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Nicki Minaj Fires Back with ‘Bigfoot’—The Musical Showdown You Didn’t See Coming

Nicki Minaj

Nicki Minaj Fires Back with ‘Bigfoot’—The Musical Showdown You Didn’t See Coming

 

In an unexpected twist, Nicki Minaj has just dropped a bombshell—her brand-new single, “Bigfoot,” is set to hit the airwaves at 3 PM PST on January 28! The announcement, accompanied by a sassy image of Megan Thee Stallion looking less than impressed, hints at a potential musical face-off following the release of Megan’s latest track, “Hiss.”

The rap battlefield reached a fever pitch this week as Megan’s “Hiss” took aim at Nicki, targeting her controversial connections to sex offenders. The mention of “Megan’s Law” in the lyrics directly alludes to the sex offender registry law, a topic close to Minaj’s personal life, particularly concerning her husband, Kenneth Petty. Petty, a childhood friend of Minaj, served time for attempted rape of a minor.

Nicki Minaj, typically vocal on Twitter, has chosen to respond in the best way she knows how—through her music. The surprise drop of “Bigfoot” adds a new layer to the ongoing feud, leaving fans eagerly anticipating the lyrical sparring between these two powerhouse artists.

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The beef has stirred mixed emotions among rap enthusiasts, with some feeling Megan went too far while others question the shadows cast on Minaj’s past. As the feud intensifies, fans are delving deeper into the details, uncovering surprising revelations about Nicki’s alter ego, “Roman Zolanski,” whose name is a nod to controversial director Roman Polanski. The director infamously pleaded guilty to the statutory rape of a 13-year-old girl.

Minaj has already teased the involvement of “Roman” in the feud, leaving followers speculating about the meaning behind her cryptic tweets. One popular theory connects the dots to rumors about Megan’s ex, Pardison Fontaine, echoing the drama detailed in Megan’s late 2023 track “Cobra.”

Get ready for the musical showdown of the year as Nicki Minaj takes on Megan Thee Stallion with “Bigfoot”—a track set to make waves and leave fans eagerly dissecting every verse!

Entertainment

The Jonas Brothers Just Played Halftime At The NFL’s First-Ever Game In Australia

Jonas Brothers performing at their Happiness Begins Tour stop in Nashville, 2019
Photo: Hart1300caleigh / Wikimedia Commons (CC BY-SA 4.0)

The NFL played its first-ever regular season game on Australian soil Friday, and the league handed the halftime slot to a band that knows a thing or two about stadium-sized nostalgia: the Jonas Brothers. At the Melbourne Cricket Ground, with the Los Angeles Rams and San Francisco 49ers on the field, the trio ran through a medley built for a crowd that grew up on them — “Burnin’ Up,” “Sucker,” “Year 3000,” and their new one, “Listen When Sad.”

They also did something no one was expecting: a cover of John Farnham’s “You’re the Voice,” the 1986 Australian anthem that’s basically a second national song at this point. It’s the kind of move that plays a lot better live in Melbourne than it would’ve on paper. “Playing at the iconic Melbourne Cricket Ground in front of such passionate Australian fans is an incredible honor,” the group said in a statement ahead of the show. “We can’t wait to be part of this historic moment and celebrate with everyone in the stadium and watching around the world.”

The game itself wasn’t close — the 49ers took it 27-7 — but the real story was everything happening around the field. Cody Simpson opened the day singing “Advance Australia Fair,” and the whole event doubled as a launchpad for the Jonas Brothers’ next act: “The Burning Up Tour All Over Again,” kicking off Sept. 25 and running through Dec. 22, a nod to the original Burnin’ Up Tour from nearly two decades back.

That throwback framing isn’t just marketing. “Listen When Sad,” which the band debuted live at Madison Square Garden before Melbourne, pulls from a very specific corner of their teenage years. “We’ve tapped back into a sound that was kind of the sound of the early 2000s,” Nick told the MSG crowd. “Bands like Switchfoot, Taking Back Sunday, Dashboard Confessional.” They’ve even re-teamed with the producer behind “A Little Bit Longer” and “Lines, Vines and Trying Times” to get it right. No album’s been announced yet, but between the halftime show and the tour, it’s clear they’re not easing into this one quietly.

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Entertainment

Harry Styles Is Extending His Tour Into 2027 — And Finally Playing U.S. Stadiums Solo

Harry Styles performing during his Live on Tour show in Nashville, 2018
Photo: itsloutual / Wikimedia Commons (CC BY 3.0)

Harry Styles just told fans that “Together, Together” isn’t done yet. He’s tacking on 25 more stadium dates through 2027 — and this time he’s finally doing something he’s never done before as a solo artist: headlining stadiums in the U.S. and Canada.

The new leg kicks off in Phoenix on April 2 and rolls through Dallas, Los Angeles, Toronto, Atlanta and Chicago before jumping to Europe for stops in Berlin, Paris, Madrid, Rome and Dublin, wrapping with three nights at Wembley Stadium on Aug. 28. Tickets run $60 to $300, but Styles is also rolling out something new: “Unpredictable Fun Tickets,” a batch of $20 seats (£20 or €20, depending on the market) meant to keep the tour accessible, alongside a returning partnership with EARNT that lets fans earn tickets by volunteering in their communities.

Styles broke the news the old-fashioned way, in a newsletter to fans, confirming these are the tour’s “final cities.” “After that, I don’t know what comes next for me,” he wrote, “but I know that I’m excited to find out.” Every stop gets its own opening act, and the lineup is genuinely wild — Kylie Minogue in LA, Tears For Fears in London, LCD Soundsystem in Rome, Lainey Wilson in Toronto, and Caroline Polachek in Paris, among others.

This caps a run that’s already made history: Styles picked up a Guinness World Record in June for the longest residency by a musician at Wembley Stadium, beating out Coldplay’s old mark. The tour is behind his fourth album, “Kiss All the Time. Disco, Occasionally.,” which debuted at No. 1 on both the Billboard 200 and the UK Albums Chart. If this really is the last lap, he’s making sure it’s the biggest one yet.

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