Music
S.J. Armstrong’s “Designing A Spacecraft” Propels Intergalactic Rock Masterpiece to New Heights.
S.J. Armstrong’s latest classic rock single, “Designing A Spacecraft,” propels the genre to new cosmic heights that transcend boundaries! With a fusion of electrifying riffs and cosmic melodies, Armstrong showcases his multi-instrumental prowess and innovative approach to creating a mellow indie landscape that defies convention. The track’s abstract nature presents ordinary people in a unique and quirky light, drawing enthusiasts into a captivating interstellar voyage.
This multi-talented 27-year-old musician from Southern California, now based in Seattle, delivers a signature layered vocal array that adds depth and texture, setting the song apart from the crowd. The blend of modern and retro sounds exemplifies Armstrong’s ability to seamlessly bridge the golden era of rock music with contemporary recording techniques.
“Designing A Spacecraft” is a testament to Armstrong’s commitment to authenticity, as the entire album features real instruments, eschewing software instruments and vocal tuning. The result is an organic, genuine sound that resonates with rock enthusiasts of all generations.
With this intergalactic masterpiece, S.J. Armstrong solidifies his position as a standout artist in the Seattle Area music scene. As we eagerly await his second album, it’s evident that Armstrong’s unique vision and talent will continue to elevate the world of rock music in the second half of 2023 and beyond.
CLICK HERE TO STREAM S.J. Armstrong’s “Designing A Spacecraft“ on Spotify.
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Artist Spotlight
“Hell has frozen over” finds Sarina choosing peace over being understood
Sarina’s new track, “Hell has frozen over,” explores the less dramatic, more complicated moment of reaching the end of the road, being gaslit, ignored, rejected, and painfully lonely. It translates the emotional burnout into a rock-pop context that’s easy to understand.
“Hell has frozen over” focuses on the decision to step away, instead of explaining, defending, or seeking understanding from people who refuse to listen. The rock foundation gives it the right weight, the pop influence makes it accessible, and the focus stays on the emotional message.
Sarina’s art is the struggle of loss and being strong in yourself. It’s about understanding that protecting your peace is more important than being understood. And that’s the emotional balance that gives the release its character so that the subject matter has relevance beyond a particular circumstance.
“Hell has frozen over“ is a relief from the burden of carrying on a debate that will never be resolved. Sarina turns an experience of isolation into a statement about boundaries, resilience, and the choice not to get caught in the same cycle. The result is a record that’s at its best when it’s being true to what it feels like to finally be free from whatever has been holding you down.
Photo Credit: Andrea Hunter
Artist Spotlight
Girlhood finds summer warmth and quiet freedom on “Lemon Aid”
“Lemon Aid“ is a warm indie-pop ballad from Girlhood that finds comfort in the ordinary and weaves in a sense of release. This song is about surrendering to the moment, finding space to breathe, and letting a little lightness back in. This reflective core is surprising, given the warm summer-night feel of the track, hinting at a moment of emotional rebalancing.
Singer-songwriter Natalie Holmes has a tender personality and fronts the slow-burning “Lemon Aid.” The production supports that softness, keeping the song’s gentle mood and intimate direction front and center. Beneath the comfort is a thoughtful examination of pressure, transition, and the need to pause.
The song’s link to the streets of Stroud offers yet another layer of art to the work. Familiar places can mean something when life feels uncertain, and the emotional scene involves storefronts, parks, cafes, and leafy, winding streets. “Lemon Aid“ searches for beauty in everyday places and rituals, finding still moments that mean something without getting carried away.
The track is the first release of Girlhood’s forthcoming album, “This Will Make Sense In The End,” a more reflective chapter with hope at its heart. “Lemon Aid” is about softness, conjuring a space where dancing, wandering, and just existing can feel like a cure. It’s an unleashing of small observations and soft emotional movement and a clear indication of the thoughtful direction that Girlhood is heading next.
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