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Miss Freddye: Pittsburgh’s Soulful Songstress Who Will Rock Your Blues Away!

Meet Miss Freddye Stover, fondly dubbed as Pittsburgh’s “Lady of the Blues”. More than just an entertainer, this magnificent woman is a beacon of hope and resilience. She is a two-time breast cancer survivor, an advocate for those on the autism spectrum, and a healthcare professional. Her unique blend of empathy and rhythm has touched countless hearts and made a significant impact in Pittsburgh and beyond.

Born and raised in the Garfield section of Pittsburgh, Freddye had a deep love for music from a young age. Despite her early passion, it wasn’t until later in life that the world would come to know her as the phenomenal vocalist, Miss Freddye. Her journey was fraught with challenges. She battled breast cancer not once, but twice in 1998 and 2004. However, Freddye’s indomitable spirit, strength, and faith helped her overcome these life-threatening battles. Now, she isn’t just surviving, she’s thriving – living proof of the resilience of the human spirit.

In addition to her passion for music, Freddye has dedicated over three decades of her life to nursing. Her compassionate approach to patient care has earned her high praise from colleagues. For Freddye, nursing isn’t just a job, but a calling. She believes in giving back to the community and pours her heart into her work, providing comfort to her patients and their families during their toughest moments.

Freddye’s musical journey commenced in 1996 in a somewhat unexpected manner. Her then-boyfriend, a bass player named Mike Thompson, heard her singing and was deeply moved by her soulful voice. This encounter led her to join a band named Blues Music Works, which was seeking a singer at that time.

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In 2002, Freddye formed her own band, Blue Faze. Eventually, she established two more bands – Miss Freddye’s Blues Band and Miss Freddye’s Homecookin’ Band. Freddye honed her musical skills through relentless practice and dedication, without any formal musical training.

Freddye’s generous spirit extends beyond the hospital. She’s an ardent participant in numerous charity events, often using her music as a vehicle to give back to the community. As a mother to a son on the autism spectrum, she is actively involved with Band Together Pittsburgh, a nonprofit that provides musical experiences and vocational opportunities for people with autism.

Her involvement with charities isn’t limited to autism advocacy. Freddye uses her platform to raise funds for cancer research, frequently performing at American Cancer Society’s Relay for Life and Leechburg’s Pink Day, a fundraiser for the Breast Cancer Research Foundation.

Miss Freddye’s life is a testament to the resilience and the power of positivity. Her extraordinary journey from a cancer survivor to Pittsburgh’s “Lady of the Blues” is truly awe-inspiring. Freddye’s story reminds us that we are stronger than our circumstances, capable of transforming our trials into triumphs. In the face of adversity, she chose to sing, transforming her pain into soulful melodies that continue to touch hearts worldwide.

Miss Freddye remains a beloved figure in Pittsburgh, not just for her blues and gospel music, but for her unwavering spirit and her commitment to serving others. As she continues to blend her love for nursing and music, Miss Freddye is a potent reminder of the healing power of music and the magic that happens when we refuse to give up. Let’s celebrate this remarkable woman, her music, and her enduring legacy!

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Artist Spotlight

Fanny Alexandra explores emotional recovery and self-discovery on “Ceasefire”

Fanny Alexandra

Not every fight ends a relationship, and there could be long-term emotional damage, with questions about identity, attachment, and the difficult path to moving on. “Ceasefire” is a ghostly alternative rock ballad in which Fanny Alexandra navigates difficult terrain, exploring emotional dependency and the search for selfhood after a toxic relationship.

“Ceasefire” is full of sad melodies and hints of atmospheric rock, making it a dark, cinematic listen. The song’s alt-rock pivot provides an emotionally charged foundation, and it’s about the internal battle, especially when your identity has been so tied to another person.

Fanny Alexandra’s ethereal vocal approach suits the song, lending real emotional weight to the exploration of self-loss and internal tension. “Ceasefire” is a reflective track, with atmospheric instrumentation and deeply personal songwriting that capture feelings that can linger long after a tough chapter closes.

It’s about finding yourself again, and its emotional arc moves from openness and dependence to the hard-earned discovery that personal freedom is more than just walking away. Fanny Alexandra’s love for dark, emotional alternative music inspired “Ceasefire.” Her art is about intimate storytelling, cinematic atmosphere, and making music that explores the quieter struggles people tend to keep inside. In this record, she turns the fallout from a toxic relationship into a meditative reflection on the long road to selfhood.

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Artist Spotlight

Stephani Ezatoff honors Elvis Presley’s legacy on powerful new single “Run On”

Stephani Ezatoff

Gospel-rooted music carries emotional weight, especially when it explores the tension between faith, love, and accountability. With “Run On,“ Stephani Ezatoff combines these into a rock version of Elvis Presley’s famous 1967 version of the traditional African American gospel hymn.

Ezatoff doesn’t simply retrace history but surrounds it with a unique atmosphere of powerful vocals and an ever-intensifying arrangement. The single was recorded at the legendary Sound Shop Studio on Music Row in Nashville and has an interesting connection to Elvis Presley’s own recording history. The studio session was located a stone’s throw from RCA’s Studio B, where Elvis recorded his own version of the hymn.

This adds another layer of meaning to an already meaningful release, placing Ezatoff’s take within Nashville’s musical heritage. Aaron Minick’s arrangement plays on the contrast between divine love and judgment, which is central to the track’s identity. The production builds slowly, and the song becomes a dramatic, cinematic experience. Ezatoff also makes a unique contribution by singing all the vocals herself.

The story of how the recording was made adds to the poignancy of “Run On.” This is one of the last releases made at Sound Shop Studio, which hosted artists like Dolly Parton and Brenda Lee, but closed for good just days after the session. For Stephani Ezatoff, “Run On“ is a vital link between generations of musicians preserved in a recording that’s a piece of Nashville history.

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