, ‘Guys in LA’

Mimi Pretend, the talented singer-songwriter known for her emotionally charged music, unveils her latest single, “Guys in LA.” The track is a part of her upcoming album, “Sick Eros,” which is a chronicle of love, heartbreak, and self-discovery. Mixed and mastered by Chris Ostler of Black Honey, this collaboration has resulted in an exceptional piece of art that reflects Mimi’s personal and musical growth.

Mimi Pretend’s journey with Chris Ostler began during the pandemic, where they connected over Skype, allowing Ostler to guide Mimi through the intricacies of mixing and producing her music. This partnership has played a significant role in shaping her sound and allowing her to explore new depths in her artistry.

“Guys in LA” diverges from Mimi Pretend’s usual exploration of the aches and pains of love, as she ventures into uncharted territory. The song is a testament to her time at the California Institute of the Arts (CalArts), which challenged her to write in ways that were foreign to her, ultimately leading to the creation of her alternate persona, Mimi.

The single is a perfect amalgamation of Mimi’s experiences, inspirations, and newfound writing techniques. It retains the soundscapes and textures that accompany sadness, while introducing a refreshing and uplifting melody that captures the essence of happiness. The track follows the adventures of the other Mimi, with a backdrop of old cars, haunted mansion pools, foggy beaches, bourbon, cloves, and a unique blend of southwestern gothic, LA noir, and grunge aesthetics.

“Guys in LA” is a vivid representation of Mimi Pretend’s growth as an artist, both personally and musically. The song showcases her versatility, as she breaks away from the role she once created for herself – the girl who wallowed in self-pity and couldn’t save herself. This single signifies a transformation and a rebirth, as Mimi Pretend embraces the complexity of emotions and experiences in life.

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Artist Spotlight

Lisa Boostani creates a mesmerizing tidal realm in “Ocean”

Lisa Boostani’s “Ocean” takes you deep into a sensory world where body, spirit, and myth come together, beyond the surface of genre. Boostani makes a soundscape that is both ethereal and deeply human by combining the broad essence of psychedelic pop with the strong appeal of alternative rock.

Her voice rises as if it is coming from deep within her, shaped by emotion rather than action. She intentionally channels the intangible, turning weakness into strength rather than a source of pain, and “Ocean” tells people to get involved in this inner world, not just watch it. This release is an integral part of her first EP, “One,” which will come out in March 2026 and is based on love, sensuality, and unity.

If “Ocean” is any indication, the EP will show sensuality not as something pretty, but as a kind of spiritual intelligence, a way to know yourself by connecting with others. The song’s textures and structure have an aquatic quality, moving between clarity and delirium, rhythm and freedom. Its emotional focus is on immersion instead of resolution.

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NOAH. captures the unspoken signals in enchanting R&B track “That’s Bless”

“That’s Bless” captures the unspoken late-night message, the smile that was exchanged from afar, and the feeling you sense but are afraid to say. NOAH. offers a song with a smoky R&B feel and lyrics that capture unspoken tension, firmly in the realm of emotional ambiguity, where connection is clear but not defined.

This piece concerns the subtle discomfort of mixed signals and quiet longings, when looks say more than words ever could. NOAH. handles the theme with restraint, letting the chemistry simmer rather than explode. NOAH.’s delivery shows a confident gentleness, recognizing that some feelings don’t need strict definitions to be real.

In “That’s Bless,” he captures the essence of connection and the compelling allure that endures, even when both parties pretend it is not there. The composition is based on real-life events, and it acknowledges that specific attachments endure in the heart long after one has persuaded oneself of having progressed.

“That’s Bless” is at the crossroads of closeness and distance, clarity and confusion. The song doesn’t resolve the tension it talks about, and that’s what makes it so powerful. It sums up the connection we say we don’t want but keep coming back to in memory, rhythm, and pulse.

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