Indie
Sasha Ortiz releases her debut solo EP, “Superblue”
Sasha Ortiz has always pushed the boundaries of art and music. Her debut solo EP, “Superblue,” is a remarkable and thought-provoking exploration of BDSM, polyamory, and the complexities of human relationships. This 4-track EP is a personal odyssey for Sasha, with each track as a page from her diary. The EP is an intimate revelation of her experiences, struggles, and triumphs.
Clocking in at 16 minutes and 44 seconds, “Superblue” is a chronicle of Sasha’s journey. From the electrifying opener “On Your Side” to the soulful “Do You Want My Love?” and the title track “Superblue,” Sasha’s lyrical prowess and genre-blending musicality shine. The EP journey traverses consent, boundaries, trust, and liberation themes. Sasha’s ability to weave these complex narratives into catchy dance-pop, alternative, R&B, and psych-rock melodies is genius.
The production, co-writing, and mixing credits of “Superblue” belong to Reef Boii, a musical powerhouse in his own right. Dave Cooley, known for his work with J. Dilla and Blood Orange, has mastered the EP, ensuring that every note and beat perfectly resonates.
Sasha Ortiz is a seasoned artist who has previously released music under the moniker “Kissy” and graced stages as a backing vocalist for illustrious artists such as The Kills, Sharon Jones and the Dap-Kings, Lady Wray, Carla Morrison, and Charles Bradley. She takes center stage with “Superblue,” ready to captivate audiences with her raw authenticity and unfiltered storytelling.
The EP reaches its poignant climax with “In Time,” a testament to Sasha’s resilience and ability to transform pain into power. “Superblue” is a manifesto of self-discovery and self-love. With this EP, Sasha Ortiz redefines the boundaries of music and art.
Artist Spotlight
Dirty Hands Nation turns abandonment into an anthem on “Ghost I Use To Know”
Dirty Hands Nation‘s “Ghost I Use To Know” hits you hard emotionally. It turns personal loss into something bold, raw, and undeniably powerful. The track’s with a cold, reflective tone, paint vivid pictures of absence and emotional distance, immediately drawing the listener in.
The song starts small, but as it goes on, it becomes an anthem for anyone who has ever felt alone. The hook has a bitter edge and soars with anger and strength. It captures the pain of seeing people leave when things get tough. But there is strength in that bitterness. This isn’t a song about breaking up, it’s about not doing it.
The song’s lyrics go right to the point. Lines that say no to fake love and empty validation resonate with a sense of self-awareness and defiance. There is no begging or chasing after dreams here; instead, there is a strong acceptance of reality and a desire to move forward stronger.
Connect with Dirty Hands Nation on Spotify || Instagram || Facebook || Youtube
Artist Spotlight
Michael Soul hides from being open with new release “Hiding”
Michael Soul’s new single, “Hiding,” is a dark, hypnotic electronic track that takes listeners to a private place in their minds where they are alone, thinking, and feeling upset. “Hiding” was written when the author was very lonely. Michael Soul turns days of being alone, when silence seemed to last forever, and connection seemed impossible, into an immersive sound.
Andrea Mastroiacovo’s polished work makes the single even better, clarifying and deepening the song’s dark mood. The production carefully reflects that emotional weight with simple textures and dark electronic sounds that make you feel like you’re alone with your thoughts.
“Hiding” is a song about feeling alone, scared, and wanting to hide from being open. It asks questions that are quiet but sharp, like why do we hide what we feel? How does fear ruin love? And can we stop going in circles of misunderstanding and emotional distance? These echoes linger long after the track ends, prolonging the sound.
Connect with Michael Soul on Spotify || Instagram || Youtube ||Soundcloud
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